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Mary Doria Russell, the bestselling, award-winning author of The Sparrow, returns with Epitaph. An American Iliad, this richly detailed and meticulously researched historical novel continues the story she began in Doc, following Wyatt Earp and Doc Holliday to Tombstone, Arizona, and to the gunfight at the O.K. Corral. A deeply divided nation. Vicious politics. A shamelessly partisan media. A president loathed by half the populace. Smuggling and gang warfare along the Mexican border. Armed citizens willing to stand their ground and take law into their own hands. . . . That was America in 1881. All those forces came to bear on the afternoon of October 26 when Doc Holliday and the Earp brothers faced off against the Clantons and the McLaurys in Tombstone, Arizona. It should have been a simple misdemeanor arrest. Thirty seconds and thirty bullets later, three officers were wounded and three citizens lay dead in the dirt. Wyatt Earp was the last man standing, the only one unscathed. The lies began before the smoke cleared, but the gunfight at the O.K. Corral would soon become central to American beliefs about the Old West. Epitaph tells Wyatt’s real story, unearthing the Homeric tragedy buried under 130 years of mythology, misrepresentation, and sheer indifference to fact. Epic and intimate, this novel gives voice to the real men and women whose lives were changed forever by those fatal thirty seconds in Tombstone. At its heart is the woman behind the myth: Josephine Sarah Marcus, who loved Wyatt Earp for forty-nine years and who carefully chipped away at the truth until she had crafted the heroic legend that would become the epitaph her husband deserved.
In the first major study of the genre, Joshua Scodel shows how English poets have used the poetic epitaph to express their views concerning the power and limitations of poetry as a response to human mortality.
An innovative study of the Renaissance practice of making epitaphic gestures within other English genres. A poetics of quotation uncovers the ways in which writers including Shakespeare, Marlowe, Holinshed, Sidney, Jonson, Donne, and Elizabeth I have recited these texts within new contexts.
This book is a life raft in a grief storm. From the first gripping chapter, when Debbie's husband dies expectedly in her arms, she takes readers by the hand and offers them gentle insights for healing and hope, while sharing her powerful story of loss. As a psychotherapist specializing in trauma and grief, Debbie and her wisdom can help you too.
This volume completes the five-volume Longman Annotated Poets Edition of the poems of John Dryden, the major poet of Restoration England. It provides a modernized text along with full explanatory annotation. The poems include Dryden's spirited translation from Ovid, Homer, Chaucer, and Boccaccio. This volume presents, in newly-edited texts and with a substantial editorial commentary, the complete non-dramatic poetry of John Dryden’s later years. It contains the full text of Dryden’s final collection, Fables Ancient and Modern, including its prose Dedication and Preface, together with a number of other poems of the late 1690s, and some posthumously published items.
Dryden: Selected Poems is drawn from Paul Hammond and David Hopkins's remarkable five-volume The Poems of John Dryden, and includes a generous selection of his most important work. The great satires, MacFlecknoe and Absalom and Achitophel, are included in full, as are his religious poemsReligio Laici and The Hind and the Panther, along with a number of Dryden's translations from Horace, Ovid, Homer, and Chaucer. Each poem is accompanied by a headnote, which gives details of composition, publication, and reception. The first-rate annotations provide information on matters of interpretation and give details of allusions that might prove baffling to contemporary readers. Some 300 years after his death, Dryden: Selected Poems will enable new generations of readers to discover the poet of whom Eliot wrote: 'we cannot fully enjoy or rightly estimate a hundred years of English poetry unless we fully enjoy Dryden'.
Twenty-one essays make a cogent case for reading Latin poet Horace as a verse form innovator--E.A. Fredricksmeyer seconds spring-song Odes 4.7 as a candidate for the most beautiful poem in ancient literature; espouser of the carpe diem theme in his love poems; and astute observer of Augustan era politics. In reprinted articles from classical studies journals and books (1956-89), the contributors address the Odes from Books 1-3 circa 30-23 BC, plus the Satire from his first publication of 35 BC. Lacks an index. Annotation copyrighted by Book News, Inc., Portland, OR
1974 study of Latin poetry designed to encourage fresh readings and to illustrate critical approaches to the literature.