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The thesis shows that the Song of Songs can be read as a circular sequence of sub-poems, that follow logically from one another if they are understood as contributing to two main points, made in a woman's voice. The woman urges men to take romantic initiative to be committed exclusively and for life, and urges women three times to wait until they are approached by such men. If this reading is the best explanation of the text of the Song, then the Song is a unified work centered on a woman singing about human romantic love from a woman's perspective.
Christian interpretations of the Song of Songs have long depended upon the allegorical reading developed by Origen of Alexandria (c.185-c.254). This study aims to show that Origen's Commentary and two Homilies on the Song of Songs clearly portray the Song of Songs as the biblical book that, as the Bridegroom's perfect marriage-song, reveals the `spirit' of Scripture with greater intensity and immediacy than any other.
The hymns of Isaac Watts are a remarkable blend of biblical, theological, liturgical, poetic, musical, and practical dimensions, some of which have seldom been touched upon in previous studies of the hymn writer. In this book, you will find analyses of Watts’s texts from each of these perspectives. As shown by this study, it is not only these individual factors but their combination that made Watts’s hymns innovative but also effective and long lasting in his own time—and that makes many of them still useful and widely sung today.