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We are proud to present the next book of a 20-volume edition of classics of the erotic genre published before World War II. A total of 104 titles are included, most of them from the pen of authors who, for obvious reasons, wished to conceal their real names. This approach, on the other hand, allowed them to give free reins to their unbridled imagination and go wild, so that the eroticism in their works is at times over the top, remaining the benchmark for the authors of contemporary obscene books. Just do not try to repeat the described feats at home. Well, not all of them. We've warned you. =================================== Suburban Souls: The Erotic Psychology of a Man and a Maid (by Anonymous – Jacky S) The Confessions of Nemesis Hunt (by George Reginald Baccus) The Life and Amours of the Beautiful, Gay and Dashing Kate Percival, The Belle of the Delaware (written by herself) Birch in the Boudoir (by Anonymous)
We are proud to present the next book of a 20-volume edition of classics of the erotic genre published before World War II. A total of 104 titles are included, most of them from the pen of authors who, for obvious reasons, wished to conceal their real names. This approach, on the other hand, allowed them to give free reins to their unbridled imagination and go wild, so that the eroticism in their works is at times over the top, remaining the benchmark for the authors of contemporary obscene books. Just do not try to repeat the described feats at home. Well, not all of them. We've warned you. =================================== Suburban Souls: The Erotic Psychology of a Man and a Maid (by Anonymous – Jacky S) The Confessions of Nemesis Hunt (by George Reginald Baccus) The Life and Amours of the Beautiful, Gay and Dashing Kate Percival, The Belle of the Delaware (written by herself) Birch in the Boudoir (by Anonymous)
A masterpiece of linguistics scholarship, at once erudite and entertaining, confronts the thorny question of how—and whether—culture shapes language and language, culture Linguistics has long shied away from claiming any link between a language and the culture of its speakers: too much simplistic (even bigoted) chatter about the romance of Italian and the goose-stepping orderliness of German has made serious thinkers wary of the entire subject. But now, acclaimed linguist Guy Deutscher has dared to reopen the issue. Can culture influence language—and vice versa? Can different languages lead their speakers to different thoughts? Could our experience of the world depend on whether our language has a word for "blue"? Challenging the consensus that the fundaments of language are hard-wired in our genes and thus universal, Deutscher argues that the answer to all these questions is—yes. In thrilling fashion, he takes us from Homer to Darwin, from Yale to the Amazon, from how to name the rainbow to why Russian water—a "she"—becomes a "he" once you dip a tea bag into her, demonstrating that language does in fact reflect culture in ways that are anything but trivial. Audacious, delightful, and field-changing, Through the Language Glass is a classic of intellectual discovery.
Harvard psychologist and philosopher William James' The Varieties of Religious Experience: A Study in Human Nature explores the nature of religion and, in James' observation, its divorce from science when studied academically. After publication in 1902 it quickly became a canonical text of philosophy and psychology, remaining in print through the entire century. "Scientific theories are organically conditioned just as much as religious emotions are; and if we only knew the facts intimately enough, we should doubtless see 'the liver' determining the dicta of the sturdy atheist as decisively as it does those of the Methodist under conviction anxious about his soul. When it alters in one way the blood that percolates it, we get the Methodist, when in another way, we get the atheist form of mind."
