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First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
We make sense of love with fantasies, stories that shape feelings that are otherwise too overwhelming, incoherent, and wayward to be tamed. For love is a complex, bewildering, and ecstatic emotion covering a welter of different feelings and moral judgments. Drawing on poetry, fiction, letters, memoirs, and art, and with the aid of a rich array of illustrations, historian Barbara H. Rosenwein explores five of our most enduring fantasies of love: like-minded union, transcendent rapture, selfless giving, obsessive longing, and insatiable desire. Each has had a long and tangled history with lasting effects on how we in the West think about love today. Yet each leads to a different conclusion about what we should strive for in our relationships. If only we could peel back the layers of love and discover its “true” essence. But love doesn’t work like that; it is constructed on the shards of experience, story, and feeling, shared over time, intertwined with other fantasies. By understanding the history of how we have loved, Rosenwein argues, we may better navigate our own tumultuous experiences and perhaps write our own scripts.
This broad introduction to illustration reveals the artistic, intellectual and organizational skills needed to practice as a freelance illustrator, and helps the reader navigate the specialist areas of its application. There is a practical introduction to image-making, covering ways of drawing, viewpoints and perspective, colour palettes and choice of media, along with an examination of how illustration communicates through metaphor, symbolism, wit, narrative, and more. Chapters devoted to editorial, publishing, corporate/advertising and the entertainment industry introduce the reader to the nature and function of different types of illustration, tracking the progress of real-life commissions and presenting a gallery of examples of contemporary work. The book also addresses practical considerations when setting up a working environment, from the design of the workspace – lighting, computer equipment and basic tools – to time management and collaborative working.
Lists over 5,200 titles of books published by American poets between 1973 and 1983.
The Family as Basic Social Unit provides a theologically rooted account of the family's social roles and responsibilities. As a basic social unit, the family is both internally social and socially interdependent with other social communities. Reflecting on the family's internally social character, Schemenauer proposes that Catholic social teaching applies to family interactions. He analyzes household labor using papal teaching on work and sibling violence with more recent theological analysis of peacemaking, and he argues that families can complete works of mercy when they feed hungry and care for sick family members. In the second part of the volume, Schemenauer describes the social interdependence of families. He analyzes the relationship between families and the Church, civil society, the economy, and the state. Schemenauer proposes that the question for families is not whether to engage with other social communities but how to do so well. He explicitly highlights how consumer capitalism creates obstacles for families attempting to live as a basic social unit. Then, employing the categories of infused simplicity and moral cooperation, he provides a framework for discerning family engagement with broader society. Finally, Schemenauer analyzes the relationship between family commitments and social ministry. Working from the family outward, Schemenauer describes how family commitments can motivate broader social service, but then employs the example of families involved in the Catholic Worker Movement to reflect on the joys and dangers of balancing commitment to one's family with social ministry focused on the urgent needs of those outside of one's household.
Paracritical Hinge is a collection of varied yet interrelated pieces highlighting Nathaniel Mackey’s multifaceted work as writer and critic. It embraces topics ranging from Walt Whitman’s interest in phrenology to the marginalization of African American experimental writing; from Kamau Brathwaite’s “calibanistic” language practices to Federico García Lorca’s flamenco aesthetic of duende and its continuing repercussions; from H. D.’s desert measure and coastal way of knowing to the altered spatial disposition of Miles Davis’s trumpet sound; from Robert Duncan’s serial poetics to diasporic syncretism; from the lyric poem’s present-day predicaments to gnosticism. Offering illuminating commentary on these and other artists including Amiri Baraka, Mississippi Fred McDowell, Wilson Harris, Jack Spicer, John Coltrane, Jay Wright, and Bob Kaufman, Paracritical Hinge also sheds light on Mackey’s own work as a poet, fiction writer, and editor.
Early Modern Conceptions of Property draws together distinguished academics from a variety of disciplines, including law, economics, politics, art history, social history and literature, in order to consider fundamental issues of property in the early modern period. Presenting diverse original historical and literary case studies in a sophisticated theoretical framework, it offers a challenge to conventional interpretations.
