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The work of many of the 20th century's finest photographers, including such renowned international figures as Helmut Newton, Herb Ritts, Jeanloup Sieff, and Jurgen Teller, are brought together in sumptuous style for this superbly designed tribute to the breast. 120 photos, 70 in color.
Cult hero, radio personality, and internet maven, Mr. Skin has penned the essential guide to celebrity nudity in a combination of hard, reliable data and hilarious, captivating entertainment.
Table of Contents Chapter 1 The Breast in History Chapter 2 The Breast in Art Chapter 3 The Concept of Social & Public Breast Chapter 4 Aesthetic Considerations for an Ideal Breast Chapter 5 Definition of the Normal Breast and Natural Ptosis including Analysis of Breast Ptosis using Breast-Key Concept Approach Chapter 6 Enlarge, push up, Reduce, Lift: There is a Plastic Surgery Solution for Everyone 6.1 Breast Reduction 6.2 Breast Lifting and Mastopexy 6.3 Breast Reconstruction 6.4 Breast Augmentation 6.5 Combined Procedures for Breast Enhancement About the Author: Dr. Bouraoui Kotti is a world-renowned Aesthetic Plastic & Reconstructive surgeon. He was involved in his career in different positions in Tunisia and UAE as a plastic surgeon or consulted as an expert to build plastic surgery practice in different hospitals in Abu Dhabi and Dubai. Presently, Dr Kotti is practicing in private setting in Tunis as a consultant in plastic surgery with a visiting position to the American Academy of Cosmetic surgery in Dubai. Book Information: ISBN: 9-781-838-088828 Pages: 107
"A sumptuously documented book, one that makes innovative use of the principle of montage to generate informative historical readings of Japan's myriad mass cultural phenomena in the early twentieth century. Both in terms of its scholarship and its methodology, this is a truly admirable work."—Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University "As Miriam Silverberg has brilliantly shown here, the modern times of 1920s and ‘30s Japan were rendered in a cacophony of cultural mixing: a period of consumerist desires and Hollywood fantasy-making but also the rise of nationalist empire-building. Excavating its kaleidoscope of everyday culture Silverberg astutely offers a theory of montage for how Japanese subjects 'code-switched' in juggling the mixed cultural/political elements of these times. Utilizing a montage of media, texts, sites, and scholarship, Silverberg leads the reader into the terrain of the 'erotic grotesque nonsense' in a work that is as scintillating as it is theoretically important."—Anne Allison, author of Millennial Monsters: Japanese Toys and the Global Imagination "Unlike other scholars who merely view ero-guro-nansensu in its literal meanings, Silverberg brilliantly documents it as a complex cultural aesthetic expressed in a spectrum of fascinating mass culture forms and preoccupations. With great erudition and humor, she traces the sensory and conceptual modes that are animated with potency and sophistication through this cultural metaphor. This book is destined to be a classic in Japan scholarship."—Laura Miller, author of Beauty Up: Exploring Contemporary Japanese Body Aesthetics
Tha author of "the Sexuality Forum" advice column shares dozens of stories covering dating, intercourse, voyeurism, lubricants, STDs, and sexual positions, among other topics. Original. 25,000 first printing.
Breasts are integral to mothers' bodies; over the life course, they can swell, droop, be judged, be aroused, lactate, be altered, be removed. A woman's own breasts may be foremost in her mind during some life events, only to recede into the background at other times. Breasts are complex; they are enveloped by larger cultural meanings that go far beyond their mammary gland function, and we cannot fully understand breasts without examining the myriad discourses surrounding them. Social policies, cultural norms, and interpersonal interactions all help construct localized breast discourses which, in turn, shape mothers' breast experiences. Through examining commonalities and differences over the lifespan, we can see that women's breast experiences inform us about the social conditions in which women live their lives.
