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The anointing, blessings and success do not only attract friends, admirers and allies but enemies as well. They invite hostility from envious people who would do anything to disrupt your joy and sense of fulfilment. The anointing does not attract harmless and beautiful butterflies but stinging and noisy bees. It draws your way the attention of enemies who have the capacity to hurt you like bees. It does not attract nice people to decorate you with praise and make you feel good. This book is a timely tool in the hands of those who are obedient to God’s will and are facing envy and opposition from the people around them. Don’t be surprised if doing the will of God produces envy in others. Everybody will not applaud you for doing the right thing and for producing great results. In this season of the “Love Revolution” you are likely to think that everyone loves you and take things for granted. Walking in love but at the same time protecting yourself from the envy of those who seek to destroy you is a balance you must attain.
Envy might well be termed the silent sin. Because while all of us envy others to some extent, few of us acknowledge our problem out loud, let alone try to overcome it and move forward. Bob Sorge draws upon his own pastoral experience--plus the admitted burden of his own envy--to show why and how it can adversely affect the ministry of a church and even prevent revival in people's lives. Sorge reveals why comparison of our ministry and spiritual gifts to that of our fellow believers is to be avoided at all costs so that we do not hamstring God's plan for our growth and the accomplishment of His purposes. This is a must-read for leaders of all churches, great and small--and anyone who wants the peace that comes with a life free of envy.
This new, fifth, Earthsea audiobook pits Ged, Tenar, and Tehanu against the dead. A dragon shows the hard way to salvation.
First published 1984. In a provocative study, this book argues that the problems posed by Shelley’s notoriously difficult style must be understood in relation to his ambivalence towards language itself as an artistic medium — the tension between the potential of language to mirror emotional experience and the recognition of it’s inevitable limitations. Through an exposition of Shelley’s idea of language, as reflected in his theoretical writings and individual poems, this book makes a strong case for his artistic worth. A definitive introduction to Shelley, useful for both scholars and newcomers, this book will be interest to students of literature.
Venus: “After a few centuries of turning pumpkins into coaches and frogs into princes, I thought I was getting the hang of being a fairy godmother. Maybe soon Zeus would let me back onto Mount Olympus . . . then I met Rachel Greer. A goody-two-shoes do-gooder who ignored my advice—terrific advice, if I do say so myself—about men. And kept nagging me for spending too much time in the bathroom when everyone knows a goddess always needs to look her best. Rachel: “I had a decent job, friends, a loving family. My volunteer work, as a mentor for young women and a dog-walker at the local shelter, kept me hopping. Then this amazingly beautiful woman, who literally turns heads—men walk into walls when she passes by—announces she’s my fairy godmother, here to help me fall in love! Next thing I know, she’s moved into my apartment and kicked me out of my own bedroom. Of course I thought she was nuts . . . until the magic started to happen.”
A gothic horror tale. Martin, a celebrity photographer, and his wife Vanessa, take a holiday in Black Mountain to reignite their relationship. When they become swept up in the death and destruction inflicted by violent weather, Vanessa is convinced that the storms are malevolent, and supernatural in origin. Martin dismisses her fears as fantasy and becomes increasingly more obsessed with photographing the events unfolding around them, placing both their lives at risk.