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James Bond’s amazing gadgets reveal both enthusiasm about technology and fear of its potential ramifications. The popularity of the 007 franchise depends on a seductive formula of sex, violence, and snobbery. Much of its appeal, too, lies in its gadgets: slick, somewhat improbable technological devices that give everyone’s favorite secret agent the edge over his adversaries. In Equipping James Bond, André Millard chronicles a hundred-year history of espionage technology through the lens of Ian Fleming’s infamous character and his ingenious spyware. Beginning with the creation of MI6, the British secret service, Millard traces the development of espionage technology from the advanced weaponry of the nineteenth century to the evolving threat of computer hacking and surveillance. Arguing that the gadgets in the books and films articulate the leading edge of technological awareness at the time, Millard describes how Bond goes from protecting 1950s England from criminal activity to saving a world threatened by nuclear bombs, poison gas, and attacks from space. As a modern and modernizing hero, Bond has to keep up with the times. His film franchise is committed to equipping both Bond and his adversaries with the latest technological gadgets. Simultaneously, Millard stresses, the villains and threats that Bond faces embody contemporary fears about the downside of technological change. Taking a wide-ranging look at factual (and fictional) technology, Millard views the James Bond universe as evidence for popular perceptions of technological development as both inevitably progressive and apocalyptically threatening.
Taking a wide-ranging look at factual (and fictional) technology, Millard views the James Bond universe as evidence for popular perceptions of technological development as both inevitably progressive and apocalyptically threatening.
For over six decades, James Bond has been a fixture of global culture, universally recognizable by the films’ combination of action set pieces, sex, political intrigue, and outrageous gadgetry. But as the British Empire entered the final stages of collapse, as the Cold War wound down and the “War on Terror” began, and as the visions of masculinity and femininity the series presented began to strike many viewers as outdated, the Bond formula has adapted to the changing times. Spanning the franchise’s entire history, from Sean Connery’s iconic swagger to Daniel Craig’s rougher, more visceral interpretation of the superspy, James Bond Will Return offers both academic readers and fans a comprehensive view of the series’s transformations against the backdrop of real-world geopolitical intrigue and sweeping social changes. Leading scholars consider each of the twenty-five films in the series, showing how and why Bond has changed and what elements of the formula have stood the test of time. Each chapter examines a single film from a distinct position, giving readers a full picture of the variety and breadth of the longest-running series in cinema history. Close formal readings; production histories; tracings of the political, social, and historical influences; analyses of the series’ use of then-new filmmaking technologies; reflections on the star personas that have been built around the character—these and many more approaches combine to produce a wide-ranging view of the James Bond film franchise. Essential reading for Bond scholars and aficionados alike, James Bond Will Return brings out the many surprising complexities of an iconic character.
James Bond is a fiction British secret spy working for M6 created by novelist Ian Fleming. James Bond has mesmerized us with his spy tactics in the movie series franchise. How he is able to follow up on leads and solves a crime mystery to the end. Many have tried to kill him but realized it was a bad move when he sends them to their graves early. In the 21st century, who can we learn from other than Bond, James Bond? This book aims at giving you an outlook of what it takes to be a spy the James Bond way.Through building self-confidence to seduction, each chapter will provide you with the tools needed to begin your training in the art of the most famous spy ever, 007.A look into the book:-Building Self-Confidence-The Bond Workout-Fighting Like Bond-Mastering Body Language-The Art of Seduction
“A journey through Fleming’s direct involvement in World War II intelligence and how this translated through his typewriter into James Bond’s world.” —The Washington Times Secret agent James Bond is among the best known fictional characters in history, but what most people don’t know is that almost all of the characters, plots, and gadgets come from the real life of Bond’s creator, Commander Ian Fleming. This book goes through the plots of Fleming’s novels—explaining the experiences that inspired them. Along with Fleming’s direct involvement in World War II intelligence, the book notes the friends who Fleming kept, among them Noel Coward and Randolph Churchill, and the influential people he would mingle with, including British prime ministers and American presidents. Bond is known for his exotic travel, most notably to the island of Jamaica, where Fleming spent much of his life. The desk in his Caribbean house, Goldeneye, was also where his life experiences would be put onto paper in the guise of James Bond. This book takes us to that island, and many other locales, as it traces the adventures of both 007 and the man who created him.
