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Epping Forest was given to the public in 1878. It has many historical and literary associations involving, for example, Harold II, Henry VIII, Elizabeth I, Shakespeare, Tennyson, Clare and Churchill. Nicholas Hagger came to Epping Forest during the war. As a boy he knew Sir William Addison, long recognised as an authority on the Forest, and saw Churchill speak in his village in 1945. He grew up against the background of the Forest and visited it regularly when he was living elsewhere. He returned and became the proprietor of three private schools in the area, founding his own school in 1989. The Forest has come into many of his poems and other works. In Part One of this book he conveys the history of Epping Forest in the times of the Celts and Romans, Anglo-Saxons and Normans, Medievals and Tudors, and enclosers and loppers. In Part Two he shows how history has shaped the Forest places he grew up with: Loughton, Chigwell, Woodford, Buckhurst Hill, Waltham Abbey, High Beach, Upshire, Epping, the Theydons and Chingford Plain. An Appendix contains some of his poems about these places. His blending of history, recollection and poetic reflection presents a rounded view of the Forest. Using a technique of objective narrative he developed in other works and drawing on personal experience to give the flavour of a personal memoir, he evokes the spirit of the Forest through its best-loved places and wildlife, and brings the Forest alive through his historical perspective, evocation of Nature and vivid writing. Nicholas Hagger’s Collected Poems, Classical Odes and his two poetic epics, Overlord and Armageddon, are also published by O Books. ,
In litter-strewn Epping Forest on the edge of London, might a writer find that magical moment of transcendence? He will certainly discover filthy graffiti and frightening dogs, as well as world-renowned artists and fading celebrities, robbers, lovers, ghosts and poets. But will he find himself? Or a version of himself he might learn something from? Strange Labyrinth is a quest narrative arguing that we shouldn't get lost in order to find ourselves, but solely to accept that we are lost in the first place. It is a singular blend of landscape writing, political indignation, cultural history and wit from a startling new voice in non-fiction.
“Out of the Woods is a brave and beautiful book, electrifying on sex and nature, religion and love. No one is writing quite like this.”— Olivia Lang, author of The Lonely City In this highly original work of nature writing and memoir, a young man explores his shifting sexual identity and troubled family history against the backdrop of a sprawling urban forest in London. In the wake of a significant breakup, Luke Turner is visited by familiar demons, including depression and guilt surrounding his bisexual identity, experiences of sexual abuse, and confusion brought on by an intensely religious upbringing. With nowhere to turn, Turner seeks refuge in London’s Epping Forest, where unexpected, elusive threats seem to have replaced its former comforts. No stranger to compulsion, Turner finds himself repeatedly drawn to the woods, eager to uncover its secrets and investigate an old family rumor of illicit behavior that once happened there. Away from a society that still cannot cope with the complexities of masculinity and sexuality, Turner finally begins to find acceptance among the trees as he reconciles external expectations with his own way of being.
Epping Forest was given to the public in 1878. It has many historical and literary associations involving, for example, Harold II, Henry VIII, Elizabeth I, Shakespeare, Tennyson, Clare and Churchill. Nicholas Hagger came to Epping Forest during the war. As a boy he knew Sir William Addison, long recognised as an authority on the Forest, and saw Churchill speak in his village in 1945. He grew up against the background of the Forest and visited it regularly when he was living elsewhere. He returned and became the proprietor of three private schools in the area, founding his own school in 1989. The Forest has come into many of his poems and other works. In Part One of this book he conveys the history of Epping Forest in the times of the Celts and Romans, Anglo-Saxons and Normans, Medievals and Tudors, and enclosers and loppers. In Part Two he shows how history has shaped the Forest places he grew up with: Loughton, Chigwell, Woodford, Buckhurst Hill, Waltham Abbey, High Beach, Upshire, Epping, the Theydons and Chingford Plain. An Appendix contains some of his poems about these places. His blending of history, recollection and poetic reflection presents a rounded view of the Forest. Using a technique of objective narrative he developed in other works and drawing on personal experience to give the flavour of a personal memoir, he evokes the spirit of the Forest through its best-loved places and wildlife, and brings the Forest alive through his historical perspective, evocation of Nature and vivid writing. Nicholas Hagger’s Collected Poems, Classical Odes and his two poetic epics, Overlord and Armageddon, are also published by O Books.
Join John Rogers as he ventures out into an uncharted London like a redbrick Indiana Jones in search of the lost meaning of our metropolitan existence. Nursing two reluctant knees and a can of Stella, he perambulates through the seasons seeking adventure in our city’s remote and forgotten reaches.
National Bestseller • New York Times "100 Notable Books of the Year" • NPR "Favorite Books of 2019" • Guardian "100 Best Books of the 21st Century" • Winner of the National Outdoor Book Award "Mesmerizing…Underland is a portal of light in dark times." —Terry Tempest Williams, New York Times Book Review In Underland, Robert Macfarlane delivers an epic exploration of the Earth’s underworlds as they exist in myth, literature, memory, and the land itself. Traveling through the dizzying expanse of geologic time—from prehistoric art in Norwegian sea caves, to the blue depths of the Greenland ice cap, to a deep-sunk "hiding place" where nuclear waste will be stored for 100,000 years to come—Underland takes us on an extraordinary journey into our relationship with darkness, burial, and what lies beneath the surface of both place and mind. Global in its geography and written with great lyricism, Underland speaks powerfully to our present moment. At once ancient and urgent, this is a book that will change the way you see the world.