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Reprint of the original, first published in 1877.
Based on the idea that communication technologies are a primary shaping force of civilizations, "Five Epochs of Civilization" presents a new scheme of world history. It identifies five epochs of historical experience and associates each with a civilization focused on particular institutions. These are: -- Civilization I focused on government, ending in large political empires -- Civilization II focused on religion, ending in the three world religions -- Civilization III focused on commerce and education within the nation state -- Civilization IV focused on the media of news and entertainment -- Civilization V focused on the internet and beyond The communication technologies which triggered these changes in culture (and their approximate dates of introduction) include: ideographic writing (3100 B.C.), alphabetic writing (800 B.C.), printing (1450 A.D.), electronic recording and broadcasting (1920 A.D.), and computer networks (1990 A.D.). McGaughey includes separate narratives for each of the four civilizations that have appeared to date in a developed form plus 'imaginative and plausible speculations concerning a possible fifth, computer-based civilization'.
Reproduction of the original: Epochs of Ancient History by A.H. Beesley
Excerpt from Epochs of Ancient History But N erva was determined to let the veil fall on the past. He raised no question about the favours and the boons of earlier rulers, but respected the immunities and dispensations however carelessly bestowed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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