Militarizing Outer Space explores the dystopian and destructive dimensions of the Space Age and challenges conventional narratives of a bipolar Cold War rivalry. Concentrating on weapons, warfare and vio​lence, this provocative volume examines real and imagined endeavors of arming the skies and conquering the heavens. The third and final volume in the groundbreaking ​European Astroculture trilogy, ​Militarizing Outer Space zooms in on the interplay between security, technopolitics and knowledge from the 1920s through the 1980s. Often hailed as the site of heavenly utopias and otherworldly salvation, outer space transformed from a promised sanctuary to a present threat, where the battles of the future were to be waged. Astroculture proved instrumental in fathoming forms and functions of warfare’s futures past, both on earth and in space. The allure of dominating outer space, the book shows, was neither limited to the early twenty-first century nor to current American space force rhetorics.
How do you get from the poverty of London's East End to the glitz and glamour of the Oscars? From doing stand-up comedy at strip joint to writing hit songs for the likes of Michael Jackson, Barbra Streisand and Tom Jones? From Hackney to Hollywood? Wrestling With Elephants is the real-life adventure of a working-class London boy who wanted to write songs. Born to humble beginnings in the 1930s, over the last 40 years Don Black has written hundreds of lyrics for some of the most enduring hits of screen and stage - classics such as The Italian Job, Diamonds Are Forever, Born Free and Sunset Boulevard. With frank and entertaining tales of Black's experiences as one of 007's regular songwriters, the trials and triumphs of musicals such as Tell Me On A Sunday and Bombay Dreams, and featuring fascinating accounts of his collaborations with Andrew Lloyd Webber, Michael Jackon, Elaine Paige, John Barry, Denise Van Outen and many more, Wrestling With Elephants chronicles the astonishing life of the first British songwriter ever to win an Oscar.
Named One of the Year's Best Books by VULTURE • THE NEW REPUBLIC • DAZED • WIRED • BLOOMBERG • ESQUIRE • SALON • THE NEXT BIG IDEA CLUB The history of Silicon Valley, from railroads to microchips, is an “extraordinary” story of disruption and destruction, told for the first time in this comprehensive, jaw-dropping narrative (Greg Grandin, Pulitzer Prize-winning author of The End of the Myth). Palo Alto’s weather is temperate, its people are educated and enterprising, its corporations are spiritually and materially ambitious and demonstrably world-changing. Palo Alto is also a haunted toxic waste dump built on stolen Indian burial grounds, and an integral part of the capitalist world system. In PALO ALTO, the first comprehensive, global history of Silicon Valley, Malcolm Harris examines how and why Northern California evolved in the particular, consequential way it did, tracing the ideologies, technologies, and policies that have been engineered there over the course of 150 years of Anglo settler colonialism, from IQ tests to the "tragedy of the commons," racial genetics, and "broken windows" theory. The Internet and computers, too. It's a story about how a small American suburb became a powerful engine for economic growth and war, and how it came to lead the world into a surprisingly disastrous 21st century. PALO ALTO is an urgent and visionary history of the way we live now, one that ends with a clear-eyed, radical proposition for how we might begin to change course.
"In The Electric Guitar, scholars working in American studies, business history, the history of technology, and musicology come together to explore the instrument's importance as an invention and its peculiar place in American culture. Documenting the critical and evolving relationship among inventors, craftsmen, musicians, businessmen, music writers, and fans, the contributors look at the guitar not just as an instrument but as a mass produced consumer good that changed the sound of popular music and the self-image of musicians."--BOOK JACKET.
On 16 August 1952, Ian Fleming wrote to his wife, Ann, 'My love, This is only a tiny letter to try out my new typewriter and to see if it will write golden words since it is made of gold'. He had bought the gold-plated typewriter as a present to himself for finishing his first novel, Casino Royale. It marked in glamorous style the arrival of James Bond, agent 007, and the start of a career that saw Fleming become one of the world's most celebrated thriller writers. And he did write golden words. Before his death in 1964 he produced fourteen bestselling Bond books, two works of non-fiction and the famous children's story Chitty-Chitty-Bang-Bang. Fleming's output was matched by an equally energetic flow of letters. He wrote constantly, to his wife, publisher, editors, fans, friends and critics, charting 007's progress with correspondence that ranged from badgering Jonathan Cape about his quota of free copies �- a coin was tossed; Fleming lost - to apologising for having mistaken a certain brand of perfume and for equipping Bond with the wrong kind of gun. His letters also reflect his friendships with contemporaries such as Raymond Chandler, No�l Coward and Somerset Maugham. Before the world-famous films came the world-famous novels. This books tells the story of the man who wrote them and how he created spy fiction's most compelling hero.