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Ernst Theodor Amadeus Hoffmann was a contemporary of Ludwig von Beethoven: a composer himself, a music critic, and a late-German-Romantic-movement writer of novels and numerous short stories. His incisive wit and poetic imagery allow the reader to peer into the foibles of society and the follies of human psychology. (In fact, Hoffmann’s wit may have gotten him into a bit of legal trouble, as parts of Master Flea were censored and had to be reworked when authorities disliked certain satirical criticisms of contemporary dealings of the court system.) Join gentleman bachelor Peregrine Tyss as his life as a recluse takes a twist, when he gains an epic advantage of tiny proportions. Part proto-science-fiction and part Romantic fantasy, Master Flea follows the fate of a mysterious, captivating princess at the intersection of numerous suitors, human and insect. Like a lesson from a fable or a tale of classical mythology, Hoffmann’s fairy-tale allegory shows how seeking forbidden knowledge can poison the soul, and how following the heart can heal it.
In the offices of a large media conglomerate responsible for all kinds of advertising, Max Brecher considers himself the intellectual among the clerks. He reflects on the personal relations in the office, his own situation as an employee and human being, and the shifts in the values and ideas of life in 1920s Berlin. His office has its share of interesting characters, such as the corrupt Dr. Geist, who becomes a hypocrite in order to advance in the office hierarchy; the lovely Mucki Schopps, a tricky young girl with whom everyone falls in love; Gudula Often, who strives for harmony among her coworkers but never achieves her goal; and the department head, Mr. Sack, who meets an unfortunate end.
"A recovered masterpiece....Remarkable as a sidelong, searing appraisal of the legacy of the Nazi years."--Publishers Weekly, starred review
The Berlin writer Theodor Fontane (1819-1898) earned a European reputation for the German novel, something his fellow poetic realists and their predecessors had failed to do. L'Adultera (1882), a Gesellschaftsroman, is the first of the writer's Berlin novels. Already in this early work, Fontane employs his considerable skills as a realist and impartial observer of nineteenth-century German life. Lynn R. Eliason captures in this major translation the wit, irony and warm human interaction characteristic of Fontane's mature novels, including his well known Effi Briest. An introductory essay identifies L'Adultera in terms of the writer's life and literary artistry.
Novalis is one of the great figures of German Romanticism. The Novices of Sais, translated into French in 1925, was received enthusiastically by artists and poets and is often quoted by the Surrealists. It was translated into English by Ralph Mannheim in 1949, with 60 original drawings by Klee. This is a new edition of this seminal Romantic text.
Novalis: Philosophical Writings is the first extensive scholarly translation in English from the philosophical work of the late eighteenth-century German Romantic writer Novalis (Friedrich von Hardenberg). His original and innovative thought explores many questions that are current today, such as truth and objectivity, reason and the imagination, language and mind, and revolution and the state. The translation includes two collections of fragments published by Novalis in 1798, Miscellaneous Observations and Faith and Love, and the controversial essay Christendom or Europe. In addition there are substantial selections from his unpublished notebooks, including Logological Fragments, the General Draft for an encyclopedia, the Monologue on language, and the essay on Goethe as scientist.