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Mahabharatha is one of the greatest epics containing innumerable guidelines for statesmanship, virtuous living, conflict resolving, and above all, the message of the Bhagwad Gita. In short, it deals with the universal truths of life. This series covers a large part of the epic through ten of the main characters of the epic, including the protagonist Lord Sri Krishna. Each of these books is thought provoking and propels you to know, read and understand more. Our other books here can be searched using #BharathaSamskruthiPrakashana
This is the story of Bhima, the second son, always second in line -- a story never adequately told until one of India's finest writers conjured him up from the silences in Vyasa's narrative. M.T. Vasudevan Nair's Bhima is a revelation -- lonely, eager to succeed, treated with a mixture of affection and contempt by his Pandava brothers, and with scorn and hatred by his Kaurava cousins, Bhima battles incessantly with failure and disappointment. He is adept at disguising his feelings, but has an overwhelmingly intuitive understanding of everyone who crosses his path. A warrior without equal, he takes on the mighty Bakasura and Jarasandha, and ultimately Duryodhana, thus bringing the Great War to a close. However, all of Bhima's moments of triumph remain unrecognized and unrewarded. If his mother saw glory only in the skills of Arjuna and the wisdom of Yudhishtira, his beloved Draupadi cared only for the beauteous Arjuna.
I travel with time back and forth I witness the rise and fall of kings Humans become big and small with their deeds irrespective of their birth What is created is bound to perish with time All is left behind are lessons to be learnt. Pandavs are a set of five step-brothers married to the same woman, Draupadi. She is the most powerful female character and becomes the pivot point of the battle. The brothers are led by Arjun, who is one of them. Krishna is the mentor who grooms his protégé Arjun for the battle against injustice. While Arjun is reluctant and guilt ridden to fight relations for the sake of a kingdom, Krishna explains to him his duty as a warrior and human being.
Then, the exquisitely handsome body of Karna of generous acts, who should have been worthy of perpetual happiness, let go of that refulgent head with the kind of extreme reluctance evinced by a wealthy person in leaving his own prosperous home, or by a saintly one in forsaking virtuous company. [The Mahabharata, Karna-Parva; 91.53-54] In these lines of evocative pathos, the Mahabharata pays its ultimate tribute to Karna, who has hardly a rival in world literature to match his credentials as a uniquely nuanced heroes' hero – towering above Hector in righteous valour, above Arjuna in generosity, and above all else in conscientious attachment to the principles of noblesse oblige. This is the intriguing story of a hero who, despite being born to royalty was, like the Biblical Moses, cast away by his mother. Brought up lovingly by a lowly charioteer and his wife, his whole life was one great struggle against cruel destiny, and against all the odds placed in his way by the inequities of his time. In the process, he blazed a new trail of glory, emerging as the adorable exemplar of purushakaara (manly effort), with tremendous achievements both as a man and also as a warrior. Yet society never gave him his due, despite being as upright as Yudhishthira, as strong as Bhima, as skilful as Arjuna, as handsome as Nakula and as intelligent as Sahadeva. Rebuffed and insulted by society at every step, he developed some flaws engendered by a defiant spirit and nurtured by association with the evil designs of Duryodhana, his benefactor prince. But those very contrarieties seem to enhance and enliven the dramatic appeal of his character as one of the brightest stars of the Mahabharata's star cast. Written in an engagingly flowing style and with an imaginative transcreation of the epic storyline, Karna: the Unsung Hero of the Mahabharata should strike a responsive chord in the minds, specifically of today's Mahabharata aficionados and generally of all lovers of exalted human drama.
Eleven year old Samhita Arni s beautifully illustrated version of the Mahabharatha is a bold and fresh re-telling of the great epic.
Ancient India, like ancient Greece boasts of two great Epics. One of them, the Maha-bharata, relates to a great war in which all the warlike races of Northern India took a share, and may therefore be compared to the Iliad. The great war which is the subject of this Epic is believed to have been fought in the thirteenth or fourteenth century before Christ. The war thus became the centre of a cycle of legends, songs, and poems in ancient India, the vast mass of legends and poetry, accumulated during centuries, was cast in a narrative form and formed the Epic of the Great Bharata nation, and therefore called the Maha-bharata. The real facts of the war had been obliterated by age, legendary heroes had become the principal actors, and, as is invariably the case in India, the thread of a high moral purpose, of the triumph of virtue and the subjugation of vice, was woven into the fabric of the great Epic.
Dharmaraja was true to his name- a person with fortitude, wisdom,courage, tolerance, kindness and righteousness. He was known to be a stickler to the dictates of dharma;thus, when he was invited to play a game of dice with the Kauravas, he didn’t refuse. Infact, he played until he lost everything he had – his kingdom, wealth, brothers and even Draupadi. He could conquer hatred as can be seen when he sent Arjuna and Bhima to battle against the Gandharvas for the release of the Kauravas. Jayadratha was spared at his behest even though the latter had dragged Draupadi in his chariot. Only after he answered all the questions posed by the deadly python, Nahusha, did the python release Bhima. He impressed the yaksha so much that instead of one, all his brothers were brought back to life. Later, when the Pandavas lived in cognito in Viratanagar he stopped his brothers from destroying Virata as he was grateful to him for giving them shelter and food. Before the start of the Mahabharatha war, he took the blessings of all the elders though they were on the Kauravas’ side. He was the chosen one to receive lessons in dharma and administration from Bhishma when he lay on his bed of arrows. Much against his wishes, he was forced to utter a lie to Drona , which he covered up by adding a truth though very softly. He was very moved by all the bloodshed and loss of life caused during the war. Sage Dwaipayana had to convince him to taking on the responsibility of becoming the King. He then systematized the administration and gave responsibilities to able men. Kunti, the Pandavas and Draupadi served and respected Dhritarashtra and Gandhari – they hadn’t received such treatment at their own children’s hands. Yudhistira’s reign as a king was a model one as he was virtue incarnate. Our other books here can be searched using #BharathaSamskruthiPrakashana
William Buck's stirring retelling of a classic Indian epic--in its original Sanskrit, probably the largest epic ever composed.
One Of India s Finest Novelists Retells The Two Great Indian Epics As Well As Some Well-Known Tales From Hindu Mythology And Folklore. While The Eleventh Century Tamil Poet Kamban s Version Inspires His Ramayana, Narayan S Mahabharata Is Based On Vyasa S Monumental Work. In Gods, Demons And Others, He Includes Stories From Kalidasa S Sanskrit Classic Abhijnana Shakuntalam, The Tamil Epic Silappadikaram, The Shiv Purana And The Devi Bhagwatam.
A unique dramatization of India's greatest epic poem, fifteen times longer than the Bible, The Mahabharata has played to enthralled audiences throughout Europe, the Far East and America. Regarded as the culmination of Peter Brook's extraordinary research into the possibilities of theatre, the production has been hailed as the 'theatrical event of this century' (Sunday Times). British audiences encountered The Mahabharata, on stage and television, in the late eighties. This volume contains the complete script of Carriere's adaptation in Peter Brook's translation, with introductions by each of them.