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Rashid will help Olivia and the baby she’s been caring for escape the violence in Behruz, but he must guard his heart. He can’t risk being hurt by her again. Olivia has her own reasons for keeping her distance from Rashid. If Rashid learns that the baby is actually hers—and his—the sultan of Behruz will make sure she loses everything that matters to her. Their escape involves traveling with a group of nomads across the mountains into Iran. As they trek together by day and sleep beside each other in a nomad tent at night, the attraction that has always drawn them to each other grows ever stronger, Can Olivia survive the trip without revealing her secrets and without losing her heart to Rashid once again?
This book explores the interrelation between diversity in migrants’ internal relations and their experience of inequality in local and global contexts. Taking the case of Hamburg-based Iranians, it traces evaluation processes in ties between professionals – artists and entrepreneurs – since the 1930s, examining migrants’ potential to act upon hierarchical structures. Building on long-term ethnographic fieldwork and archival work, the book centers on differentiation, combining a diversity study with a focus on locality, with a transnational migration study, analysing strategies of capital creation and anthropological value theory. The analysis of migrants’ agency tackles questions of independence and cooperation in kinship, associations, transnational entrepreneurship and cultural events within the context of the position of Germany and Iran in the global politico-economic landscape. This material will be of interest to scholars and students of anthropology, sociology, migration, urbanism and Iranian studies, as well as Iranian-Germans and those interested in the entanglement of global and local power relations.
Lay?la’s trip to Behruz, her father’s country and home of her early years, is meant to be one last adventure before she joins her dreamboat fiancé in Texas. But Behruz casts a spell on her. Her knowledge as a midwife is needed there. Serving women’s health in a country where no one talks about “such things” presents interesting challenges. Majid, an American-trained doctor, is back home in Behruz serving his people.? He’s ready to settle down, but because of an old family ?bias, American women are forbidden to him. That’s no problem until Layla walks into his clinic with a sassy smile, a jar of semen, and a blond fiancé back home.
Identical twin brothers Ruzbeh and Behruz fall in love with the same girl. Behruz leaves for America to escape the doomed romance, while Ruzbeh stays and fights in the Iran-Iraq War, to be later devastated by shell-shock. Behruz returns to Iran to help his brother and sets off a series of life changing events.
ÊEmpires, Kingdoms, nation states and even minorities (ethnic or otherwise) enjoy varying degrees of attention in the history of mankind. The same is not always true of the categories of people we refer to as "refugees" or "immigrants". Yet, every war, revolution or upheaval produces huge numbers of them. Among other things, From Herat to Tehran tries to redress this imbalance. It is more than a novel.
Relaying Cinema in Midcentury Iran investigates how the cultural translation of cinema has been shaped by the physical translation of its ephemera. Kaveh Askari examines film circulation and its effect on Iranian film culture in the period before foreign studios established official distribution channels and Iran became a notable site of world cinema. This transcultural history draws on cross-archival comparison of films, distributor memos, licensing contracts, advertising schemes, and audio recordings. Askari meticulously tracks the fragile and sometimes forgotten material of film as it circulated through the Middle East into Iran and shows how this material was rerouted, reengineered, and reimagined in the process.
A mythical kingdom Legend has it that only those chosen by destiny can gain entry into Shambhala, the mythical kingdom believed to hold the ancient wisdom that humanity will need to resurrect itself from the inevitable apocalypse. They are the Avatari. An ancient artefact When Henry Ashton, a retired British Army officer settled in the Yorkshire dales, receives a letter from a monk entreating him to prevent a `hidden treasure? stolen from a Laotian monastery from being misused, he finds himself honour-bound to respond. Assisted by a retired Gurkha Sergeant, a high-strung mathematician from Oxford with a Shambhala fixation of her own, and an American mercenary on the CIA?s hit list, Ashton?s mission leads to an ancient map that dates back to the time of the great Mongol, Kublai Khan. A secret that must not be revealed The group follows the trail, risking the perils of the inhospitable deserts of Ladakh, turmoil in Pakistan and the rugged mountains of Northern Afghanistan, where the Afghan War is at its height. But they are up against a deadly adversary with seemingly unlimited resources, who will stop at nothing to get possession of the ancient secret ? a secret that, if revealed, could threaten the very fabric of human civilization?'
"Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, [this four-volume set] explains Iran's peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran."--Page 4 of cover.