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Oozing with men, money, and Maseratis, Dubai is the ultimate playground for the woman who knows her Louboutins from her Louis Vuittons. But for some, there’s a lot more at stake than a Hermes Birkin. Leila has been in search of a wealthy husband for over a decade. Nadia moves to Dubai to support her husband’s career, only to have her sacrifices thrown in her face. Sugar escapes the UK in an attempt to escape her past. Lady Luxe, the rebellious Emirati heiress, scoffs at everything her culture holds sacred. Until the day her double life starts unravelling at the seams. Set against a backdrop of luxury hotels and manmade islands, Desperate in Dubai tells the tale of four desperate women as they struggle to find truth, love, and themselves.
This is the true story of Herve Jaubert, a former french naval officer and marine engineer who served as a covert operative for the french secret service. In 2004, Dubai government offered a partnership to develop a submarine manufacturing company in Dubai. Due to a corrupt system and egomaniacal leaders, he became a scapegoat and victim of extortion, he was threatened with police torture, and eventually found himself under house arrest in Dubai with no passport. Using the skills he had developed as a spy for the counter espionage service, he escaped in 2008 in dinghy and sailed to India. Escape from Dubai is the real life account of his misadventures, from his first meeting with Dubai officials, to his lawsuit in Florida after Dubai officials found out he had escaped and was publishing his story.
A Finalist for the 2019 Kirkus Prize in Nonfiction "Nayeri combines her own experience with those of refugees she meets as an adult, telling their stories with tenderness and reverence.” —The New York Times Book Review "Nayeri weaves her empowering personal story with those of the ‘feared swarms’ . . . Her family’s escape from Isfahan to Oklahoma, which involved waiting in Dubai and Italy, is wildly fascinating . . . Using energetic prose, Nayeri is an excellent conduit for these heart–rending stories, eschewing judgment and employing care in threading the stories in with her own . . . This is a memoir laced with stimulus and plenty of heart at a time when the latter has grown elusive.” —Star–Tribune (Minneapolis) Aged eight, Dina Nayeri fled Iran along with her mother and brother and lived in the crumbling shell of an Italian hotel–turned–refugee camp. Eventually she was granted asylum in America. She settled in Oklahoma, then made her way to Princeton University. In this book, Nayeri weaves together her own vivid story with the stories of other refugees and asylum seekers in recent years, bringing us inside their daily lives and taking us through the different stages of their journeys, from escape to asylum to resettlement. In these pages, a couple fall in love over the phone, and women gather to prepare the noodles that remind them of home. A closeted queer man tries to make his case truthfully as he seeks asylum, and a translator attempts to help new arrivals present their stories to officials. Nayeri confronts notions like “the swarm,” and, on the other hand, “good” immigrants. She calls attention to the harmful way in which Western governments privilege certain dangers over others. With surprising and provocative questions, The Ungrateful Refugee challenges us to rethink how we talk about the refugee crisis. “A writer who confronts issues that are key to the refugee experience.” —Viet Thanh Nguyen, Pulitzer Prize–winning author of The Sympathizer and The Refugees
Winner of the Restless Books Prize for New Immigrant Writing "Guest workers of the United Arab Emirates embody multiple worlds and identities and long for home in a fantastical debut work of fiction, winner of the inaugural Restless Books Prize for New Immigrant Writing.… The author's crisp, imaginative prose packs a punch, and his whimsical depiction of characters who oscillate between two lands on either side of the Arabian Sea unspools the kind of immigrant narratives that are rarely told. An enchanting, unparalleled anthem of displacement and repatriation." —Kirkus Reviews, starred review In the United Arab Emirates, foreign nationals constitute over 80 percent of the population. Brought in to construct and serve the towering monuments to wealth that punctuate the skylines of Abu Dhabi and Dubai, this labor force is not given the option of citizenship. Some ride their luck to good fortune. Others suffer different fates. Until now, the humanitarian crisis of the so-called “guest workers” of the Gulf has barely been addressed in fiction. With his stunning, mind-altering debut novel Temporary People, Deepak Unnikrishnan delves into their histories, myths, struggles, and triumphs. Combining the linguistic invention of Salman Rushdie and the satirical vision of George Saunders, Unnikrishnan presents twenty-eight linked stories that careen from construction workers who shapeshift into luggage and escape a labor camp, to a woman who stitches back together the bodies of those who’ve fallen from buildings in progress, to a man who grows ideal workers designed to live twelve years and then perish—until they don’t, and found a rebel community in the desert. With this polyphony of voices, Unnikrishnan maps a new, unruly global English and gives personhood back to the anonymous workers of the Gulf. "Guest workers of the United Arab Emirates embody multiple worlds and identities and long for home in a fantastical debut work of fiction, winner of the inaugural Restless Books Prize for New Immigrant Writing.