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This stunning book showcases paintings, sculptures, drawings, and tapestries by acclaimed artist Enrico David, who has spent the last two decades exploring materials and rejecting the trends of the contemporary art scene. Enrico David has distinguished himself as one of the most original artists working today. This monograph, published on the occasion of the artist's first US survey, celebrates an artist who uses unconventional mediums such as copper, wax, bamboo, bone, Vaseline, cashmere, and cotton to fashion imagery that revolves around the human figure and its many states of being. The generously illustrated volume includes an illuminating essay about David's practice by Museum of Contemporary Art Chicago curator Michael Darling, a compelling creative piece by Nathanaël, and an interview with the artist by Mark Beasley of the Hirshhorn Museum and Sculpture Garden. Copublished by the Museum of Contemporary Art Chicago and DelMonico Books
The definitive biography of the brilliant, charismatic, and very human physicist and innovator Enrico Fermi In 1942, a team at the University of Chicago achieved what no one had before: a nuclear chain reaction. At the forefront of this breakthrough stood Enrico Fermi. Straddling the ages of classical physics and quantum mechanics, equally at ease with theory and experiment, Fermi truly was the last man who knew everything -- at least about physics. But he was also a complex figure who was a part of both the Italian Fascist Party and the Manhattan Project, and a less-than-ideal father and husband who nevertheless remained one of history's greatest mentors. Based on new archival material and exclusive interviews, The Last Man Who Knew Everything lays bare the enigmatic life of a colossus of twentieth century physics.
Hurricanes Katrina and Rita made landfall less than four weeks apart in 2005. Months later, much of New Orleans and the Gulf Coast remained in tatters. As the region faded from national headlines, its residents faced a dire future. Emmanuel David chronicles how one activist group confronted the crisis. Founded by a few elite white women in New Orleans, Women of the Storm quickly formed a broad coalition that sought to represent Louisiana's diverse population. From its early lobbying of Congress through its response to the 2010 BP oil spill, David shows how members' actions were shaped by gender, race, class, and geography. Drawing on in-depth interviews, ethnographic observation, and archival research, David tells a compelling story of collective action and personal transformation that expands our understanding of the aftermath of an historic American catastrophe.
This Pivot book provides a wide-ranging and diverse commentary on issues of legibility (and illegibility) around poetry, antifascist pacifist activism, environmentalism and the language of protest. A timely meditation from poet John Kinsella, the book focuses on participation in protest, demonstration and intervention on behalf of human rights activism, and writing and acting peacefully but persistently against tyranny. The book also examines how we make records and what we do with them, how we might use poetry to act or enact and/or to discuss such necessities and events. A book about community, human and animal rights and the way poetry can be used as a peaceful and decisive means of intervention in moment of public social and environmental crisis. Ultimately, it is a poetics against fascism with a focus on the well-being of the biosphere and all it contains.
A look inside the homes of New York City’s artists, designers, writers, and social influencers, including in-depth interviews. These twenty-four homes reflect the tastes and styles of real New Yorkers who live in small spaces with art, books, collections, treasures, and fabulous, sometimes funky furniture—each space expressing the resident’s unique personality. Bright, captivating photographs throughout pair dynamically with Polly Devlin’s in-depth interviews with the homeowners. Her critiques of their spaces are at once delightful, bold, and irreverent—and always lively and opinionated. From architectural grandeur to streamlined modern buildings, see how individuals turn older apartments and historic structures into places for comfortable living. Houses and apartments are sampled from across the city, including Tribeca, Murray Hill, Union Square, Harlem, Midtown, Brooklyn, and more. Assembled by a former Vogue editor and a photographer who has worked for House Beautiful, Travel + Leisure, and other major publications, this is a visual and literary feast. “Showcases some of New York City’s most unique residential dwellings.”—Elle Decor
Artists, critics, curators, and scholars develop theories of craft in relation to art, chronicle how fine art institutions understand and exhibit craft media, and offer accounts of activist crafting.
A man who has lost his wife to cancer takes in the girlfriend of the son who is wandering the mountains of Tibet.
Title first published in 2003. What happened to art in Britain when the balance began to shift from public to private subsidy following the IMF crisis in 1976? In this polemical book, Neil Mulholland charts the political and cultural shifts in art in Britain from the mid-1970's to the end of the twentieth century. His account covers the key trends and artists of this extraordinarily diverse period, including critical postmodernism, feminism, neoconservatism, object sculpture, the new image, Brit Art, and Scottish neoconceptualism, and traces the development of critical thinking from the opinions of critics such as Richard Cork, John Roberts and Matthew Collings to tabloid press art scandals. The Cultural Devolution offers a broad critical and historical framework within which to understand public debate on the merits of young British artists such as Damien Hirst while looking beyond such celebrities to re-discover the wealth and range of work produced. Essential reading for anyone interested in contemporary art in Britain.