The figure of the mistress is undoubtedly controversial. She provokes intense reactions, ranging from fear, to disgust and revulsion, to excitement and titillation, to sadness and perhaps to some, love. The mistress is conventionally depicted as a threat to moral living and someone whose sexuality is considered defective and toxic. Of course, she is a woman that you would not have as your friend, and certainly not your wife, since her ethical sense, if she even has one, is dubious at best. This book subverts these traditional judgements and offers an unflinching look at the lived experience of the mistress. Here she is recast as a potentially loving, free, intimate 'other' woman. Drawing upon feminist philosophy, contemporary sexual ethics and the current cultural moment of #MeToo, Mistress Ethics moves beyond a narrative of infidelity, conventional judgment, the safeguarding of monogamy and conventional heterosex that permeates our society. It asks what happens when we let go of our insecurities, judgments and moralistic relationship philosophies and opt, instead, for an ethics of kindness. This kindness – underpinned by engaging with those deemed 'other' and learning from mistresses, both straight and queer – will teach us new ways of thinking about ethics and sex, and reveal how we have better sex, and how we can be better to each other.
The first full-career survey of the idiosyncratic life and work of Ray Johnson, a collagist, performance artist, and pioneer of mail art. Ray Johnson (1927-1995), a.k.a. “New York’s most famous unknown artist,” was notorious for the elaborate games he played with the institutions of the art world, soliciting their attention even as he rejected their invitations. In A Book about Ray, Ellen Levy offers a comprehensive study of the artist who turned the business of career-making into a tongue-in-cheek performance, tracing his artistic development from his arrival at Black Mountain College in 1945 to his death in 1995. Levy describes Johnson’s practice as one that was constantly shifting—whether in tone, in its address to potential audiences, or among three primary artistic modes: collage, performance, and correspondence art. A Book about Ray takes an elliptical path, circling around rather than trying to arrest in flight the elusive artist and his purposefully ephemeral art. By crafting the book in this way, Levy evokes Ray Johnson’s art in the moment of its making and draws readers into the artist’s world, while making them feel, from the beginning, that they somehow already know their way around that world. In exploring Johnson’s scene, readers will also encounter the artists who influenced him, like Joseph Cornell and Marcel Duchamp, and his friends and peers like Jasper Johns, Allan Kaprow, Robert Rauschenberg, and Andy Warhol. The work of such figures will look forever different in light of Johnson’s subversive take on their shared aesthetic. Suitable for readers both new to Ray Johnson and those already familiar with his work, A Book about Ray is a complete and vital portrait of an American original.
Books four through six in the Pulitzer Prize–winning series of historical novels about an international spy in the first half of the twentieth century. An ambitious and entertaining mix of history, adventure, and romance, Upton Sinclair’s Pulitzer Prize–winning Lanny Budd novels are a testament to the breathtaking scope of the author’s vision and his singular talents as a storyteller. “Few works of fiction are more fun to read; fewer still make history half as clear, or as human” (Time). In these three novels, as the threat of Nazism grows in the 1930s, Lanny progresses from international art dealer to international spy. Wide Is the Gate: When his arms dealer father strikes a business agreement with Hermann Göring, Lanny uses the opportunity and his art world reputation to move easily among the Nazi high command and gather valuable information he can transmit back to those who are dedicated to the destruction of Nazism and Fascism. He’s playing a dangerous—albeit necessary—game, which will carry him from Germany to Spain on a life-and-death mission on the eve of the Spanish Civil War. The Presidential Agent: In 1937, Lanny’s boss from the Paris Peace Conference—now one of Roosevelt’s top advisors—connects him to the president. Appointed Presidential Agent 103, he embarks on a secret assignment that takes him back into the Third Reich as the Allied powers prepare to cede Czechoslovakia to Adolf Hitler in a futile attempt to avoid war. But Lanny’s motivations are not just political: The woman he loves has fallen into the brutal hands of the Gestapo, and Lanny will risk everything to save her. Dragon Harvest: Lanny has earned the trust of Adolf Hitler and his inner circle, who are convinced the American art dealer is a “true believer” committed to their Fascist cause. But when Roosevelt’s secret agent learns of the Führer’s plans for conquest, his dire warnings to Neville Chamberlain and other reluctant European leaders fall on deaf ears. The bitter seeds sown decades earlier with the Treaty of Versailles are now bearing fruit, and there will be no stopping the Nazi war machine as it rolls relentlessly on toward Paris.