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A companion book to author Thomas Hischak's earlier volume Enter the Players: New York Stage Actors in the 20th Century (Scarecrow Press, 2003), Enter the Playmakers: Directors and Choreographers on the New York Stage explores the lives and careers of over three hundred directors and choreographers who worked in the New York theatre. Famous artists like Elia Kazan and Jerome Robbins are featured alongside lesser known or new talents, all of whom have contributed to the American theatre. A biographical sketch outlines the life and career of each director and choreographer, explaining their strengths and talents and what makes them unique. This is followed by a chronological listing of every play or musical that the artist staged in New York, including details such as dates, venue (Broadway, Off Broadway, etc.) and whether the production was a new work or a revival. Presenting artists from the mid-18th century up through current favorites like Daniel Sullivan, Susan Stroman, Doug Hughes, and Kathleen Marshall, the book includes traditionalists (like Harold Clurman and Gower Champion), avant-garde artists (Elizabeth LeCompte and Richard Foreman), and directors and choreographers noted for various styles, genres, and theatre movements. Internationally recognized artists, such as Max Reinhardt and Peter Brook, whose productions had an impact on the New York theatre are also included. By listing all of the artist's New York credits, each entry gives a vivid picture of the stage career of these important directors and choreographers.
The story of a modern NFL that can’t get out of its own way—and can’t stop making money In recent decades, the NFL has simultaneously become an athletic, financial, and cultural powerhouse—and a League that can’t seem to go more than a few weeks without a scandal. Whether it’s about domestic violence, performance-enhancing drugs, racism, or head trauma, the NFL always seems to be in some kind of trouble. Yet no matter the drama, the TV networks keep showing games, the revenue keeps rising, and the viewers keep tuning in. How can a sports league—or any organization—operate this way? Why do the negative stories keep happening, and why don’t they ever seem to affect the bottom line? In this wide-ranging book, Mike Florio takes readers from the boardroom to the locker room, from draft day to the Super Bowl, answering these questions and more, and showing what really goes on in the sport that America can’t seem to quit. Known for his constant stream of new information and incisive commentary, Florio delivers again in this book. With new insights and reporting on scandals past and present, this book will be the talk of the League—whether the League likes it or not.
Scoreboard Soccer develops players through play and praise. The Scoreboard Soccer concept derives from the belief that the environment created for players will influence the behaviors they will practice and refine over time. This book presents the fun, inclusive, and nurturing environments which can be used to develop young players' skills. When participating in a Scoreboard Soccer game, players will work in an environment that creates realistic game situations. The constantly changing scenarios support technique development, decision making, and problem solving. In these scenarios, the players have the opportunity to work on skills such as passing, dribbling, shooting, and tackling—all those skills coaches wish to develop in young players. What sets the Scoreboard Soccer concept apart from traditional training methods is the added incentive for players to demonstrate these positive behaviors: the scoreboard. The scoreboard is a fun challenge that can be used to encourage and reward player effort and involvement within the game. This book details the Scoreboard Soccer concept, coaching, and content. Also provided is a complete Scoreboard Soccer curriculum which can be used as a longer-term development plan. All coaches of young players need Scoreboard Soccer on their shelves!
In this updated and extended edition of The Greek Sense of Theatre, scholar and practitioner J.Michael Walton revises and expands his visual approach to the theatre of classical Athens. From the tragedies of Aeschylus, Sophocles and Euripides to the old and new comedies of Aristophanes and Menander, he argues that while Greek drama is seen now as a performance-based rather than a strictly literary medium, more attention should still be paid to the nature of stage image and masked acting as part of this conception.