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Eros at Dusk analyses the relationship between wedding poetry and love poetry in the ancient world. These two genres share and borrow themes to seduce brides as if they were beloveds and to praise mistresses as if they were brides, demonstrating deep-seated ancient notions about legitimate and illegitimate sexual relationships.
The world cannot fear what it does not know; a fact that has allowed the people of Dusk to exist in relative peace for centuries. Hidden behind a shroud of mystery on the distant continent of Xulrathia, the southern Kingdom is home to the most devout followers of Ayrelon's god and goddess of death; who take their church quite literally. Few know the true nature of Dusk's citizens, and fewer know the true nature of Queen Mordessa, the demonic creature who rules them.The only threat the immortal residents of Dusk might fear lies to the north, hiding within a veil of secrecy, deep within the Talaani Empire. Their ancient war long abandoned for reasons they cannot remember, Dusk's Undead and Unliving residents live in relative peace, completely unaware of what their Queen has done to hold the terrible, scaled empire at bay. Fate's memory is less forgiving. Relentless be the drive of a Kingdom made from bone. Vengeance be their fear, as Dragons wake from stone.
The fruit of a decade’s research, this volume offers a new interpretation of the dense Christological narrative in Philippians 2:6–11, taking inspiration from recent advances in our understanding of the letter’s Greek and Roman setting and from insights made possible by recently created linguistic databases (such as TLG and PHI). The passage’s praise of Christ engages the language of Hellenistic ruler cults, Platonic metaphysics and moral philosophy, popular (Homeric) beliefs about the gods, and Greek love (eros), to articulate a scripturally grounded theology in which God is revealed to be one in two persons (God the Father and LORD Jesus Christ). The volume also explores hitherto unseen ways in which the central Christ Hymn is tightly connected to the rest of Paul’s argument. The hymn presents Christ as an epitome of the ideals of Greek (and Roman) virtue, to support Paul’s summoning his readers to a life of praiseworthy and exemplary civic conduct (in 1:27). New or recently proposed translations are advanced for numerous words and phrases (in, e.g., 1:8, 11, 27; 2:3, 4, 6, 11; 3:2, 4) and a new (non-Stendahlian) approach to Paul’s boasting in 3:4–6, that is Christological rather than biographical, is put forward.
The House of Crimson & Clover comes to a stunning conclusion in the twelfth volume, House of Dusk, House of Dawn. In the end is their beginning. This is the end. This is the beginning. The stage is set. The players, ready. A midnight dynasty, cursed to fall. An empire of shadows, determined to rise once more. Here they are, at the end of everything. One wrong move spells irreversible defeat. But, ah, what if they win? The House of Crimson and Clover Series This is the recommended reading order for the series. Volume I: The Storm and the Darkness Volume II: Shattered Volume III: The Illusions of Eventide Volume IV: Bound Volume V: Midnight Dynasty Volume VI: Asunder Volume VII: Empire of Shadows Volume VIII: Myths of Midwinter Volume IX: The Hinterland Veil Volume X: The Secrets Amongst the Cypress Volume XI: Within the Garden of Twilight Volume XII: House of Dusk, House of Dawn The Saga of Crimson & Clover A sprawling dynasty. An ancient bloodline. A world of magic and mayhem. Welcome to the Saga of Crimson & Clover, where all series within are linked but can be equally enjoyed on their own. For content warnings, please visit sarahmcradit.com.
Inside Ancient Greece provides readers with a comprehensive introduction to one of the most fascinating cultures of the ancient world. Each title focuses on specific aspects of life in ancient Greece, and offers vivid close-ups of its art and architecture, history, literature, government, religion and mythology, warfare, and more. This volume introduces the beliefs and myths of the ancient Greeks and retells some of their most well-known tales.
