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HIS FIRST EDITION OF Electronic Properties of Force Materials Laboratory, where Air Force respon T Materials: A Guide to the Literature initiates a sibility for these contracts has resided. Mr. John W. plan for making available the indexing work of the Atwood is Project Manager at Hughes Aircraft Electronic Properties Information Center. Since the Company. inception of EPIC in June, 1961, a basic objective has Professional members of EPIC are Charles L. M. been to use techniques and procedures that would Blocher, Donald L. Grigsby, Dana H. Johnson, allow maximum distribution and use of EPIC output. Thomas J. Lyndon, John T. Milek, Meta S. Neu Accordingly, data processing and reproduction tech berger, and Emil Schafer. All have ably contributed niques were established to reproduce and distribute to this work. Mr. Johnson and Mrs. Neuberger have easily and economically a few copies of what was been primarily responsible for the indexing effort; then a card index. Mr. Lyndon has supervised the classical library pro As the program advanced, it became apparent that cedures and the clerical effort; Mr. Blocher and Mr. a few copies of the index were not enough. The index Grigsby have controlled the indexing vocabulary, the should be available to all, instead of just a select few. cross-references, and the data processing input; and However, this would have meant so many copies that Mr. Schafer has prepared the very excellent glossary, the cost would have drained funds from the program with the assistance of Mr. Milek.
Those tales of old--King Arthur, Robin Hood, The Crusades, Marco Polo, Joan of Arc--have been told and retold, and the tradition of their telling has been gloriously upheld by filmmaking from its very inception. From the earliest of Georges Melies's films in 1897, to a 1996 animated Hunchback of Notre Dame, film has offered not just fantasy but exploration of these roles so vital to the modern psyche. St. Joan has undergone the transition from peasant girl to self-assured saint, and Camelot has transcended the soundstage to evoke the Kennedys in the White House. Here is the first comprehensive survey of more than 900 cinematic depictions of the European Middle Ages--date of production, country of origin, director, production company, cast, and a synopsis and commentary. A bibliography, index, and over 100 stills complete this remarkable work.
This comparative study investigates the epic lineage that can be traced back from Derek Walcott’s Omeros and Ezra Pound’s Cantos through Dante’s Divina Commedia to the epic poems of Virgil and Homer, and identifies and discusses in detail a number of recurrent key topoi. A fresh definition of the concept of genre is worked out and presented, based on readings of Homer. The study reads Pound’s and Walcott’s poetics in the light of Roman Jakobson’s notions of metonymy and metaphor, placing their long poems at the respective opposite ends of these language poles. The notion of ‘epic ambition’ refers to the poetic prestige attached to the epic genre, whereas the (non-Bloomian) ‘anxiety’ occurs when the poet faces not only the risk that his project might fail, but especially the moral implications of that ambition and the fear that it might prove presumptuous. The drafts of Walcott’s Omeros are here examined for the first time, and attention is also devoted to Pound’s creative procedures as illustrated by the drafts of the Cantos. Although there has already been an intermittent critical focus on the ‘classical’ (and ‘Dantean’) antecedents of Walcott’s poetry, the present study is the first to bring together the whole range of epic intertextualities underlying Omeros, and the first to read this Caribbean masterpiece in the context of Pound’s achievement.
For half a century Earl and Floyd Willits built some of the world's finest canoes, first near Artondale, Washington, then on Day Island, right off of Puget Sound in Tacoma. Turning out approximately twenty canoes a year, carefully logging and numbering each one, the brothers emphasized quality and design rather than volume. Willits Brothers Canoe Company earned a reputation that enabled the tiny company to compete successfully with businesses much larger, leaving a name and legacy which is still admired by canoe aficionados today. Carefully researched and documented, this combination biography and company history tells the story of Earl and Floyd Willits and their unique canoe company. Beginning with their family's westward migration from Illinois, it follows the brothers as they set about starting the business that would become their lifelong work. Close attention is given to the Willitses' business management and construction techniques as well as their personal lives. Interviews with surviving contemporaries and family members add a personal dimension to the Willitses' story. Appendices include a detailed company logbook, instructions from the Willits brothers on various areas of canoe use and maintenance, a price list of canoes from 1928 to 1964 and a list of serial numbers and dates of manufacture. In addition, a price comparison with the Old Town Canoe Company, a listing of museums exhibiting a Willits Brothers canoe, two Willits Brothers Canoe company catalogs and various plans of Willits canoes are provided. Contemporary photographs from the Willits family collection are also included.
Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals July - December)
A significant expansion of the critically acclaimed first edition, Classics Illustrated: A Cultural History, 2d ed., carries the story of the Kanter family's series of comics-style adaptations of literary masterpieces from 1941 into the 21st century. This book features additional material on the 70-year history of Classics Illustrated and the careers and contributions of such artists as Alex A. Blum, Lou Cameron, George Evans, Henry C. Kiefer, Gray Morrow, Rudolph Palais, and Louis Zansky. New chapters cover the recent Jack Lake and Papercutz revivals of the series, the evolution of Classics collecting, and the unsung role of William Kanter in advancing the fortunes of his father Albert's worldwide enterprise. Enhancing the lively account of the growth of "the World's Finest Juvenile Publication" are new interviews and correspondence with editor Helene Lecar, publicist Eleanor Lidofsky, artist Mort Kunstler, and the founder's grandson John "Buzz" Kanter. Detailed appendices provide artist attributions, issue contents and, for the principal Classics Illustrated-related series, a listing of each printing identified by month, year, and highest reorder number. New U.S., Canadian and British series have been added. More than 300 illustrations--most of them new to this edition--include photographs of artists and production staff, comic-book covers and interiors, and a substantial number of original cover paintings and line drawings.
Howard Fast's life, from a rough-and-tumble Jewish New York street kid to the rich and famous author of close to 100 books, rivals the Horatio Alger myth. Author of bestsellers such as Citizen Tom Paine, Freedom Road, My Glorious Brothers, and Spartacus, Fast joined the American Communist Party in 1943 and remained a loyal member until 1957, despite being imprisoned for contempt of Congress. Gerald Sorin illuminates the connections among Fast's Jewishness, his writings, and his left-wing politics and explains Fast's attraction to the Party and the reasons he stayed in it as long as he did. Recounting the story of his private and public life with its adventure and risk, love and pain, struggle, failure, and success, Sorin also addresses questions such as the relationship between modern Jewish identity and radical movements, the consequences of political myopia, and the complex interaction of art, popular culture, and politics in 20th-century America.