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Photographic reconstruction and analysis of a twelfth-century liturgical manuscript from the Austrian monastery in Lambach.
Each of the studies in this volume draws upon a manuscript, or a group of manuscripts, that shed light on the practice of monastic life during this period of reform. Many, but not all, of the papers focus on the monastery of Admont in central Austria. Admont was one of the most important spiritual, cultural, and intellectual centres in the high Middle Ages, and its magnificent library still houses an extensive collection of manuscripts - a rich resource both for the history of the monastery and for the broader history of medieval religious life. The book brings together the work of an international group of scholars whose work touches on various aspects of twelfth-century Admont, and the broader movement for reform and renewal in Germany and Austria. With the publication of Charles Homer Haskin's important work, The Renaissance of the Twelfth Century (1933), came a new way of looking at the civilization of the high Middle Ages. Scholars have since investigated many aspects of this revival: the rise of the universities, the development of canon law, the emergence (or re-emergence) of a heightened sense of human individuality, and the revival of religious fervour that has been labelled a reformation before the Reformation. Much of this scholarly work has focused on north-central Italy, France and England. Germany, however, has been little studied in this context, in part because the nature and trajectory of the reform there differed from that seen elsewhere in Europe. The essays in the book both explore connections between Germanic lands and the wider western European context, and consider the unique spiritual and intellectual climate of Germany's monasteries.
The wooden statue of the Mother and Child enthroned, known as sedes sapientiae, the Seat or Throne of Wisdom, reached the brilliant culmination of its development as a genre of religious sculpture in the twelfth century. As a visible expression of the mystery of Incarnation, its iconography dated back to the early church. Translated by the Romanesque sculptor into a fully plastic, freestanding form, its style conveys convincingly the medieval vision of humanity and divinity interfused. The recent cleaning and restoration of a number of these wood-carved figures of the Madonna in Majesty has now made possible a full appraisal of the genre. Mrs. Forsyth's discussion examines the character, function, iconography, and history of the statues; distinguishes types and regional styles; considers their role within the broader context of medieval art; and assesses their artistic merit. Her register of principal examples includes 110 sculptures dating from twelfth century France, some of which have never been published before. 192 illustrations accompany the text. Ilene H. Forsyth is Associate Professor in the Department of the History of Art, at the University of Michigan. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Abstracts of dissertations available on microfilm or as xerographic reproductions.
"A new study of the early Renaissance portrait"--