This book intends to open the debate between three main aspects of clinical practice: psychotherapy (including psychological and philosophical influences), neurobiology and pharmacology. These three main themes are clinically applied in what we call the “Intervention Triangle”. The book will first focus on epistemologically distinct frameworks and gradually attempt to consider the integration of these three fundamental vertexes of practice. These vertexes are substantially unbalanced in the mental health field, and thus, this book tries to make sense of this phenomenon. Unique in its interdisciplinary and comprehensive view of mental health problems and approaches, this book offers a new perspective on unidisciplinary integration that previous publications have not considered. As an innovative contribution to its field, this volume will be particularly relevant to practitioners working towards integrative frameworks. It will also be of interest to students, clinicians and researchers, in particular, those working in psychology, medicine, psychiatry, philosophy, social work, and pharmacy.
This Study Offers A Fresh Perspective On Mysticism In Literature, Relating And Balan¬Cing The Western And Eastern Approaches. It Specifically Looks At The Mystical Poetry Of Coventry Patmore The Francis Thompson Through New Doors Of Perception Available To The Intelligent, Sensitive Indian Scholar, From A Point Of View Important In The Study Of Both Poets. There Are Perceptive Discriminations Made Between Immanent And Transcendental Experience, Between Purgative And Illuminative Stages Of The Mystic Way, And All These Subtle Distinc¬Tions Are Illustrated From Individual Works Of The Two Poets.A Special Strength Of The Work Is Its Use Of The Stylistic Approach To Bring To Light Aspects Of The Delicate Relationship Between Mystical Experience And Its Articulation Through Literary Language. The Book Has A Strong Textual Base And Will Be Of Interest To The General Reader As Well As To The Specialist Eager To Explore Comparative Literary Contexts. ...Mr. Dhar Has Studied The Subject With Loving Care, And He Has Imposed His Own Insight Quietly But Firmly In A Way Which Can Justifiably Be Commended As Original Work. Professor J.R. Watson, University Of Durham, England ...The Analysis Of Patmore S Poetry In The Specific Context Of The Combination Of The Erotic With The Divine Is Important (Chap¬Ter Iii). This Is An Area In Which The Indian Bhakti Poets Have Composed Their Finest Poems...The Discussion Of The Transcen¬Dental And The Immanent Aspects Of Mysticism And Their Impact On Patmore And Thompson Is A Very Refreshing Part Of This Valuable Study And Deserves Appreciation. Professor V.A. Shahane, Osmania University, Hyderabad ...It Is One Of The Attractions Of The Present Book That Dr. Dhar, Writing From Within The Traditions Of India Adds A Further Ring, Learned In His Understanding Of Christianity, Especially In His Sense Of The Central Importance Of The Incarna¬Tion, He Adds The Insights Of Another Spirituality, Not Dissonant But Distinct And So Additionally Illuminating. It Is A Book Much To Be Enjoyed And Savoured. Ronald Tamplin, University Of Exeter
One of the unique voices in our century, James Merrill was known for his mastery of prosody; his ability to write books that were not just collected poems but unified works in which each individual poem contributed to the whole; and his astonishing evolution from the formalist lyric tradition that influenced his early work to the spiritual epics of his later career. Merrill's accomplishments were recognized with a Pulitzer Prize in 1977 for Divine Comedies and a National Book Critics Circle Award in 1983 for The Changing Light at Sandover. In this meticulously researched, carefully argued work, Evans Lansing Smith argues that the nekyia, the circular Homeric narrative describing the descent into the underworld and reemergence in the same or similar place, confers shape and significance upon the entirety of James Merrill’s poetry. Smith illustrates how pervasive this myth is in Merrill’s work – not just in The Changing Light at Sandover, where it naturally serves as the central premise of the entire trilogy, but in all of the poet’s books, before and after that central text. By focusing on the details of versification and prosody, Smith demonstrates the ingenious fusion of form and content that distinguishes Merrill as a poet. Moving beyond purely literary interpretations of the poetry, Smith illuminates the numerous allusions to music, art, theology, philosophy, religion, and mythology found throughout Merrill’s work.
This useful resource deals with satellite orbits, showing how the wide range of available orbits can be used in communications, positioning, remote-sensing, meteorology, and astronomy.
Night, in ancient Greece and Rome, was a mythological figure, a context for specialized knowledge, a semantic space in literature, and a setting for unique experiences. Fifteen case-studies here explore how nighttime was employed in the ascription of specific values in all these areas of ancient culture.