… The author's crisp, imaginative prose packs a punch, and his whimsical depiction of characters who oscillate between two lands on either side of the Arabian Sea unspools the kind of immigrant narratives that are rarely told. An enchanting, unparalleled anthem of displacement and repatriation." —Kirkus Reviews, Starred Review "Inventive, vigorously empathetic, and brimming with a sparkling, mordant humor, Deepak Unnikrishnan has written a book of Ovidian metamorphoses for our precarious time. These absurdist fables, fluent in the language of exile, immigration, and bureaucracy, will remind you of the raw pleasure of storytelling and the unsettling nearness of the future." —Alexandra Kleeman, author of You Too Can Have a Body Like Mine “Inaugural winner of the Restless Books Prize for New Immigrant Writing, this debut novel employs its own brand of magical realism to propel readers into an understanding and appreciation of the experience of foreign workers in the Arab Gulf States (and beyond). Through a series of almost 30 loosely linked sections, grouped into three parts, we are thrust into a narrative alternating between visceral realism and fantastic satire.... The alternation between satirical fantasy, depicting such things as intelligent cockroaches and evil elevators, and poignant realism, with regards to necessarily illicit sexuality, forms a contrast that gives rise to a broad critique of the plight of those known euphemistically as ‘guest workers.’ VERDICT: This first novel challenges readers with a singular inventiveness expressed through a lyrical use of language and a laserlike focus that is at once charming and terrifying. Highly recommended.” —Henry Bankhead, Library Journal, Starred Review “Unnikrishnan’s debut novel shines a light on a little known world with compassion and keen insight. The Temporary People are invisible people—but Unnikrishnan brings them to us with compassion, intelligence, and heart. This is why novels matter.” —Susan Hans O’Connor, Penguin Bookshop (Sewickley, PA) “Deepak Unnikrishnan uses linguistic pyrotechnics to tell the story of forced transience in the Arabian Peninsula, where citizenship can never be earned no matter the commitment of blood, sweat, years of life, or brains. The accoutrements of migration—languages, body parts, passports, losses, wounds, communities of strangers—are packed and carried along with ordinary luggage, blurring the real and the unreal with exquisite skill. Unnikrishnan sets before us a feast of absurdity that captures the cruel realities around the borders we cross either by choice or by force. In doing so he has found what most writers miss: the sweet spot between simmering rage at a set of circumstances, and the circumstances themselves.” —Ru Freeman, author of On Sal Mal Lane “Deepak writes brilliant stories with a fresh, passionate energy. Every page feels as if it must have been written, as if the author had no choice. He writes about exile, immigration, deportation, security checks, rage, patience, about the homelessness of living in a foreign land, about historical events so strange that, under his hand, the events become tales, and he writes tales so precisely that they read like history. Important work. Work of the future. This man will not be stopped.” —Deb Olin Unferth, author of Revolution “From the strange Kafka-esque scenarios to the wholly original language, this book is amazing on so many different levels. Unlike anything I've ever read, Temporary People is a powerful work of short stories about foreign nationals who populate the new economy in the United Arab Emirates. With inventive language and darkly satirical plot lines, Unnikrishnan provides an important view of relentless nature of a global economy and its brutal consequences for human lives. Prepare to be wowed by the immensely talented new voice.” —Hilary Gustafson, Literati Bookstore (Ann Arbor, MI) “Absolutely preposterous! As a debut, author Unnikrishnan shares stories of laborers, brought to the United Arab Emirates to do menial and everyday jobs. These people have no rights, no fallback if they have problems or health issues in that land. The laborers in Temporary People are sewn back together when they fall, are abandoned in the desert if they become inconvenient, and are even grown from seeds. As a collection of short stories, this is fantastical, imaginative, funny, and even more so, scary, powerful, and ferocious.” —Becky Milner, Vintage Books (Vancouver WA)
In a land where Kings still rule, I am a Princess. You must know me only as Sultana, for I cannot reveal my true name for fear that harm will come to me and my family for what I am about to tell you. Think of a Saudi Arabian princess and what do you see? A woman glittering with jewels, living a life of unbelievable luxury. She has gold, palaces, swimming-pools, servants, designer dresses galore. But in reality she lives in a gilded cage. She has no freedom, no vote, no control over her own life, no value but as a bearer of sons. Hidden behind the veil, she is a prisoner, her jailers her father, her husband, her sons. 'Sultana' is a member of the Saudi royal family, closely related to the King. For the sake of her daughters, she decided that it was time for a woman in her position to speak out about the reality of life for women in her country, whatever their rank. She tells of her own life, from her turbulent childhood to her arranged marriage - a happy one, until her husband decided to take a second wife - and of the lives of her sisters, her friends and her servants. In contrast to the affection and easy camaraderie amongst the women, she relates a history of appalling oppression against them, everyday occurrences that in any other culture would be seen as shocking human rights violations: forced marriages, servants bullied into sex slavery, summary executions. Princess is a testimony to a woman of indomitable spirit and great courage. By speaking out, 'Sultana' risked bringing the wrath of the Saudi establishment upon her head and upon the heads of her children. For this reason, she told her story anonymously.
