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In the first major study of the genre, Joshua Scodel shows how English poets have used the poetic epitaph to express their views concerning the power and limitations of poetry as a response to human mortality.
Epitaphs are a unique artform. In previous centuries they were regarded as an opportunity to celebrate, mourn, reflect on, philosophize, lament, or affirm the individual and the mystery of life and death, often giving rise to carefully crafted verse.
The lively ancient epitaphs in this bilingual collection fit together like small mosaic tiles, forming a vivid portrait of Greek society. Cut These Words into My Stone offers evidence that ancient Greek life was not only celebrated in great heroic epics, but was also commemorated in hundreds of artfully composed verse epitaphs. They have been preserved in anthologies and gleaned from weathered headstones. Three-year-old Archianax, playing near a well, Was drawn down by his own silent reflection. His mother, afraid he had no breath left, Hauled him back up wringing wet. He had a little. He didn't taint the nymphs' deep home. He dozed off in her lap. He's sleeping still. These words, translated from the original Greek by poet and filmmaker Michael Wolfe, mark the passing of a child who died roughly 2,000 years ago. Ancient Greek epitaphs honor the lives, and often describe the deaths, of a rich cross section of Greek society, including people of all ages and classes— paupers, fishermen, tyrants, virgins, drunks, foot soldiers, generals—and some non-people—horses, dolphins, and insects. With brief commentary and notes, this bilingual collection of 127 short, witty, and often tender epigrams spans 1,000 years of the written word. Cut These Words into My Stone provides an engaging introduction to this corner of classical literature that continues to speak eloquently in our time.
Offers morbidly-humorous, pun-filled, illustrated epitaphs for animals that poetically describe how they met their ends.
Here lie I, Martin Elginbrodde/Have mercy on my soul, Lord God, As I would do/ If I were God/ And ye were Martin Elginbroddeis is one of the most famous of all epitaphs and comes from Edinburgh. This book contains many others, some pompous, some sad, some downright funny and some ambiguous such as this gravestone in Liverpool which declares Here lyeth Sarah Young who went to sleep with Christ 6th January 1741 or that of her namesake the Mormon leader and polygamist, Brigham Young, whose gravestone reads Brigham Young. Born on this spot 1801. A man of much courage and equipment.