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A revelatory, fly-on-the-wall collection of photographs and stories documenting Eddie Van Halen at work in his famed but seldom seen 5150 studio, from the 2004 reunion with Sammy Hagar through the 2007 reunion with David Lee Roth. “When kids ask me how it feels to be a rock star, I say, ‘I’m not a rock star. I’m not in it for the fame, I’m in it because I like to play.’” Eddie Van Halen A fortuitous call from a stranger in the middle of the night led to a once-in-a-lifetime assignment. The stranger was Eddie Van Halen. The assignment, as Eddie related it, was to “capture the truth. Show people how hard I work, because that’s the truth.” Having no idea where this would lead or in what form it might be shared, Andrew Bennett spent portions of the next two years relentlessly documenting everything that occurred inside Eddie’s sanctuary: from rehearsals, recording sessions, and revealing conversations, to vicious arguments, a brotherly brawl, and a wild heist attempt in the middle of the night. Bennett memorialized every square foot of that sacred space, every piece of equipment, and every guitar—including Eddie’s beloved Frankenstrat. Featuring more than two hundred photographs, and accompanied by intimate reflections on what the author witnessed, Eruption in the Canyon presents an incomparable portrait of one of the most revered artists in history.
On November 13, 1985, catastrophic mudflows swept down the slopes of the erupting Nevado del Ruiz volcano, destroying structures in their paths. Various estimates of deaths ranged as high as 24,000 residents. Though the nature and extent of risk posed by the mudflows to local communities were well documented before the event and extensive efforts had been made to communicate this information to those at risk, the affected communities were caught largely unaware. This volume analyzes the disaster's many aspects: the extent, constitution, and behavior of the mudflows; the nature of damage to structures; the status of the area's disaster warning system; and the extent of the area's disaster preparedness, emergency response actions, and disaster relief effortsâ€"both at the time of the disaster and in the first few months following the event.
-Could the Grand Canyon's rock layers have formed in a single year of Noah's flood?-Why are there no dinosaur, bird or mammal fossils in the canyon's layers?-How do we know that radiometric dating methods are reliable?-How can we tell what happened in the unobserved past?-How long did it take to carve out the canyon?-Is Young Earth Creationism really biblical?Learn the answers to these questions and more to understand how the Grand Canyon testifies to an old earth. Insights from top geologists, highlighted by stunning photographs, provide a memorable guide to these ancient wonders of creation.
In the early morning hours of May 18, 1980, the pristine scenery around Washington's Mount St. Helens was shattered by a powerful explosion that devastated its north slope. The eruption of a landmark mountain had begun. In the aftermath, amid the rivers of mud, blankets of ash, and eerie quiet, scientists made a startling discovery: "nature" was bringing life out of death, re-claiming from the destruction a teeming colony of plant and animal life. Most amazing of all, the geological upheavals had re-created the processes of old that had carved out such marvels as the Grand Canyon. Today, the site stands as a testament to the power of God, who upholds all of creation. In His infinite wisdom, He has shown the modern science of geology that the earth is much, much younger that many suspected.
Presents a collection of surreal poems that blend science and art.
While John McPhee was working on his previous book, Rising from the Plains, he happened to walk by the engineering building at the University of Wyoming, where words etched in limestone said: "Strive on--the control of Nature is won, not given." In the morning sunlight, that central phrase--"the control of nature"--seemed to sparkle with unintended ambiguity. Bilateral, symmetrical, it could with equal speed travel in opposite directions. For some years, he had been planning a book about places in the world where people have been engaged in all-out battles with nature, about (in the words of the book itself) "any struggle against natural forces--heroic or venal, rash or well advised--when human beings conscript themselves to fight against the earth, to take what is not given, to rout the destroying enemy, to surround the base of Mt. Olympus demanding and expecting the surrender of the gods." His interest had first been sparked when he went into the Atchafalaya--the largest river swamp in North America--and had learned that virtually all of its waters were metered and rationed by a U.S. Army Corps of Engineers' project called Old River Control. In the natural cycles of the Mississippi's deltaic plain, the time had come for the Mississippi to change course, to shift its mouth more than a hundred miles and go down the Atchafalaya, one of its distributary branches. The United States could not afford that--for New Orleans, Baton Rouge, and all the industries that lie between would be cut off from river commerce with the rest of the nation. At a place called Old River, the Corps therefore had built a great fortress--part dam, part valve--to restrain the flow of the Atchafalaya and