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This is a highly original book about the connections between historical moment, social structure, technology, communication systems, and what is said and thought using these systems - notably literature. The author focuses on the differences between 'discourse networks' in 1800 and in 1900, in the process developing a new analysis of the shift from romanticism to modernism. The work might be classified as a German equivalent to the New Historicism that is currently of great interest among American literary scholars, both in the intellectual influences to which Kittler responds and in his concern to ground literature in the most concrete details of historical reality. The artful structure of the book begins with Goethe's Faust and ends with Vale;ry's Faust. In the 1800 section, the author discusses how language was learned, the emergence of the modern university, the associated beginning of the interpretation of contemporary literature, and the canonization of literature. Among the writers and works Kittler analyzes in addition to Goethe's Faust are Schlegel, Hegel, E. T. A. Hoffman's 'The Golden Pot', and Goethe's Tasso. The 1900 section argues that the new discourse network in which literature is situated in the modern period is characterized by new technological media - film, the photograph, and the typewritten page - and the crisis that these caused for literary production. Along the way, the author discusses the work of Nietzsche, Gertrude Stein, Mallarme;, Bram Stroker, the Surrealists, Rilke, Kafka, and Freud, among others.
Der Band versammelt Beiträge, die auf dem 1. Internationalen Kongreß der Schleiermacher-Gesellschaft gehalten wurden. Sie widmen sich zum 200jährigen Jubiläum ihres Erscheinens den Reden über die Religion, Friedrich Schleiermachers frühem religionsphilosophischem Hauptwerk. Schleiermachers Reden über die Religion stehen im Spannungsfeld von Spätaufklärung und Idealismus, Theologie und Frühromantik. Die Beiträge befassen sich sowohl mit problemgeschichtlichen Fragen als auch mit theoretischen Perspektiven. Geistphilosophie, Ethik und Kulturtheorie bilden den systematischen Rahmen des Religionsbegriffs. Die thematische Vielfalt der Motive, die in den Reden anklingen, erschließt sich daher nur der interdisziplinären Forschung - eine Einsicht, deren fruchtbare Ergebnisse der Kongreßband vorführt.
Since its founding by Jacques Waardenburg in 1971, Religion and Reason has been a leading forum for contributions on theories, theoretical issues and agendas related to the phenomenon and the study of religion. Topics include (among others) category formation, comparison, ethnophilosophy, hermeneutics, methodology, myth, phenomenology, philosophy of science, scientific atheism, structuralism, and theories of religion. From time to time the series publishes volumes that map the state of the art and the history of the discipline.
This illuminating study of Benjamin’s final essay helps unlock the mystery of this great philosopher Revolutionary critic of the philosophy of progress, nostalgic of the past yet dreaming of the future, romantic partisan of materialism—Walter Benjamin is in every sense of the word an “unclassifiable” philosopher. His essay “On the Concept of History” was written in a state of urgency, as he attempted to escape the Gestapo in 1940, before finally committing suicide. In this scrupulous, clear and fascinating examination of this essay, Michael Löwy argues that it remains one of the most important philosophical and political writings of the twentieth century. Looking in detail at Benjamin’s celebrated but often mysterious text, and restoring the philosophical, theological and political context, Löwy highlights the complex relationship between redemption and revolution in Benjamin’s philosophy of history.
Aesthetic Anxiety analyzes uncanny repetition in psychology, literature, philosophy, and film, and produces a new narrative about the centrality of aesthetics in modern subjectivity. The often horrible, but sometimes also enjoyable, experience of anxiety can be an aesthetic mode as well as a psychological state. Johnson's elucidation of that state in texts by authors from Kant to Rilke demonstrates how estrangement can produce attachment, and repositions Romanticism as an engine of modernity.
Gerhard Gentzen (1909–1945) is the founder of modern structural proof theory. His lasting methods, rules, and structures resulted not only in the technical mathematical discipline called “proof theory” but also in verification programs that are essential in computer science. The appearance, clarity, and elegance of Gentzen's work on natural deduction, the sequent calculus, and ordinal proof theory continue to be impressive even today. The present book gives the first comprehensive, detailed, accurate scientific biography expounding the life and work of Gerhard Gentzen, one of our greatest logicians, until his arrest and death in Prague in 1945. Particular emphasis in the book is put on the conditions of scientific research, in this case mathematical logic, in National Socialist Germany, the ideological fight for “German logic”, and their mutual protagonists. Numerous hitherto unpublished sources, family documents, archival material, interviews, and letters, as well as Gentzen's lectures for the mathematical public, make this book an indispensable source of information on this important mathematician, his work, and his time. The volume is completed by two deep substantial essays by Jan von Plato and Craig Smoryński on Gentzen's proof theory; its relation to the ideas of Hilbert, Brouwer, Weyl, and Gödel; and its development up to the present day. Smoryński explains the Hilbert program in more than the usual slogan form and shows why consistency is important. Von Plato shows in detail the benefits of Gentzen's program. This important book is a self-contained starting point for any work on Gentzen and his logic. The book is accessible to a wide audience with different backgrounds and is suitable for general readers, researchers, students, and teachers.