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An unflinching, open-hearted inquiry that encompasses religion, disaster, resilience, infertility, adoption, parenthood, and what it means to love one's neighbor.
A selection of children's poems and drawings reflecting their surroundings in Terezín Concentration Camp in Czechoslovakia from 1942 to 1944.
The poems in Birthright embody multiple legacies: genetic, historical, religious, and literary. Through the lens of one person's experience of inheritance, the poems suggest ways in which all of us may be influenced by how we perceive and process our lives and times. Here, a poet claims what is hers as a child of her particular parents; as a grandchild of refugees from Nazi Germany; as a Jew, a woman, a Gen Xer, and a New Yorker; as a reader of the Bible and Shakespeare and Flaubert and Lucille Clifton. This poet's birthright is as unique as her DNA. But it resonates far beyond herself. Erika Dreifus's poems in Birthright are about the skull and the heart, the bone, and the muscle. They are poems about holiness and everydayness and, in part, about the convergence of these two movements as a way to embrace and discover mercy, love, and honesty. What they illustrate is the beauty that happens in that space, when both elements are embraced and when forces collide: "I've always remembered the Sabbath day; I just haven't kept it holy." Birthright is a book that explores connectedness and connective tissue. These are poems that embrace faith, family, and the forest of good intention in all of its contradictory forces. It's about the expensive nature of coloring one's hair and the expansive nature, which explodes in the beaming colors of the Diaspora. Every time I come back to Birthright I am born again out of the little pieces in me that have died. This is the magic of Erika Dreifus's poems. They are the flame in the darkness of Deuteronomy; they are the spellbound silence of history that helps to bind you with the people right next to you and to the "ancestral spirits that mingle above." -Matthew Lippman, author of Mesmerizingly Sadly Beautiful and A Little Gut Magic. Full of humor and history, the personal and the painful, Erika Dreifus's Birthright is a thoughtful reflection on life and loss, on inheritance and the individual, collective, and intergenerational nature of Jewish experience. The book's midrashic reflections challenge readers to reconsider ancient texts and their modern resonances. Some of its more political poems, while offering a perspective that is not always easy to hear, add a critical voice to the dissonant chorus that composes today's commentary on Israel-Palestine. At its most moving moments, Birthright relays intimate and familial experiences with an earnest and generous vulnerability. With its honest, accessible language and straightforward storytelling, Erika Dreifus's first full-length collection is a welcome addition to the modern American poetry canon-narrative, Jewish, feminist, or otherwise.-Sivan Butler-Rotholz, Managing Editor, "Saturday Poetry Series," As It Ought to Be Magazine. These clear, unvarnished poems take us deeply into a life engaged with history, family, tradition, politics, and contemporary culture. -Richard Chess, author of Love Nailed to the Doorpost, Third Temple, and other books.
Examines the literature of the period of the Holocaust in Jewish history that includes the work of James E. Young, Lawrence W. Langer, Geoffrey H. Hartman and others.
As the initial volume of an impressive series comprising the full collection of verse by Louis Daniel Brodsky, this book begins with Brodsky's first poem, written during his final months at Yale, in 1963, and traces the author's maturation into his apprentice years (when he was a young graduate student in English, at Washington University, in St. Louis), presenting the hundreds of poems, prose poems, and short, autobiographical prose works he had composed by June of 1967, when he launched his professional writing career. These pieces serve not only as a measure of Brodsky's evolution as a poet but as a human being, chronicling one man's struggle to find his purpose in life, to make a place for himself in a society often at odds with his own convictions. His hopes, fears, and frustrations permeate the work, revealing the intense inner conflicts he felt compelled to set to paper, from individual matters -- his indecision over vocational goals, his candid experiences with love and rejection, the overwhelming isolation inherent in his academic pursuits -- to more global concerns, especially his acute awareness of the increasing social and political turbulence surrounding him. By grappling with these issues in his writing, he explored passionate emotions, released tension, and, at times, resolved doubts evoked through his introspection. But more important, he used this outpouring to hone his creative skills and develop his personal and professional identity, ultimately creating this tangible record of his travail and his ecstasy, his certitude and his confusion, and, finally, his journey into the heart of the person he would never stop becoming -- a poet.
The Handbook of Polish, Czech, and Slovak Holocaust Fiction aims to increase the visibility and show the versatility of works from East-Central European countries. It is the first encyclopedic work to bridge the gap between the literary production of countries that are considered to be main sites of the Holocaust and their recognition in international academic and public discourse. It contains over 100 entries offering not only facts about the content and motifs but also pointing out the characteristic fictional features of each work and its meaning for academic discourse and wider reception in the country of origin and abroad. The publication will appeal to the academic and broader public interested in the representation of the Holocaust, anti-Semitism, and World War II in literature and the arts. Besides prose, it also considers poetry and theatrical plays from 1943 through 2018. An introduction to the historical events and cultural developments in Poland, Czechoslovakia, Czech, and Slovak Republic, and their impact on the artistic output helps to contextualise the motif changes and fictional strategies that authors have been applying for decades. The publication is the result of long-term scholarly cooperation of specialists from four countries and several dozen academic centres.
The second volume in Louis Daniel Brodsky's Complete Poems series, covering his early years as a professional poet, from 1967-1976, contains more than eight hundred chronologically arranged pieces. This body of work shows Brodsky developing a number of artistic strategies to record the life he chose outside the realm of academia, which he abandoned after complete his master's degree in creative writing at San Francisco State University in 1968. --Time Being Books.
Challenging Theodor Adorno's famous statement that "writing poetry after Auschwitz is barbaric," Beyond Lament is a rich and varied anthology consisting of new and previously published poems about the atrocity of the Holocaust. Marguerite M. Striar has arranged the nearly 300 poems by the likes of Paul Celan, Nelly Sachs, Czeslaw Milosz, Dannie Abse, and Robert Pinsky, as well as many others, to tell the story of the Holocaust.
"The Talking Machine" and Other Poems provides startlingly clear glimpses into the author's personal life, such as on "quiet Sundays . . . spent outside of time" with his wife, friends, and family, as well as his "6 a.m. to 9 p.m. existence" as a young salesman, including sharp details from his frequent business trips to small Midwestern outposts.