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Excellent, clearly written how-to guide for training powers of observation, judging proportions, assessing values, plus valuable suggestions for use of drawing media. 180 line illustrations and halftones.
In this thought-provoking practical guide, a noted artist and educator demonstrates that learning to violate the rules of perspective (profitably) is as important for the practicing artist as learning the principles of perspective themselves. Only in this way can students free themselves from the constraints of tradition and find their own imaginative paths. However, it is vital that students first have a solid grasp of classical perspective before they can think about adapting it creatively. In presenting the principles of perspective drawing, Mr. Watson devotes a chapter each to step-by-step discussions of such topics as the picture plane, foreshortening and convergence, the circle, the cone, three-point perspective, universal perspective, figures in perspective, and much more. To illustrate his points he offers expert analysis of the works of such leading illustrators as John Atherton, V. Bobri, R. M. Chapin, Jr., Albert Dorne, Robert Fawcett, Constantin Guys, W. N. Hudson, Carl Roberts, Ben Stahl, and Aldren A. Watson, as well as drawings by Pieter de Hooch and Paul Cézanne. The result is a ground-breaking study that artists, illustrators, and draftsmen will find invaluable in learning to create works with convincing perspective. Ernest W. Watson taught at Pratt Institute for over 20 years, co-founded and served as editor-in-chief of the magazine American Artist, and co-founded the prestigious art publishing house of Watson-Guptill.
The complete, classic guide to the art of pencil sketching Portable. Erasable. Inexpensive. No other single drawing tool is as versatile as the pencil. Through the centuries, generations of artists have used it to work out ideas, study form, and develop fundamental skills that are crucial to an artist’s training. Pencil Sketching has taught thousands of beginners the basic principles and techniques of pencil sketching. Carefully revised to meet the needs of today’s artists, this edition features easy-to-follow instructions, dozens of new illustrations, and more–everything you need to explore the amazing potential of the pencil and learn to sketch with confidence. Techniques: shading, texture, value, line, strokes . . . Materials: pencils, papers, accessories . . . Skills: observation, recording, composition, sketching from memory . . . Subjects: trees, landforms, water, architecture, cityscapes . . . and more!
For those who would like to have the benefit of a woodworker's extensive experience, this illustrated guide explores the tools of the trade and how to use them. 450 line drawings throughout. 416 p.
DIVConcise and beautifully illustrated, this guide covers the basics of holding the pencil, applying different strokes, shading, perspective, and the rendering of different materials, as well as composition and drawing from nature. 36 illustrations. /div
Learn how to create the illusion of three-dimensional space in your drawings It is as mundane as it is astounding: placed in the right way, a couple of lines on paper create three-dimensional space. To be more exact, the illusion of space. The interest in three-dimensional drawing may initially arise from the intention to depict visible reality. However, the creation of depth is a fascinating challenge in every artistic composition. Drawing Perspective Methods for Artists is suitable for beginners and professionals alike. Authors Peter Boerboom and Tim Proetel have arranged, commented on, and with a guiding hand intuitively and tangibly presented 85 fundamental methods of three-dimensional illustration, offering a refreshing, simple approach to the graphic depiction of three-dimensionality.