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Here lies the life of a mid 20th century escapist, propelled by instinct from the bland predictable English lifestyle into the unknown. Fleeing from behind convent walls, she watched as the white cliffs of Dover faded into the horizon, poised to slither into the land of the baguette and her initiation into the French attitude. Crossing the Atlantic she donned a pair of rabbit ears and became inducted into the Playboy Club and the mysteries of the American male mind, before zigzagging across the United States in a yellow E type Jaguar. On reaching San Francisco she won the right to be one of the first married women to waitress in the not so friendly skies, to be conscripted to patrol the aisles of an aluminum tube at 37,000 feet, slinging out rice and water to pilgrims on their way to redemption in Mecca, while on the road to discovering her passion for Tribal Art.
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
A Companion to Modern Art presents a series of original essays by international and interdisciplinary authors who offer a comprehensive overview of the origins and evolution of artistic works, movements, approaches, influences, and legacies of Modern Art. Presents a contemporary debate and dialogue rather than a seamless consensus on Modern Art Aims for reader accessibility by highlighting a plurality of approaches and voices in the field Presents Modern Art’s foundational philosophic ideas and practices, as well as the complexities of key artists such as Cezanne and Picasso, and those who straddled the modern and contemporary Looks at the historical reception of Modern Art, in addition to the latest insights of art historians, curators, and critics to artists, educators, and more
Published to accompany the exhibition Jackson Pollock held the Museum of Modern Art, New York, from 1 November 1998 to 2 February 1999.