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As adventurers of the grand cosmos, Mr. Jason Space and Captain Helena Galaxy seek to discover new worlds and new adventures and to have fun while doing it. They will never do paid mercenary work, no matter how good the offer, for they are explorers and not mercenaries. They will complete every mission they undertake, no matter how much trouble it gets them into. And they will never give up, regardless of whatever menacing aliens or dangerous obstacles they run into. On a visit to an uninhabited world, Mr. Jason Space picks up a pretty red rock that he thinks might make him and Galaxy good money. Little does he know, however, that there is more to this pretty rock than meets the eye, and when it reveals its true nature to him, Space must find a way to stop it before it uses their ship for its own nefarious purposes. KEYWORDS: science fiction action adventure series, science fiction action adventure humor, science fiction serial, science fiction humorous, science fiction humor serial, science fiction comedy, science fiction comedy adventure
As adventurers of the grand cosmos, Mr. Jason Space and Captain Helena Galaxy seek to discover new worlds and new adventures and to have fun while doing it. They will never do paid mercenary work, no matter how good the offer, for they are explorers and not mercenaries. They will complete every mission they undertake, no matter how much trouble it gets them into. And they will never give up, regardless of whatever menacing aliens or dangerous obstacles they run into. In order to earn more money to fuel their adventures, Galaxy and Space travel to the jungles of Shizor in search of ancient ruins that might hold valuable artifacts that they can sell to museums. But with Galaxy suffering from sleep deprivation, the two explorers must escape the ruins before the mysterious Phantom of the Jungle claims both of their lives. KEYWORDS: science fiction action adventure series, science fiction action adventure humor, science fiction serial, science fiction humorous, science fiction humor serial, science fiction comedy, science fiction comedy adventure
“Rarely has a movie this expensive provided so many quotable lines.” So wrote Roger Ebert in his review of Ghostbusters, the 1984 blockbuster that handed our paranormal fears over to some of the sharpest comic minds of the day. Ghostbusters instantly resonated with audiences thanks to eye-popping special effects and crackling wit; to date, it remains the highest-grossing horror comedy of all time. The film spawned an Emmy-nominated Saturday morning cartoon, a tentpole 1989 sequel, a contentious 2016 reboot, legions of merchandise, and one of the most dedicated fan bases in history. Ghostbusters also elevated its players to superstardom, something a few cast members found more daunting than the Stay Puft Marshmallow Man. Now, for the first time, the entire history of the slime-soaked franchise is told in A Convenient Parallel Dimension: How Ghostbusters Slimed Us Forever. The cohesion of talent during the mid-’70s comedy revolution, the seat-of-their-pants creation of the first Ghostbusters, the explosive success that seemed to mandate a franchise, the five year struggle to make Ghostbusters II, the thirty-one-year struggle to make Ghostbusters III—it’s all here, with incredible attention to detail. Thoroughly researched and engaging, A Convenient Parallel Dimension smashes long-held myths and half truths about the dynamics behind this cultural juggernaut and presents the real story, down to the last drop of ectoplasm.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
The true story of the American West on film, through its shooting stars and the directors who shot them...Howard Hughes explores the Western, running from John Ford's "Stagecoach" to the revisionary "Tombstone". Writing with panache and fresh insight, he explores 27 key films, and draws on production notes, cast and crew biographies, and the films' box-office success, to reveal their place in western history. He shows how through reinvention and resurrection, this genre continually postpones the big adios and avoids ending up in Boot Hill...permanently. Major films covered include the best from genre giants John Ford, Howard Hawks and John Wayne, plus classics "High Noon", "Shane", "The Magnificent Seven" and "Butch Cassidy and the Sundance Kid". "Stagecoach to Tombstone" makes many more stops along the way, examining well-known blockbusters and lowly B-movie oaters alike. It examines comedy westerns, adventures 'south of the border', singing cowboys and the varied depiction of Native Americans on screen. Hughes also engagingly charts the genre's timely renovation by Sam Peckinpah ("Ride the High Country" and "The Wild Bunch"), Sergio Leone ("Once Upon a Time in the West") and Clint Eastwood ("The Outlaw Josey Wales" and "Unforgiven"). Presented too are the best of western trivia, a filmography of essential films - and ten aficionados and critics, including Alex Cox, Christopher Frayling, Philip French and Ed Buscombe, give their verdict on the best in the west.
Animal Narratology interrogates what it means to narrate, to speak—speak for, on behalf of—and to voice, or represent life beyond the human, which is in itself as different as insects, bears, and dogs are from each other, and yet more, as individual as a single mouse, horse, or puma. The varied contributions to this interdisciplinary Special Issue highlight assumptions about the human perception of, attitude toward, and responsibility for the animals that are read and written about, thus demonstrating that just as “the animal” does not exist, neither does “the human”. In their zoopoetic focus, the analyses are aware that animal narratology ultimately always contains an approximation of an animal perspective in human terms and terminology, yet they make clear that what matters is how the animal is approximated and that there is an effort to approach and encounter the non-human in the first place. Many of the analyses come to the conclusion that literary animals give readers the opportunity to expand their own points of view both on themselves and others by adopting another’s perspective to the degree that such an endeavor is possible. Ultimately, the contributions call for a recognition of the many spaces, moments, and modes in which human lives are entangled with those of animals—one of which is located within the creative bounds of storytelling.
The two-volume set, LNCS 14146 and 14147 constitutes the thoroughly refereed proceedings of the 34th International Conference on Database and Expert Systems Applications, DEXA 2023, held in Penang, Malaysia, in August 2023. The 49 full papers presented together with 35 short papers were carefully reviewed and selected from a total of 155 submissions. The papers are organized in topical sections as follows: Part I: Data modeling; database design; query optimization; knowledge representation; Part II: Rule-based systems; natural language processing; deep learning; neural networks.