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Ernest Lenihan and Opal Nash met in college and fell in love. They went their seperate ways after and never really kept in touch. Now 30 years later Ernest is ready to retire and Opal is ready for love. He takes a vacation to see her and they rekindle what was left behind a lifetime ago. After catching up and realizing that they are meant to be together something happens that neither or them are prepared for. Meantime Cassandra Nixon and Lt. Nicholas Baldwin are treasure hunting in the Andeman Islands and come across the find of the millenium. The only problem is that they are not able to get to the prize. While attempting to dislodge the item Nick gets a call from NAMA and feels the patriotic duty to go back to the U.S. and serve his country. The only thing that he knows is that someone needs his help, what he doesn't know is that the assistance needed is all he will be able to handle. General Suarez and Colonel Lima run one of the largest drug cartels in the Americas. Thanks to some hikers and an undercover agent they now have a major problem on their hands. The only thing that they can do is try to find the spy and eliminate the problems. The world is a very small place when everyone in it has something or somewhere in common. It's funny how things come together.
Margaret Atwood called Ernest Buckler “one of the pathbreakers for the modern Canadian novel,” yet he has slipped into relative obscurity. This new book by Marta Dvořák, Ernest Buckler: Rediscovery and Reassessment breaks new ground in Canadian literary studies by analyzing some of Buckler’s works that have remained unknown or unexplored by critics, and by addressing the formalistic innovations of these texts. It allows a general readership to discover — and an international specialized readership to reassess — the wide, even eclectic scope of an author best known for his first novel, The Mountain and the Valley. Marta Dvořák situates Buckler firmly within his cultural and intellectual environment. She argues the importance of his connections with Emerson and the American transcendental milieu, and demonstrates his links with Romantics such as Schopenhauer and Shelley and modernists like Joyce, Faulkner, and Mansfield, as well as intellectuals from Aristotle to Aquinas. She explores his philosophical vision and his complex, adventurous relationship with language. Extracts from Buckler’s published and unpublished material juxtaposed with those from a wide range of writers (from Henry James to Foucault) offer new illuminating perspectives. The progressive structure of the book will draw readers in to discussions on shared concerns: the nostalgia for a vanished past, the relationship between family and community, the rural and the urban, or the questioning of, and coming to terms with, ethics and the social fabric of today’s rapidly changing technological horizon in which traditional values are eroding.
Full-color photos and detailed text illustrate every part of the process, from roughing out to painting.
Ernest Hemingway is considered as one of the greatest American novelist, short-story writer, and journalist. His economical and understated style—which he termed the iceberg theory—had a strong influence on 20th-century fiction, while his adventurous lifestyle and his public image brought him admiration from later generations. Moreover, his prolific and influential writing brought him the much-coveted Nobel Prize in Literature in 1954. The present edition brings to you his world-famous works for your absolute reading pleasure. Contents: Novels & Novellas: The Torrents of Spring The Sun Also Rises A Farewell to Arms For Whom the Bell Tolls Across the River and into the Trees The Old Man and the Sea Short Stories Collection: Three Stories and Ten Poems In Our Time (1924 edition) In Our Time (1930 edition) Men Without Women Winner Take Nothing Non-Fiction: Death in the Afternoon Green Hills of Africa
Reproduction of the original: Ernest Linwood by Caroline Lee Hentz
Ernest Hemingway was an American novelist, short-story writer, journalist, and sportsman. His economical and understated style—which he termed the iceberg theory—had a strong influence on 20th-century fiction, while his adventurous lifestyle and his public image brought him admiration from later generations. Hemingway's writing includes themes of love, war, travel, wilderness, and loss. Hemingway often wrote about Americans abroad. He was awarded the 1954 Nobel Prize in Literature for "his mastery of the art of narrative, most recently demonstrated in The Old Man and the Sea, and for the influence that he has exerted on contemporary style. THE NOVELS THE TORRENTS OF SPRING THE SUN ALSO RISES A FAREWELL TO ARMS TO HAVE AND HAVE NOT FOR WHOM THE BELL TOLLS ACROSS THE RIVER AND INTO THE TREES THE OLD MAN AND THE SEA THE SHORT STORY COLLECTIONS THREE STORIES AND TEN POEMS IN OUR TIME MEN WITHOUT WOMEN WINNER TAKE NOTHING THE FIFTH COLUMN AND THE FIRST FORTY-NINE STORIES THE FIFTH COLUMN AND FOUR STORIES OF THE SPANISH CIVIL WAR MISCELLANEOUS SHORT STORIES THE PLAY THE FIFTH COLUMN THE NON-FICTION DEATH IN THE AFTERNOON GREEN HILLS OF AFRICA NEWSPAPER ARTICLES THE AUTOBIOGRAPHIES HEMINGWAY, THE WILD YEARS A MOVEABLE FEAST
Few of the many romantic figures of the nineties have weathered the changing schools of literary taste as well as Ernest Dowson, in whose verse there is found a timeless, ingratiating charm and enduring interest. This biography is only incidentally a critical appraisal of Dowson's achievements but attempts to give a more completely rounded picture of the man than we have had before it. The book is based on a great deal of new material, which clears up many misinterpretations of Dowson's personality. This consists of unpublished letters from various sources, including twelve from Oscar Wilde that have not been printed before and detailed information gleaned by the author in interviews and in correspondence with persons who knew the poet intimately. To modern readers versed in psychological explanations of behavior, Dowson's story unwinds in a foredoomed pattern: the talented child of neurotic parents, the maladjusted boy at Oxford, the discontented young man in London, his curious infatuation for the child Adelaide, the brief association with prominent literary leaders in the Rhymers' Club and on the short-lived Savoy, and then his mother's suicide, his homelessness, poverty, aimless wandering abroad, the escape in drinking, finally death. Yet with it all, the insatiable urge to weave out his dreams in facile words which now form a unique and permanent contribution to English poetry. From this book Dowson emerges as a tragically interesting figure. The biography gives as much of his story as probably will ever be known, and as such takes an important place among the lives of English poets.