Boom town, modern marvel, commercial hub, where middle-east meets wealthy west, playground for tourists, crawling with ex-pats, built by Indians, owned by Arabs, Dubai has risen from next to nothing to an awful lot in little more than thirty years. How? And can it go on? Has it sold itself to the corporate dollar? Is it anything more than a mall in the desert? Will the sands return? Joe Bennett goes to find out.
After finally achieving the lifestyle she so desperately craved, Moon finds herself in a world of trouble when her new found fame and success pushes her into the spotlight, while also making her a target. When a familiar face from the past resurfaces, Moon is forced to face old and new secrets she thought she'd buried. Thrusting her back into a cycle of self sabotage, promiscuity and desperate actions. Proving that karma never misses its mark and mostly everyone has a price tag. In this sequel, you will not only find out exactly what changed a regular small town daddy's girl, into a ruthless, calculated, money hungry heaux. But you'll also find out the high cost most women have pay to appear to have it all.
A novel of Dubai, The Sand Fish by Maha Gargash offers readers a fascinating glimpse into another corner of the world. Set in the 1950s in what is now the United Arab Emirates, The Sand Fish tells the poignant and powerful story of a rebellious young woman trapped in a repressive society—as richly atmospheric a look at Middle Eastern life and culture as The Kite Runner by Khaled Hosseini and Alaa Al Aswany’s The Yacoubian Building.
This revealing portrait of the famously wealthy Persian Gulf city investigates the human cost of its miraculous rise to global prominence. In less than two decades, Dubai has transformed itself from an obscure territory of the United Arab Emirates into a global center for business, tourism, and luxury living. With astonishing skyscrapers and tax-free incomes, its rulers have made Dubai into a playground for the global elite while skillfully downplaying its systemic human rights abuses and suppression of dissent. It is a fascinating case study in light-speed urban development, massive immigration, and vertiginous inequality. In Dubai: Gilded Cage, sociologist Syed Ali delves beneath the dazzling surface to analyze how—and at what cost—Dubai has achieved its success. Ali brings alive a society rigidly divided between expatriate Westerners enjoying opulent lifestyles on short-term work visas, native Emiratis who are largely passive observers, and workers from the developing world who provide the manual labor and domestic service needed to keep the emirate running, often at great personal cost. “At last, a comprehensive expose of the economic and sexual exploitation that erected this utopia of greed. Syed Ali has seen the future in Dubai and it doesn’t work.” —Mike Davis, author of Planet of Slums
Captain Herve Jaubert breaks his silence in this explosive true story of Princess Latifa with stunning revelations. Princess Latifa had planned to escape from the Maktoums’ stranglehold for her whole life. She knew the risk of running for freedom. She would have died trying rather than live in submission. When she escaped from Dubai on February 24, 2018, with the help of former French spy Herve Jaubert, Sheikh Mohammed launched a military attack against a US private yacht never seen in maritime history. Latifa is no ordinary princess; she is a tigress; she fought to scream, bite, and kick the Indian commandos who stormed the American yacht where she had taken refuge. They kidnapped her with everyone onboard and took her back to the clenches of her father, the Emir of Dubai. She suffered torture and humiliation because of her determination. Princess Latifa tells us how Sheikh Mohammed sees himself above the law for kidnapping princesses from the streets in the UK or a vessel under US jurisdiction and disappearing others who tried. Her story shows a pattern of abuse over the last twenty years, inhuman treatment, kidnapping, and disappearances on the order of His “Highness” Sheikh Mohammed bin Rashid Al Maktoum, in total impunity. Latifa should be returned to US Jurisdiction, where she was taken from. She believes no adult woman in the 21st century should be under Islamic male “possessionship.” It is laughable for Sheikh Mohammed to call himself a champion of women’s rights when he tortures and imprisons his own daughters. Despite the words her father’s minions put in her mouth, Latifa is not free; she is a modern-day hero who deserves to be praised for what she tried to achieve.