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Ben Yagoda's How to Not Write Bad illustrates how we can all write better, more clearly, and for a wider readership. He offers advice on what he calls "not-writing-badly," which consists of the ability, first, to craft sentences that are correct in terms of spelling, diction (word choice), punctuation, and grammar, and that also display clarity, precision, and grace. Then he focuses on crafting whole paragraphs—with attention to cadence, consistency of tone, sentence transitions, and paragraph length. In a fun, comprehensive guide, Yagoda lays out the simple steps we can all take to make our writing more effective, more interesting—and just plain better.
Not loaded with theory, Skip's invaluable book contains concise, easily understood and applied advice for both writing and marketing any kind of book, article, story, play, screen-play, report, proposal or anything else you can think of.How to Write What You Want and Sell What You Write is for every writer or wannabe who needs to sort out his or her desires, capabilities and strengths and, even more importantly, learn the particular formats for the kind of writing in which he or she is interested.
Why you need a writing revolution in your classroom and how to lead it The Writing Revolution (TWR) provides a clear method of instruction that you can use no matter what subject or grade level you teach. The model, also known as The Hochman Method, has demonstrated, over and over, that it can turn weak writers into strong communicators by focusing on specific techniques that match their needs and by providing them with targeted feedback. Insurmountable as the challenges faced by many students may seem, The Writing Revolution can make a dramatic difference. And the method does more than improve writing skills. It also helps: Boost reading comprehension Improve organizational and study skills Enhance speaking abilities Develop analytical capabilities The Writing Revolution is as much a method of teaching content as it is a method of teaching writing. There's no separate writing block and no separate writing curriculum. Instead, teachers of all subjects adapt the TWR strategies and activities to their current curriculum and weave them into their content instruction. But perhaps what's most revolutionary about the TWR method is that it takes the mystery out of learning to write well. It breaks the writing process down into manageable chunks and then has students practice the chunks they need, repeatedly, while also learning content.
Treatment of Error offers a realistic, well-reasoned account of what teachers of multilingual writers need to know about error and how to put what they know to use. As in the first edition, Ferris again persuasively addresses the fundamental error treatment questions that plague novice and expert writing specialists alike: What types of errors should teachers respond to? When should we respond to them? What are the most efficacious ways of responding to them? And ultimately, what role should error treatment play in the teaching of the process of writing? The second edition improves upon the first by exploring changes in the field since 2002, such as the growing diversity in what is called “L2 writers,” the blurring boundaries between “native” and “non-native” speakers of English, the influence of genre studies and corpus linguistics on the teaching of writing, and the need the move beyond “error” to “second language development” in terms of approaching students and their texts. It also explores what teacher preparation programs need to do to train teachers to treat student error. The second edition features * an updating of the literature in all chapters * a new chapter on academic language development * a postscript on how to integrate error treatment/language development suggestions in Chapters 4-6 into a writing class syllabus * the addition of discussion/analysis questions at the end of each chapter, plus suggested readings, to make the book more useful in pedagogy or teacher development workshops
"In this eBook, you'll learn the principles of grammar and how to manipulate your words until they're just right. Strengthen your revising and editing skills and become a clear and consistent writer." --
This book looks at aspects of L2 research that influence error correction, finding that second language acquisition takes time and that second language writers' texts differ from those written by native English speakers. Using this research, Dana R. Ferris dispels the myth that diligent teacher correction and student editing can lead to perfect, error-free texts. In clear and simple terms, Ferris makes six suggestions for things teachers can do in the classroom regarding error correction and provides samples. Other issues regarding the expectations of students and others—such as in timed (high-stakes) situations—as it relates to "perfect" papers are examined. The book closes by addressing the basic principles of developing students' language skills in second language/ESL writing classes.
Don’t let simple mistakes ruin your book’s chances! If you’re not getting published, you may suffer from foggy writing—writing that’s full of unnecessary, misused, and overused words. Foggy writing drives editors crazy, and it’s the number one reason most manuscripts are rejected on first glance. Let veteran editor Don McNair show you how to clear up your foggy writing and produce sparkling copy that will attract agents, editors, readers, and sales. Editor-Proof Your Writing will show you how to avoid fatal writing mistakes by eliminating unnecessary words—and in the process you’ll strengthen your book’s action, invigorate your dialogue, and make your writing crackle with life. Containing 21 simple, straightforward principles, Editor-Proof Your Writing teaches how to edit weak verb forms, strip away author intrusions, ban redundancies, eliminate foggy phrases, correct passive-voice sentences, slash misused and overused words, and fix other writing mistakes. A must-have addition to every writer’s toolkit, Editor-Proof Your Writing won’t just make your writing clearer; it will make you a better writer — more expressive, more entertaining, and more likely to sell.
Offers an up-to-date analysis of issues related to providing, using and researching feedback, including new developments in technology.
The year is 1932, and America is roiling with unrest. Angry WWI veterans, embittered by the ruinous poverty inflicted by the Great Depression, join forces and, calling themselves the Bonus Army, march on Washington to demand payment of the wartime bonus promised them for their service during the war. Arthur and Douglas Sinclair, an impoverished veteran and his son, make the arduous journey from Kansas to join the march. Alden and Sutton Kelly, the rebellious children of a powerful Washington judge, become involved with the veterans’ struggle, causing an irreparable rift in the Kelly family. When the Bonus march explodes in a violent clash between government and veteran forces, Arthur is falsely accused of conspiracy and disappears. The lives of Douglas, Alden, and Sutton are forever changed—linked inextricably by the absence of Arthur Sinclair. As these three lives unfold in the wake of the Bonus riots, we are taken to unexpected places—from the underground world of a Soviet spy to Hemingway’s Florida and the hard labour camps of Roosevelt’s New Deal Projects in the Keys; from occultist circles in London to occupied Paris and the eventual fall of Berlin; and finally, to the German prison camp where French composer Olivier Messiaen originally wrote and performed his famous Quartet for the End of Time. Taking us on an unforgettable journey through individual experience and memory against the backdrop of seismic historical events, Quartet for the End of Time is both a profound meditation on human nature and an astonishing literary accomplishment from one of Canada’s most original voices.
So, you want to publish books.Drawing on 23 years of experience operating an independent publishing company, Joe Biel has written the most accessible and comprehensive guide to running a successful publishing business. You'll learn all the skills of the trade, including how to:Develop your individual books to connect with readers on a practical and emotional levelChoose between offset printed, digitally printed, and eBook formats and work effectively with printersBuild an authentic niche so you can reach your audience and sell books directlyUnderstand if and when you're ready to work with a distributor or large online retailerCreate a budget and predict the cost and income of each book so your company stays in the blackDecide what work you need to do yourself and what can be done by othersPlan for sustainable growthFeaturing interviews with other upstart independent publishers and funny anecdotes from publishing's long history as well as detailed charts and visuals, this book is intended both beginners looking for a realistic overview of the publishing or self-publishing process and for experienced publishers seeking a deeper understanding of accounting principles, ways to bring their books to new audiences, and how to advance their mission in a changing industry. All readers will come away with the confidence to move forward wisely and a strong sense of why publishing matters today more than ever.