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An enlightening look at American women's work in the late eighteenth century. What was women's work truly like in late eighteenth-century America, and what does it tell us about the gendered social relations of labor in the early republic? In Entangled Lives, Marla R. Miller examines the lives of Anglo-, African, and Native American women in one rural New England community—Hadley, Massachusetts—during the town's slow transformation following the Revolutionary War. Peering into the homes, taverns, and farmyards of Hadley, Miller offers readers an intimate history of the working lives of these women and their vital role in the local economy. Miller, a longtime resident of Hadley, follows a handful of eighteenth-century women working in a variety of occupations: domestic service, cloth making, health and healing, and hospitality. She asks about the social openings and opportunities this work created—and the limitations it placed on ordinary lives. Her compelling stories about women's everyday work, grounded in the material culture, built environment, and landscapes of rural western Massachusetts, reveal the larger economic networks in which Hadley operated and the subtle shifts that accompanied the emergence of the middle class in that rural community. Ultimately, this book shows how work differentiated not only men and woman but also race and class as Miller follows young, mostly white women working in domestic service, African American women negotiating labor in enslavement and freedom, and women of the rural gentry acting as both producers and employers. Engagingly written and featuring fascinating characters, the book deftly takes us inside a society and shows us how it functions. Offering an intervention into larger conversations about local history, microhistory, and historical scholarship, Entangled Lives is a revealing journey through early America.
Laurence Talairach-Vielmas explores Victorian representations of femininity in narratives that depart from mainstream realism, from fairy tales by George MacDonald, Lewis Carroll, Christina Rossetti, Juliana Horatia Ewing, and Jean Ingelow, to sensation novels by Wilkie Collins, Mary Elizabeth Braddon, Rhoda Broughton, and Charles Dickens. Feminine representation, Talairach-Vielmas argues, is actually presented in a hyper-realistic way in such anti-realistic genres as children's literature and sensation fiction. In fact, it is precisely the clash between fantasy and reality that enables the narratives to interrogate the real and re-create a new type of realism that exposes the normative constraints imposed to contain the female body. In her exploration of the female body and its representations, Talairach-Vielmas examines how Victorian fantasies and sensation novels deconstruct and reconstruct femininity; she focuses in particular on the links between the female characters and consumerism, and shows how these serve to illuminate the tensions underlying the representation of the Victorian ideal.