Villagers speak in hushed voices of ghostly beings wandering the forest on All Hallows’ Eve. Princess Ellia ignores the tales and forages for mushrooms, but she trips and sprains her ankle. And she is not alone. A stranger appears amongst the trees, and Ellia trembles with both fear and desire. The woman—Ursula--tends the princess’ injury, but that’s not all. She does more. Much more. Under the ancient trees. On the forest floor. Atop the mossy ground.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
"Sweethearts" is the true story of one of Hollywood's greatest cover-ups: the love affair between Jeanette MacDonald and Nelson Eddy. Known as 'America's Singing Sweethearts' of the 1930s and 40s, they made eight box office hits together for Metro-Goldwyn-Mayer and became the most popular singing team in movie history. Rumor had it that they hated each other off-screen but the truth was that they were secretly engaged in the summer of 1935 while filming their famous "Mountie" movie, "Rose Marie." Interference by studio boss Louis B. Mayer triggered a series of tragic events that caused them to self-destruct their film careers, health and ultimately their lives. The author was a close friend of MacDonald's older sister (actress Blossom Rock) plus had access to a wealth of unpublished letters, eyewitness accounts, diary entries, love letters and the unfinished memoirs of both Jeanette MacDonald and Isabel Eddy, Nelson's mother. Rich also interviewed over 200 co-stars, co-workers, family and friends. Included among her more famous sources were MGM stars Rise Stevens and Miliza Korjus, opera stars Rose Bampton, Helen Jepson and Theodor Uppman, MGM co-workers William Tuttle and Fred Phillips, and U.S. Senate Chaplain Richard Halverson who, in his youth, was MacDonald's butler/chauffeur. This is a completely rewritten and updated version of the 1994 edition, including an additional chapter, new information in every chapter, more photos and over 50 pages of source notes. "Sweethearts" was a selection of the Entertainment Book Club and the #1 Best Seller on Booksurge.com for 4 weeks in March 2002. Reviews: "Offers considerable proof they may have been secret lovers for years." Robert Osborne "Sweethearts" is one of the finest books about Metro-Goldwyn-Mayer and Hollywood during the Golden Era. It is a bittersweet love story of a famous couple whose musical duets on the silver screen thrilled a generation of moviegoers. They were a once-in-a-lifetime experience. With the knowledge, thanks to Miss Rich, that the actors were in love off the screen, gives their films a heartbeat. Included are love letters, notes from diaries, and observations of those who kept their secret. You will enjoy every word of "Sweethearts" and you will find a new meaning when viewing their musicals. Then you'll read it a second time." -Jane Ellen Wayne, Author, The Golden Guys of MGM "The star-crossed love affair of the century....The account is anything but sugar-coated. Ms. Rich's book certainly contains much to raise the eyebrows. She names names and pulls no punches. Still, this is not a sensational expose; one comes away feeling sorry for the protagonists, and wishing that their story could have had a happier resolution....Scrupulously documented...give[s] credibility to an amazing story." Rob Ray, "Past Times" "Rich affords a long, exciting, revealing look at two of the most important screen personalities of the 1930s. Vital reading to anyone interested in film history, Hollywood, or popular culture." Mike Tribby, "Booklist" "A surprisingly interesting look at two people so wrapped up in make-believe that they began taking it seriously." Harry Bowman, "Dallas Morning News"
The story of West Indian immigrants to the United States is generally considered to be a great success. Mary Waters, however, tells a very different story. She finds that the values that gain first-generation immigrants initial success--a willingness to work hard, a lack of attention to racism, a desire for education, an incentive to save--are undermined by the realities of life and race relations in the United States. Contrary to long-held beliefs, Waters finds, those who resist Americanization are most likely to succeed economically, especially in the second generation.
“A good read for anyone who wants to understand what actually determines whether a developing economy will succeed.” —Bill Gates, “Top 5 Books of the Year” An Economist Best Book of the Year from a reporter who has spent two decades in the region, and who the Financial Times said “should be named chief myth-buster for Asian business.” In How Asia Works, Joe Studwell distills his extensive research into the economies of nine countries—Japan, South Korea, Taiwan, Indonesia, Malaysia, Thailand, the Philippines, Vietnam, and China—into an accessible, readable narrative that debunks Western misconceptions, shows what really happened in Asia and why, and for once makes clear why some countries have boomed while others have languished. Studwell’s in-depth analysis focuses on three main areas: land policy, manufacturing, and finance. Land reform has been essential to the success of Asian economies, giving a kick-start to development by utilizing a large workforce and providing capital for growth. With manufacturing, industrial development alone is not sufficient, Studwell argues. Instead, countries need “export discipline,” a government that forces companies to compete on the global scale. And in finance, effective regulation is essential for fostering, and sustaining growth. To explore all of these subjects, Studwell journeys far and wide, drawing on fascinating examples from a Philippine sugar baron’s stifling of reform to the explosive growth at a Korean steel mill. “Provocative . . . How Asia Works is a striking and enlightening book . . . A lively mix of scholarship, reporting and polemic.” —The Economist