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Les humanistes et les poètes de la Renaissance s'approprient le discours érotique de l'Antiquité pour le transformer en une érotologie littéraire et artistique. Issus d'un colloque (Cambridge 1995), ces essais cherchent à relancer le débat sur le traitement de l'érotisme, de ses images et de ses lieux communs, de l'admiration quasi platonicienne à l'obscénité.
Volume 47
This 1994 book asserts that the experience of development differs along gender lines.
A study and edition of one of the most ignored works of early Spanish literature because of its strong sexual content, this work examines the social ideology that conditioned the reactions of people to the events it describes as well as Fernando de Rojas's masterpiece, Celestina.
‘Rewriting’ is one of the most crucial but at the same time one of the most elusive concepts of literary scholarship. In order to contribute to a further reassessment of such a notion, this volume investigates a wide range of medieval and early modern literary transformations, especially focusing on texts (and contexts) of Italian and French Renaissance literature. The first section of the book, "Rewriting", gathers essays which examine medieval and early modern rewritings while also pointing out the theoretical implications raised by such texts. The second part, "Rewritings in Early Modern Literature", collects contributions which account for different practices of rewriting in the Italian and French Renaissance, for instance by analysing dynamics of repetition and duplication, verbatim reproduction and free reworking, textual production and authorial self-fashioning, alterity and identity, replication and multiplication. The volume strives at shedding light on the complexity of the relationship between early modern and ancient literature, perfectly summed up in the motto written by Pietro Aretino in a letter to his friend the painter Giulio Romano in 1542: "Essere modernamente antichi e anticamente moderni".
How was the world as we know it created? What does it mean to be a hero? Where do we go when we die? Why are flood myths so ubiquitous? Anyone who has pondered these and other questions about humanity's ancient beliefs will be fascinated by The Friendly Guide to Mythology. Focusing on Greek and Roman mythology but including myths from Africa, Asia, Australia, northern Europe, and the Americas, The Friendly Guide to Mythology is filled with compelling stories of gods, goddesses, mortals, and monsters. Beautifully ornamented with photos, line drawings, and quotes, this entertaining guide also includes an A-to-Z listing of the world's most captivating goddesses; profiles of famous writers, collectors, and interpreters of myths; and engaging sidebars. Featuring myths of love, wisdom, and adventure as well as those of violence, jealousy, and pure folly, this accessible collection offers fascinating insight into the human psyche and brings our rich mythological heritage delightfully into focus.
A controversial philosopher and critic of modern Western civilization, Julius Evola (1898-1974) writes about the mystical and spiritual expression of sexual love. This in-depth study explores the sexual rites of sacred traditions, and shows how religion, mysticism, folklore, and mythology all contain erotic forms in which the deep potentialities of human beings are recognized.
This volume sheds new light on the extraordinary richness and variety of love poetry written in Latin from the fifteenth to the eighteenth century. It shows how Latin love poets reworked classical Roman and Greek models, and engaged in dialogue with mediaeval and contemporary vernacular traditions of poetry. They used the poetic language of love in Latin to reflect and comment on wider social, ethical and literary issues, and reconfigured its codes of representation in response to changing conceptions of love in the philosophical and religious spheres. Their poetry often aligned itself with dominant discourses of power and gender, but it could also be subtly subversive or even openly transgressive.