compel the Mississippi to stay where it is. In Iceland, in 1973, an island split open without warning and huge volumes of lava began moving in the direction of a harbor scarcely half a mile away. It was not only Iceland's premier fishing port (accounting for a large percentage of Iceland's export economy) but it was also the only harbor along the nation's southern coast. As the lava threatened to fill the harbor and wipe it out, a physicist named Thorbjorn Sigurgeirsson suggested a way to fight against the flowing red rock--initiating an all-out endeavor unique in human history. On the big island of Hawaii, one of the world's two must eruptive hot spots, people are not unmindful of the Icelandic example. McPhee went to Hawaii to talk with them and to walk beside the edges of a molten lake and incandescent rivers. Some of the more expensive real estate in Los Angeles is up against mountains that are rising and disintegrating as rapidly as any in the world. After a complex coincidence of natural events, boulders will flow out of these mountains like fish eggs, mixed with mud, sand, and smaller rocks in a cascading mass known as debris flow. Plucking up trees and cars, bursting through doors and windows, filling up houses to their eaves, debris flows threaten the lives of people living in and near Los Angeles' famous canyons. At extraordinary expense the city has built a hundred and fifty stadium-like basins in a daring effort to catch the debris. Taking us deep into these contested territories, McPhee details the strategies and tactics through which people attempt to control nature. Most striking in his vivid depiction of the main contestants: nature in complex and awesome guises, and those who would attempt to wrest control from her--stubborn, often ingenious, and always arresting characters.
“We are homesick everywhere,” writes Tishani Doshi, “even when we’re home.” With aching empathy, righteous anger, and rebellious humor, A God at the Door calls on the extraordinary minutiae of nature and humanity to redefine belonging and unveil injustice. In an era of pandemic lockdown and brutal politics, these poems make vital space for what must come next—the return of wonder and free movement, and a profound sense of connection to what matters most. From a microscopic cell to flightless birds, to a sumo wrestler and the tree of life, Doshi interrupts the news cycle to pause in grief or delight, to restore power to language. A God at the Doorinvites the reader on a pilgrimage—one that leads us back to the sacred temple of ourselves. This is an exquisite, generous collection from a poet at the peak of her powers.
Created for map lovers by map lovers, this rich book explores the intriguing stories behind maps across history and illuminates how the art of cartography thrives today. In this visually stunning book, award-winning journalists Betsy Mason and Greg Miller--authors of the National Geographic cartography blog "All Over the Map"--explore the intriguing stories behind maps from a wide variety of cultures, civilizations, and time periods. Based on interviews with scores of leading cartographers, curators, historians, and scholars, this is a remarkable selection of fascinating and unusual maps. This diverse compendium includes ancient maps of dragon-filled seas, elaborate graphics picturing unseen concepts and forces from inside Earth to outer space, devious maps created by spies, and maps from pop culture such as the schematics to the Death Star and a map of Westeros from Game of Thrones. If your brain craves maps--and Mason and Miller would say it does, whether you know it or not--this eye-opening visual feast will inspire and delight.
At once terrifyingly destructive and awe-inspiringly beautiful, volcanoes have long fascinated humankind. From Vesuvius and Etna to Krakatau and Mount Saint Helen’s, these molten rock- and ash-spewing geysers have destroyed whole cities and countless lives, and altered the course of history. Yet our understanding of volcanoes on Earth—and throughout the celestial world—remains maddeningly incomplete. With Alien Volcanoes, Rosaly M. C. Lopes and Michael W. Carroll offer a dynamic tour of volcanic activity across the solar system. Through eight gracefully written chapters laced with gripping photographs and stunning artwork, Lopes and Carroll survey the complete spectrum of volcanism in time and location, from the solar system’s origin to the modern era and from the familiar shield volcanoes of the terrestrial worlds to the bizarre superchilled geysers on distant ice moons. In the process, they entertain the possibility of hidden lakes on Saturn’s moon Enceladus, discuss the potential effects of greenhouse gases on Neptune’s moon Triton, reconstruct the last moments of life for Pompeiians in the face of an erupting Mount Vesuvius, and explain how a 4,000-mile-long river of lava could have once flowed freely across the plains of Venus. Richly illustrated with original paintings supplemented by NASA and European Space Agency photographs, Alien Volcanoes advances our knowledge of volcanoes on other heavenly bodies, enhances our ability to comprehend how they came into being on Earth, and describes how we might better predict the impact of future eruptions.
Eighty-five black-and-white photos and accompanying essays share the beauty of the canyons and mesas of the Colorado Plateau and the history of the resourceful inhabitants.