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A beautifully packaged edition of one of García Márquez's most beloved novels, with never-before-seen color illustrations by the Chilean artist Luisa Rivera and an interior design created by the author's son, Gonzalo García Barcha. In their youth, Florentino Ariza and Fermina Daza fall passionately in love. When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is devastated, but he is a romantic. As he rises in his business career he whiles away the years in 622 affairs—yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he will do so again.
Imagine a pair of high-tech smart-briefs on a quest to save the world for underwear-kind…a shrinkable crime-fighter hunting a killer of pint-sized superheroes…and an unseen tentacled parasite forcing human puppets into sacrificial horrors. You will meet all these wondrous oddities and more in Volume One of this brand-new collection of the unique short fiction of USA Today-bestselling author Robert Jeschonek. The 100 stories in the 3-volume set span multiple genres—everything from science fiction to fantasy to mystery to superheroes—and an abundance of sub-genres and cross-genres in between. Discover a wealth of dynamic characters, startling settings, shocking situations, and challenging ideas…plus loads of thrilling action, whiplash plot twists, and inspirational revelations. Explore a realm of mythic innovation by a writer who might just change the way you think about fiction, a treasury of stories unlike anything you have ever experienced in the universe of imagination…or will ever experience again in your wildest dreams and nightmares.
Even as the Queen of Lust, soul-sucking and demon-slaying aren't without consequences. Thanks for warning me ahead of time, Dad. I’m faced with a battle to both harness my powers and maintain control of my kingdom, which has exploded into chaos. Amidst this chaos, an angel extends a tempting promise: cooperation with him could make all my problems disappear. Yet, something about his seemingly gracious offer raises doubts in my mind, echoing the warnings of fallen angels who advise me to steer clear. How long can I endure as the reigning Queen of Lust before my throne becomes the coveted prize of malevolent forces? Queen of Lust is the third novel within the Becoming Lust series. Join me in this spicy paranormal romance where my menage romance turns into a reverse harem with powerful and obsessed demons. Fans of RL Caulder and KF Breene will fall in love with this demon romance.
Arabic and Hebrew Love Poems in al-Andalus investigates a largely overlooked subset of Muslim and Jewish love poetry in medieval Spain: hetero- and homo-erotic love poems written by Muslim and Jewish religious scholars, in which the lover and his sensual experience of the beloved are compared to scriptural characters and storylines. This book examines the ways in which the scriptural referents fit in with, or differ from, the traditional Andalusian poetic conventions. The study then proceeds to compare the scriptural stories and characters as presented in the poems with their scriptural and exegetical sources. This new intertextual analysis reveals that the Jewish and Muslim scholar-poets utilized their sacred literature in their poems of desire as more than poetic ornamentation; in employing Qur’ānic heroes in their secular verses, the Muslim poets presented a justification of profane love and sanctification of erotic human passions. In the Hebrew lust poems, which utilize biblical heroes, we can detect subtle, subversive, and surprisingly placed interpretations of biblical accounts. Moving beyond the concern with literary history to challenge the traditional boundaries between secular and religious poetry, this book provides a new, multidisciplinary, approach to existing materials and will be of interest to students, scholars and researchers of Islamic and Jewish Studies as well as to those with an interest in Hebrew and Arabic poetry of Islamic Spain.
While ancient civilizations worshipped strong, active emotions, modern societies have favored more peaceful attitudes, especially within the democratic process. We have largely forgotten the struggle to make use of thymos, the part of the soul that, following Plato, contains spirit, pride, and indignation. Rather, Christianity and psychoanalysis have promoted mutual understanding to overcome conflict. Through unique examples, Peter Sloterdijk, the preeminent posthumanist, argues exactly the opposite, showing how the history of Western civilization can be read as a suppression and return of rage. By way of reinterpreting the Iliad, Alexandre Dumas's Count of Monte Cristo, and recent Islamic political riots in Paris, Sloterdijk proves the fallacy that rage is an emotion capable of control. Global terrorism and economic frustrations have rendered strong emotions visibly resurgent, and the consequences of violent outbursts will determine international relations for decades to come. To better respond to rage and its complexity, Sloterdijk daringly breaks with entrenched dogma and contructs a new theory for confronting conflict. His approach acknowledges and respects the proper place of rage and channels it into productive political struggle.
Love’s Work is at once a memoir and a work of philosophy. Written by the English philosopher Gillian Rose as she was dying of cancer, it is a book about both the fallibility and the endurance of love, love that becomes real and lasting through an ongoing reckoning with its own limitations. Rose looks back on her childhood, the complications of her parents’ divorce and her dyslexia, and her deep and divided feelings about what it means to be Jewish. She tells the stories of several friends also laboring under the sentence of death. From the sometimes conflicting vantage points of her own and her friends’ tales, she seeks to work out (seeks, because the work can never be complete—to be alive means to be incomplete) a distinctive outlook on life, one that will do justice to our yearning both for autonomy and for connection to others. With droll self-knowledge (“I am highly qualified in unhappy love affairs,” Rose writes, “My earliest unhappy love affair was with Roy Rogers”) and with unsettling wisdom (“To live, to love, is to be failed”), Rose has written a beautiful, tender, tough, and intricately wrought survival kit packed with necessary but unanswerable questions.
The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
Many years have passed since the dark tide of violent and malevolent creatures spilled into the realm from the ancient portal that should never have been opened. Adamar, an elderly but legendary elven swordsman sent to track the incursion, had found a small frightened girl, Lauriel Valendril, hiding in the shattered remnants of her destroyed elven village. After taking her in as his own, he finds that her traumatic experience creates an unrivaled ambition to learn to protect herself and others, and he begins to train her in the ancient and secretive elven fighting style of the Andulari. Through fierce determination and unrelenting practice, Lauriel unequivocally becomes one of his best students and masters the graceful but deadly technique at a very young age. Hearing murmurs of the ancient evil re-emerging, and sensing that his time to stand and fight has passed, Adamar gives Lauriel a gift that has been hidden from the realm for many ages—Isilmwé, an ancient blade of power, and with it, the responsibility to unlock the true power of the blade and defend the realm. The defenses of the realm quickly fall one by one and together with a wizard, warlock, healer, and fighter, Lauriel pushes forward on a quest to close the portal before all is lost. What began as a pursuit to avenge her family, ultimately turns into a battle for the very survival of the realm—a battle that Lauriel has trained her entire life to fight. Book Review: "You had me hooked from start to finish." -- Pauline Harris Editorial