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This volume abandons the document-based approach of standard introductions and investigates aggregates of classical rabbinic texts through three broad perspectives – intertextuality, east and west, halakhah and aggadah – generating fresh insights that will reset the scholarly agenda.
Ephrem, one of the earliest Syriac Christian writers, lived on the eastern outskirts of the Roman Empire during the fourth century. Although he wrote polemical works against Jews and pagans, and identified with post-Nicene Christianity, his writings are also replete with parallels with Jewish traditions and he is the leading figure in an ongoing debate about the Jewish character of Syriac Christianity. This book focuses on early ideas about betrothal, marriage, and sexual relations, including their theological and legal implications, and positions Ephrem at a precise intersection between his Semitic origin and his Christian commitment. Alongside his adoption of customs and legal stances drawn from his Greco-Roman and Christian surroundings, Ephrem sometimes reveals unique legal concepts which are closer to early Palestinian, sectarian positions than to the Roman or Jewish worlds. The book therefore explains naturalistic legal thought in Christian literature and sheds light on the rise of Syriac Christianity.
This volume engages with antisemitic stereotypes as religious symbols that express and transmit a belief system of Jew-hatred. These religious symbols are stored in Christian, Muslim and even today’s secular cultural and religious memories. This volume explores how antisemitic religious symbol systems can play a key role in the construction of group identities.
In Stanzaic Syntax in the Madrashe of Ephrem the Syrian, which focuses on madrāšê V and VI in the Paradise cycle, Paul S. Stevenson looks at Ephrem’s poetic art from the point of view of a linguist. This study goes beyond the traditional levels of analysis, the clause and the sentence, and examines the structure of whole stanzas as units. The result is a surprisingly rich tapestry of syntactic patterning, which can justly be considered the key to Ephrem’s prosody. The driving force behind Ephrem’s poetry turns out not to be meter or sound play, but a variety of syntactic templates, which include even vertical patterning of constituents.
In this volume Blake Hartung explores the place of the passion and death of Jesus in the writings of Ephrem of Nisibis (ca. 307–373). The book argues that the genre of Ephrem’s works (usually short poems for public performance), is key to understanding his unsystematic approach. Ephrem drew widely upon the Passion narratives and traditional motifs related to Christ’s death and deployed them differently in distinct settings. Each chapter explores a key theme in Ephrem’s discourse about the death of Christ in context (including anti-Judaism, the defeat of death, and economic imagery). Ultimately, Hartung urges further consideration of the role of Christ’s death in early Christian thought and practice beyond the traditional confines of atonement theology.
The Jewish culture of the Hellenistic and early Roman periods established a basis for all monotheistic religions, but its main sources have been preserved to a great degree through Christian transmission. This Guide is devoted to problems of preservation, reception, and transformation of Jewish texts and traditions of the Second Temple period in the many Christian milieus from the ancient world to the late medieval era. It approaches this corpus not as an artificial collection of reconstructed texts--a body of hypothetical originals--but rather from the perspective of the preserved materials, examined in their religious, social, and political contexts. It also considers the other, non-Christian, channels of the survival of early Jewish materials, including Rabbinic, Gnostic, Manichaean, and Islamic. This unique project brings together scholars from many different fields in order to map the trajectories of early Jewish texts and traditions among diverse later cultures. It also provides a comprehensive and comparative introduction to this new field of study while bridging the gap between scholars of early Judaism and of medieval Christianity.
What did Jesus intend when he spoke the words, “This is my body”? The Lost Supper argues that Jesus’ words and actions at the Last Supper presupposed an already existing Passover ritual in which the messiah was represented by a piece of bread: Jesus was not instituting new symbolism but using an existing symbol to speak about himself. Drawing on both second temple and early Rabbinic sources, Matthew Colvin places Jesus’ words in the Upper Room within the context of historically attested Jewish thought about Passover. The result is a new perspective on the Eucharist: a credible first-century Jewish way of thinking about the Last Supper and Lord’s Supper— and a sacramentology that is also at work in the letters of the apostle Paul. Such a perspective gives us the historical standpoint to correct Christian assumptions, past and present, about how the Eucharist works and how we ought to celebrate it.
The central theme of the book is the relationship between a hero or cultural icon and the cultures in which he or she is venerated. On one hand, a hero cannot remain a static character if he or she is to appeal to diverse and dynamic communities. On the other hand, a traditional icon should retain some basic features in order to remain recognizable. Joshua son of Nun is an iconic figure of Israelite cultural memory described at length in the Hebrew Bible and venerated in numerous religious traditions. This book uses Joshua as a test case. It tackles reception and redaction history, focusing on the use and development of Joshua’s character and the deployment of his various images in the narratives and texts of several religious traditions. I look for continuities and discontinuities between traditions, as well as cross-pollination and polemic. The first two chapters look at Joshua’s portrayal in biblical literature, using both synchronic (literary analysis) as well as diachronic (Überlieferungsgeschichte and redaction/source criticism) methodologies. The other four chapters focus on the reception history of Joshua in Second Temple and Hellenistic Jewish literature, in the medieval (Arabic) Samaritan Book of Joshua, in the New Testament and Church Fathers, and in Rabbinic literature.
The study of Islam’s origins from a rigorous historical and social science perspective is still wanting. At the same time, a renewed attention is being paid to the very plausible pre-canonical redactional and editorial stages of the Qur'an, a book whose core many contemporary scholars agree to be formed by various independent writings in which encrypted passages from the OT Pseudepigrapha, the NT Apocrypha, and other ancient writings of Jewish, Christian, and Manichaean provenance may be found. Likewise, the earliest Islamic community is presently regarded by many scholars as a somewhat undetermined monotheistic group that evolved from an original Jewish-Christian milieu into a distinct Muslim group perhaps much later than commonly assumed and in a rather unclear way. The following volume gathers select studies that were originally shared at the Early Islamic Studies Seminar. These studies aim at exploring afresh the dawn and early history of Islam with the tools of biblical criticism as well as the approaches set forth in the study of Second Temple Judaism, Christian, and Rabbinic origins, thereby contributing to the renewed, interdisciplinary study of formative Islam as part and parcel of the complex processes of religious identity formation during Late Antiquity.