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This comprehensive and authoritative guide to licensing law is co-authored by the UK’s only professor of licensing law and two eminent licensing practitioners. It provides a detailed exposition and contextual analysis of the legal provisions governing the licensing of alcohol and entertainment under the Licensing Act 2003, encompassing both the legislative and decision-making framework of the Act as well as its implications for human rights. Fully updated and revised, it covers the various forms of authorization for licensable activities and licence and certificate conditions that might be attached as well as the enforcement and appeal provisions of the Act. This new edition, building on the highly acclaimed original work published in 2005, includes subsequent legislative changes and case law decisions. New additions to this edition include: expanded coverage of enforcement provisions and police powers a revised and extended chapter on appeals, in light of the practical and procedural developments that have evolved in the appeal process amendments to existing regulations and the revised Statutory Guidance issued in 2007. This book is essential reading for all local authorities, legal advisers, licensing policy advisors, operators and the police as well as those applying for licences.
The draft Legislative Reform (Entertainment Licensing) Order 2014 and Explanatory Document were laid before Parliament on 8 July 2014 by the Department for Culture, Media and Sport. The draft Order would amend Schedule 1 to and section 177A and Schedule 1 of the Licensing Act 2003 to deregulate certain types of regulated entertainment in defined circumstances. The areas of regulated entertainment covered by the draft order are as follows: the provision of entertainment by and on behalf of local authorities, health care providers or schools on their own defined premises, live music in relevant alcohol licensed premises and workplaces, recorded music in relevant alcohol licensed premises, live and recorded music exemptions, travelling circuses, Greco-Roman and freestyle wrestling and incidental film.
Why should anyone care about the medium of communication today, especially when talking about media law? In today’s digital society, many emphasise convergence and seek new regulatory approaches. In Medium Law, however, the ‘medium theory’ insights of Harold Innis, Marshall McLuhan and the Toronto School of Communication are drawn upon as part of an argument that differences between media, and technological definitions, continue to play a crucial role in the regulation of the media. Indeed, Mac Síthigh argues that the idea of converged, cross-platform, medium-neutral media regulation is unattainable in practice and potentially undesirable in substance. This is demonstrated through the exploration of the regulation of a variety of platforms such as films, games, video-on-demand and premium rate telephone services. Regulatory areas discussed include content regulation, copyright, tax relief for producers and developers, new online services, conflicts between regulatory systems, and freedom of expression. This timely and topical volume will appeal to postgraduate students and postdoctoral researchers interested in fields such as Law, Policy, Regulation, Media Studies, Communications History, and Cultural Studies.