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Epitaphs of the Great War Passchendaele is an edited collection of headstone inscriptions from the graves of those killed during the Third Battle of Ypres - Passchendaele. Limited by the Imperial War Graves Commission to sixty-six characters - far more restrictive than Twitter's 140-character rule - these inscriptions are masterpieces of compact emotion. But, as Sarah Wearne says, their enforced brevity means that many inscriptions rely on the reader being able to pick up on the references and allusions, or recognise the quotations - and many twenty-first-century readers don't. Consequently she has selected one hundred inscriptions from the battlefield cemeteries and by expanding the context - religious, literary or personal - she has been able to give full voice to the bereaved. This collection, the second in a short series, will be published to coincide with the centenary of the opening of the Passchendaele offensive on 31 July 1917. Together with Epitaphs of the Great War The Somme, published on 1 July 2016, these books cover the epitaphs of the ordinary and the famous, the privileged and the poor, the generals and the privates and, after a hundred years, give us an insight into what contemporaries believed they had been fighting for and how they viewed the loss of the men they had loved.
"There could be no truer witness to the enormity of the First World War, and its terrible cost in lives, than the memorials and war cemeteries along the old Western Front. In Canada, no less than in the other dominions of the British Empire, the war left a conflicting legacy of pride and sorrow that endures to this day. The soaring Vimy Memorial, the Brooding Soldier, and the monuments honouring Canada's significant contribution to the Allied victory symbolize the spirit of shared sacrifice and nationhood that emerged from the crucible of the war; but alongside this official commemoration there exists a poignant, strangely overlooked, record of the grief and search for consolation among the Canadian populace in the years after the Armistice. This has come down in the personal inscriptions which the Imperial War Graves Commission invited next of kin to have engraved on the headstones of the fallen. Simple, heartfelt, often gems of compression, these farewells preserve the voice of Canada's bereaved, the parents, the wives, the children, who were left to mourn and to seek meaning and comfort in their loss. This book offers an anthology of epitaphs drawn from the war cemeteries where Canadian soldiers lie buried in Flanders and France. Photographs and war art transport readers to the sites, and each chapter reviews the sources and themes of the epitaphs to establish their place in the national memory of the ordeal of 1914-1918."--Book jacket.
"It's the casualties that dominate our thinking on the First World War - the dead - all those thousands of soldiers who lie buried on the battlefields of the world. Who were they? Where did they come from? What were they fighting for? How did their families cope? Can we ever know? In the case of the British we can get an idea because Britain, alone among the combatant nations, allowed their next-of-kin space for a personal inscription on the War Grave Commission's headstones. And these inscriptions give us a piercing glimpse into the minds of the men and women of the British Empire who mourned their dead; into their pride, love, patriotism, dignity, anger, grief, resignation and despair. It's as if the stones speak - and some of them do: "Remember whatever happens it will have been worth while"; "Mother dear I must go"; "I would not have missed it for anything", "Why?". Epitaphs of the Great War - The Last 100 Days is the third instalment in an edited collection of headstone inscriptions from the graves of those killed during the Great War. Limited by the Imperial War Graves Commission to sixty-six characters - far more restrictive than Twitter's 140-character rule - these inscriptions are masterpieces of compact emotion containing as they do the distilled essence of thousands of responses to the war. However, their enforced brevity means that many inscriptions relied on the reader being able to pick up on the references and allusions, or recognise the quotations - and many twenty-first-century readers do not. In this selection of one hundred inscriptions from the battlefield cemeteries, the author, by expanding the context - religious, literary or personal - has been able to give full voice to the bereaved. This volume covers those killed in France and Flanders during the period commonly known as the last 100 days of the war, a period from 8 August to 11 November 1918."--Publisher's description.
This book presents more than 1, 500 epitaphs on the First World War headstones in cemeteries of Belgium and France. They provide compelling insight into the attitudes of an era and into the families' variety of responses to the loss of young men who perished in conflict and whose remains lie buried in the foreign soil on which they fought and died. There tributes provide and eloquent and moving demonstration of the power and beauty of language.