Drawing on examples from art, media, fashion, history and memoir, cultural critic Rosemarie Garland-Thomson tackles a basic human interaction which has remained curiously unexplored, the human stare. In the first book of its kind, Garland-Thomson defines staring, explores the factors that motivate it, and considers the targets and the effects of the stare. While borrowing from psychology and biology to help explain why the impulse to stare is so powerful, she also enlarges and complicates these formulations with examples from the realm of imaginative culture. Featuring over forty illustrations, Staring captures the stimulating combination of symbolic, material and emotional factors that make staring so irresistible while endeavoring to shift the usual response to staring, shame, into an engaged self-consideration. Elegant and provocative, this unique study advances new ways of thinking about visuality and the body that will appeal to readers who are interested in the overlap between the humanities and human behaviors.
In the twenty-first century, the consumption of beauty services and cosmetic surgery in Turkey has developed from an elite phenomenon to an increasingly common practice, especially among younger and middle-aged women. Turkey now ranks among the top countries worldwide with the highest number of cosmetic procedures, and with its cultural and economic capital, Istanbul has become a regional center for the beauty and fashion industries. Istanbul Appearances illustrates the profound effects of this growing market on urban residents’ body images, gendered norms, and practices. Drawing upon extensive fieldwork carried out in beauty salons and clinics in different parts of the city, Liebelt explores how standards of femininity and female desire have shifted since the consolidation of power and authoritarian rule of the conservative, Islamic Justice and Development Party. Arguing that the politics of beauty are intricately bound up with the politics of race, class, gender, and sexuality, Liebelt shows that female bodies have become a major site for the negotiation of citizenship. It is in the numerous beauty salons and clinics that heteronormative ideals and images of gendered bodies become real, embodied in a complex array of emotional desires of who and what is considered not only beautiful but also morally proper.
Nose reconstructions have been common in India for centuries. South Korea, Brazil, and Israel have become international centers for procedures ranging from eyelid restructuring to buttock lifts and tummy tucks. Argentina has the highest rate of silicone implants in the world. Around the globe, aesthetic surgery has become a cultural and medical fixture. Sander Gilman seeks to explain why by presenting the first systematic world history and cultural theory of aesthetic surgery. Touching on subjects as diverse as getting a "nose job" as a sweet-sixteen birthday present and the removal of male breasts in seventh-century Alexandria, Gilman argues that aesthetic surgery has such universal appeal because it helps people to "pass," to be seen as a member of a group with which they want to or need to identify. Gilman begins by addressing basic questions about the history of aesthetic surgery. What surgical procedures have been performed? Which are considered aesthetic and why? Who are the patients? What is the place of aesthetic surgery in modern culture? He then turns his attention to that focus of countless human anxieties: the nose. Gilman discusses how people have reshaped their noses to repair the ravages of war and disease (principally syphilis), to match prevailing ideas of beauty, and to avoid association with negative images of the "Jew," the "Irish," the "Oriental," or the "Black." He examines how we have used aesthetic surgery on almost every conceivable part of the body to try to pass as younger, stronger, thinner, and more erotic. Gilman also explores some of the extremes of surgery as personal transformation, discussing transgender surgery, adult circumcision and foreskin restoration, the enhancement of dueling scars, and even a performance artist who had herself altered to resemble the Mona Lisa. The book draws on an extraordinary range of sources. Gilman is as comfortable discussing Nietzsche, Yeats, and Darwin as he is grisly medical details, Michael Jackson, and Barbra Streisand's decision to keep her own nose. The book contains dozens of arresting images of people before, during, and after surgery. This is a profound, provocative, and engaging study of how humans have sought to change their lives by transforming their bodies.
Tudor England, 1588 Lady Jayne Boleyn lives in disgraced exile, far away from the scandal that destroyed her reputation. She would do anything to return—even seduce a daredevil captain and spy on enemy forces with only her barely controlled Fae powers to protect her. The Spanish dons resent pirate Lord Calyx's leading role in their impending attack on England, but his rivals would kill him outright should they ever learn he's not only half-Spanish—he's also half-human. On the lookout for spies who might unmask him, Calyx's suspicions settle on Jayne…but so do his lusts. Duty demands Jayne and Calyx be enemies, but fate has made them loyal lovers. Together, they may thwart the combined malice that threatens to alter the fate of Europe. But as a final confrontation looms, Jayne must choose between her long-cherished redemption and the precious, newly discovered secrets of her heart. Book three of The Magick Trilogy. 97,000 words