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Organized by such common subjects as Home, Work, Dining Out, Transportation, Health and Sports, these bilingual visual dictionaries give students, travelers, and business people quick access to foreign terms in the simplest and most intuitive way.
Organized by such common subjects as Home, Work, Eating Out, Transportation, Health and Sports, these bilingual visual dictionaries givestudents and business people quick access to foreign terms in the simplest and most intuitive way.
States of Decadence is a two volume anthology that focuses on the literary and cultural phenomenon of decadence. Particular attention is given to literature from the end of the 1800s, the fin de siècle; however, the essays presented here are not restricted to this historical period, but draw lines both back in time and forward to our day to illuminate the contradictory multiplicity inherent in decadence. Furthermore, the essays go beyond literary studies, drawing on a number of the tropes and themes of decadence manifested in the arts and culture, such as in music, opera, film, history, and even jewelry design. Volume 2 comprises essays on the following thematic areas: “Images of Decadent Women”, “Transmedia Decadence”, “Contemporary Decadence”, and “Poetic Decadence”. The contributors are part of an active network of international scholars from many different countries. As the expansive title of the volume suggests, they explore the decadent aesthetic approach to the arts, to culture, and to a worldview that juxtaposes a strange mixture of conservatism and rebellion, ambivalence and deep convictions.
This book explores composed scores and pre-existing music in French cinema from 1985 to 2015 so as to identify critical musical moments. It shows how heritage films construct space through music, generating what Powrie calls “third space music,” while also working to contain the strong women characters found in French heritage films through the use of leitmotifs and musical cues. He analyses fiction films in which the protagonists perform at the piano, showing how musical performance supports the performance of gender. Building on aspects of musical performance, and in particular the use of songs performed in films, Powrie uses a database of 300 films since 2010 to theorize the intervention of music at critical moments as a “crystal-song”. Applying Roland Barthes’s concept of the “punctum” and Gille Deleuze’s concept of the “crystal-image,” Powrie establishes the importance of the crystal-song, which reconfigures time as a crystallization of past, present and future.