A guide to daily life and experiences for British servicemen in World War I, from recruitment and training to the battle and its aftermath. Geoff Bridger’s Great War Handbook answers many of the basic questions newcomers ask when confronted by this enormous and challenging subject of World War One—not only what happened and why, but what was the Great War like for ordinary soldiers who were caught up in it. He describes the conditions the soldiers endured, the deadly risks they ran, their daily routines and the small roles they played in the complex military machine they were part of. His comprehensive survey of every aspect of the soldier’s life, from recruitment and training, through the experience of battle and its appalling aftermath, is an essential guide for students, family historians, teachers and anyone who is eager to gain an all-round understanding of the nature of the conflict. Praise for The Great War Handbook “The book contains a wealth of information on a diverse range of topics within its 200 pages. The Great War Handbook does an excellent job of bringing together concise explanations of a number of key areas. It always amazes me just how much there is to learn about the war, and novice and seasoned researchers alike will find something of interest here, and I know it is a book I will continue to refer to in the future.” —Firetrench Reviews
Until the arrival of radio and television, and despite the influence of newspapers, posters were the major medium for mass communication. During the Great War all the belligerent nations produced an extraordinary variety of them - and they did so on a massive scale. As the 200 wartime and immediate post-war posters selected for this book reveal, they were one of the most potent, and memorable, ways of conveying news, information and propaganda. In the most graphic and colourful fashion they promoted values such as patriotism and sacrifice. By using rallying symbols such as flags as well as historical and mythical models, they sought to maintain morale and draw people together by stirring up anger against the enemy. Today their remarkable variety of styles give us an instant insight into the themes and messages the military and civilian authorities wished to publicize.The sheer inventiveness of the poster artists is demonstrated as they focused on key aspects of the propaganda campaign in Britain, France, Germany, America and Russia. The diversity of their work is displayed here in chapters that cover recruitment, money raising, the soldier, the enemy, the family and the home front, films and the post-war world. A century ago, when these images were first viewed, they must have been even more striking in contrast to the poor-quality newspaper photographs and postcards that were available at the time. The Great War was to change that forever. It introduced a means of propaganda that was novel, persuasive and above all, powerful. It was the first media war, and the poster played a key role in it.
The Missing of the Somme is part travelogue, part meditation on remembrance—and completely, unabashedly, unlike any other book about the First World War. Through visits to battlefields and memorials, Geoff Dyer examines the way that photographs and film, poetry and prose determined—sometimes in advance of the events described—the way we would think about and remember the war. With his characteristic originality and insight, Dyer untangles and reconstructs the network of myth and memory that illuminates our understanding of, and relationship to, the Great War.
Doctors played a bigger role in the First World War than in any other previous conflict. This reflected not only the War's unprecedented scale but a growing recognition of the need for proper medical cover. The RAMC had to be expanded to meet the needs of Britain's citizen army. As a result by 1918 some 13,000 doctors were on active service over half the nation's doctors.Strangely, historians have largely neglected the work of doctors during the War. Doctors in the Great War brings to light the thoughts and motivations of doctors who served in 1914-1918, by drawing on a wealth of personal experience documentation, as well as official military sources and the medical press. The author examines the impact of the War upon the medical profession and the Army. He looks at the contribution of medical students, and the extent to which new professional opportunities became available to women doctors.An insight into the breadth of responsibilities undertaken by Medical Officers is given through analysis of the work of various medical units on the Western Front, demonstrating the important role played by doctors in the maintenance of the Army's physical and mental well-being. The differences between civilian and military medicine are discussed with a consideration of the arrangements for the training of doctors, and an assessment of the difficulties faced by doctors in adapting to military priorities and dealing with new challenges such as gas poisoning, infected wounds and shell shock.Doctors in the Great War will undoubtedly appeal to general readers, students and specialists in the history of war and society, as well as to those with an interest in the medical profession.As featured in the Derby Telegraph, Dover Express and Kent & Sussex Courier
The author uses infographics to communicate different history lessons about World War I.