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A wordless, quarantined dialogue in flipbook form Every day, throughout that tumultuous spring of 2020, Dutch artist Erik Kessels (born 1966) and French artist Thomas Sauvin (born 1983) sent one another idiosyncratic, uncaptioned photographs, catalyzing an organic, free-associative exchange of some 120 archival images. Atelier Éditions' author Kingston Trinder then composed an equally free-associative, altogether-whimsical narrative with which to further entwine the duo's eclectic photographs. These two archives of vernacular photography, one from the East, the other from the West, achieve a dialogue through the recurrence of photographic practices, aesthetics and subjects. Talk Soon, a tearaway postcard book with a spiral binding, allows readers to endlessly juxtapose the delightful photographs selected by the two quarantined artists.
A stream of consciousness photobook spanning 2020 by artist Tara Wray. A chronological diary featuring dogs, twins, and domestic scenes from rural Vermont, under a looming specter of doom.
The Straus Center for Conservation and Technical Studies at the Harvard Art Museums possesses over 2500 of the world¿s rarest pigments. Visually and anthropologically excavating the extraordinary collection,Atelier Editions¿ monograph examines the contained artefacts¿ providence, composition, symbology and application. Whilst simultaneously exploringthe larger field of chromatics, utilising a variety of theoretical frameworks to interpret the collection anew. An introduction to the monograph is authored by Straus Center Director, Dr. Narayan Khandekar.
"Silvermine is a set of five photo albums each containing 20 prints. The negatives were salvaged from a recycling plant on the edge of Beijing, where they had been sent to be filtered for their silver nitrate content. Between 2009 and 2013, Beijing-based collector Thomas Sauvin amassed, archived and edited more than half a million negatives destined for destruction."-- Publisher's website.
A variety of modern and traditional Afro-American barbecued dishes using beef, pork, lamb, poultry, and fish, as well as side dishes, salads, and a section of salf-free, low and sodium and sugarless recipes from the Black Panther leader
Chromatic Reflection is an artist monograph by Los Angeles based sculptor and photographer Aaron Farley.Unearthing a long neglected series of medium format negatives whilst exploring downtown St Louis' Queen Of Lace, Continental-Life Building, Farley salvaged such, archiving these until July of 2016, and Chromatic Reflection's genesis. Encompassing negatives created by a professional photographic studio once housed within the Queen Of Lace, circa 1960, Chromatic Reflection saw Farley photograph these abandoned negatives, then infuse such throughout with brilliant colour field, enigmatic dimensionality, and contemplative distortion. Authoring engaging chromatic works of parallel chronology, halted ephemerality, the substantiation of time's abstraction, Farley's work explores that paradoxical endeavour of restructuring chronology through captured image, substituted continuum, and material memory.
A wordless, quarantined dialogue in flipbook form Every day, throughout that tumultuous spring of 2020, Dutch artist Erik Kessels (born 1966) and French artist Thomas Sauvin (born 1983) sent one another idiosyncratic, uncaptioned photographs, catalyzing an organic, free-associative exchange of some 120 archival images. Atelier Éditions' author Kingston Trinder then composed an equally free-associative, altogether-whimsical narrative with which to further entwine the duo's eclectic photographs. These two archives of vernacular photography, one from the East, the other from the West, achieve a dialogue through the recurrence of photographic practices, aesthetics and subjects. Talk Soon, a tearaway postcard book with a spiral binding, allows readers to endlessly juxtapose the delightful photographs selected by the two quarantined artists.
We live in the midst of a photographic renaissance where we have become accustomed to consuming images with the same voracity and delight with those who devour junk food. To withstand the deluge that floods our retinas day after day, we consume them without digesting them properly or we just swallow them. Rarely do we pause to look more closely; To read, appreciate or question an image. Erik Kessels' multivolume In Almost Every Picture has long been a coveted and revered classic of vernacular photography. In Erik Kessels: Image Tsunami the Dutch art director has turned his attention to the abundance of images available for finding on the Internet, shared in their millions on websites like Flickr. In a world where everyone produces and edits photography, where, as Kessels says, "the average kid today gets photographed more than a celebrity of 50 years ago," what does a single image mean, and what is its status in the overwhelming flood of images? In Kessels' words: "Image Tsunami holds an enormous collection of images that I live with, that I remix and edit. It's a representation of the overload of imagery that is in my head. My hope is that the book will inspire others to make their own remixes of these images."