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“This zany novel will make you appreciate your own fallen soufflés that much more.” —Redbook The writer known only as FW lives high on the food chain in the heady realm of L.A.s culinary journalism scene. She waxes poetic about her hip home gatherings, thinly veiling the identities of her Hollywood guest list. At least, it seems that way to her readers. In reality, FW’s been inventing the dinner parties she writes about because social paralysis sets in at the very thought of a real guest in her fabulous—or is it shabby?—hillside home. Enter the glossy food magazine editor, new in town, who wants an invitation to one of her bashes, and the panic–stricken journey from fantasy to reality is on . . . Entertaining Disasters—at turns whimsical and deeply affecting—chronicles the struggle FW faces in the week before she hosts her first real dinner party in ages. At the same time, her estranged sister threatens to drop by, her husband takes off, and even more disaster looms, in this “funny, satirical novel” (Booklist) that “offers sharp, startling observations in a unique and very human voice” (Elle).
Smart, occasionally insecure, and ambitious 14-year-old Kelsey Finkelstein of Brooklyn embarks on her freshman year of high school in Manhattan with the intention of "rebranding" herself, but unfortunately everything she tries to do is a total disaster.
The Breakfast Club meets Guardians of the Galaxy in this YA sci-fi adventure by debut author M. K. England. Hotshot pilot Nax Hall has a history of making poor life choices. So it’s not exactly a surprise when he’s kicked out of the elite Ellis Station Academy in less than twenty-four hours. But Nax’s one-way trip back to Earth is cut short when a terrorist group attacks the Academy. Nax and three other washouts escape—barely—but they’re also the sole witnesses to the biggest crime in the history of space colonization. And the perfect scapegoats. On the run, Nax and his fellow failures plan to pull off a dangerous heist to spread the truth. Because they may not be “Academy material,” and they may not even get along, but they’re the only ones left to step up and fight. Full of high-stakes action, subversive humor, and underdogs becoming heroes, this YA sci-fi adventure is perfect for fans of Illuminae, Heart of Iron, or the cult classic TV show Firefly and is also a page-turning thrill ride that anyone—not just space nerds—can enjoy.
'Hi Dad.' 'Who's calling, please?' 'It's Lucy ... Your daughter.' 'Ah, yes. Which one are you again? The one that reads or the one that shops?' For Lucy Mangan family life has never exactly been a bed of roses. With parents so parsimonious that if they had soup for a meal they would decline an accompanying drink (soup IS a drink), and a grandmother who refused to sit down for 82 years so that she wouldn't wear out the sofa, Lucy spent most of her childhood oscillating between extreme states of anxiety. Fortunately, this hasn't affected her ability to write, and in this, her first collection of Guardian columns, she shares her hilarious take on everything from family relations to the credit crunch and why organised sport should be abolished.
“This zany novel will make you appreciate your own fallen soufflés that much more.” —Redbook The writer known only as FW lives high on the food chain in the heady realm of L.A.s culinary journalism scene. She waxes poetic about her hip home gatherings, thinly veiling the identities of her Hollywood guest list. At least, it seems that way to her readers. In reality, FW’s been inventing the dinner parties she writes about because social paralysis sets in at the very thought of a real guest in her fabulous—or is it shabby?—hillside home. Enter the glossy food magazine editor, new in town, who wants an invitation to one of her bashes, and the panic–stricken journey from fantasy to reality is on . . . Entertaining Disasters—at turns whimsical and deeply affecting—chronicles the struggle FW faces in the week before she hosts her first real dinner party in ages. At the same time, her estranged sister threatens to drop by, her husband takes off, and even more disaster looms, in this “funny, satirical novel” (Booklist) that “offers sharp, startling observations in a unique and very human voice” (Elle).
The imagining of disaster has intensified across a wide range of media entertainment formats and genres in recent years and themes of disaster are regularly deployed in fictional films, television drama series, drama-documentaries, comic books and video games. This being the case, it is therefore vital that film and media scholars pay attention to the ways in which disaster is presented to us, to the figurative strategies employed, to the representational history of disaster in media, to the metaphorical resonances of disaster themes, and even to the ways in which entertainment media texts might be understood as part of a broader discourse of disaster within certain historical and cultural contexts. Dramatising Disaster presents new and innovative research from both early career and more established academics. Some of the chapters in this edited collection are based upon papers originally presented at a highly successful conference study day held by the School of Film, Television and Media at the University of East Anglia in 2011, while others are specifically solicited contributions. Distinct from previous, more particularised film and media studies in this area, this edited collection is focused not upon a specific disaster or specific disaster context, but upon the wider topic of disaster in popular culture.
This book constitutes the refereed conference proceedings of the 9th International Conference on Advances in Computer Entertainment, ACE 2012, held in Kathmandu, Nepal, in November 2012. The 10 full paper and 19 short papers presented together with 5 papers from the special track Arts and Culture and 35 extended abstracts were carefully reviewed and selected from a total of 140 submissions in all categories. The papers cover topics across a wide spectrum of disciplines including computer science, design, arts, sociology, anthropology, psychology, and marketing. Focusing on all areas related to interactive entertainment they aim at stimulating discussion in the development of new and compelling entertainment computing and interactive art concepts and applications.
Presents a chronologically-arranged reference to catastrophic events in American history, including natural disasters, economic depressions, riots, murders, and terrorist attacks.
Beck Wyatt has always hated her mother-enough to kill her. As luck would have it, someone beats her to murdering Mommy Dearest and now Beck gets to plan the tackiest funeral the world has ever seen for the worst woman she's ever known.But first, Beck has a few minor problems to deal with. First on the list? Avoid getting kidnapped. She also has to convince the police she didn't kill her mother. And then there's surviving a death curse ¿.With the help of her three best friends, cheesecake, and a little magic, Beck figures she can handle anything, even the mysterious and irritating Damon Matroviani, whose sexy good-looks light her panties on fire.All too soon, her life is turned inside out, and just when things are looking like they can't get any worse ¿ everything hits the fan.