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"Singular and deeply pleasurable. Christopher Kennedy's prosetry is a lonely anarchic nation-state unto itself, half vacation funspot, half eerie purgatorial layover."—Dave Eggers The poems in Ennui Prophet, Christopher Kennedy's fourth collection, range from deeply personal explorations of relationships with family and friends, to examinations of the political climate in the first decade of the millennium. Whether personal or public, Kennedy gazes through a slightly distorted lens to better see the world around us. Christopher Kennedy's previous book, Encouragement for a Man Falling to His Death (BOA Editions Ltd., 2007) received the Isabella Gardner Poetry Award. He directs Syracuse University's MFA program in creative writing.
Known for the transcendent, abstractionist poems of Nomina, Volkman's newest collection returns to tangible experiences of the body—its range of expressivity and physical movement in space. Where is the body in travel? What space does it occupy in dreams and memory? With rich perplexity, Whereso responds to dance, performance, and position in time—translating flight of the body into language and line. Karen Volkman is the author of Crash's Law, winner of the National Poetry Series; Spar, winner of the Iowa Poetry Prize and the James Laughlin Award; and Nomina. She teaches at the University of Montana in Missoula, Montana.
Deeply cross cultural, humanitarian, political and global poems about how humans deal with suffering across the world. These are poems about cultures rubbing up against each other, war, refugees, child soldiers, spiritual refugees trying to find a home, and a mother who is witnessing these firsthand. Rare ethnographic poetry by a world traveling cultural anthropologist and human rights activist.
Christine Kitano's second poetry collection elicits a sense of hunger—an intense longing for home and an ache for human connection. Channeling both real and imagined immigration experiences of her own family—her grandmothers, who fled Korea and Japan; and her father, a Japanese American who was incarcerated during WWII—Kitano's ambitious poetry speaks for those who have been historically silenced and displaced. Christine Kitano's first collection of poetry, Birds of Paradise, was published by Lynx House Press. She lives in Ithaca, NY, where she is an assistant professor of creative writing, poetry, and Asian American literature at Ithaca College.
A biographical reflection on the art and life of Horace H. Pippin—the best-known African-American artist of his time—Primitive is a critique on current perceptions surrounding African-American folk art, as well as the absence of key African-American history in present-day curricula. Award-winning poet Janice Harrington connects readers with a fascinating, odds-defying artist, all while underscoring the human need for artistic expression.
"Waters's elegant language suggests that there is grace to be found in facing and speaking of our sorrows. . . . His use of humor creates a tension between the profane and the sublime."—Arts & Letters Among the survivors of the Donner Party—idiom's black sense of humor— Who developed a secret taste for flesh Flaked between the fluted bones of the wrist? In his tenth poetry collection, Michael Waters tackles the dual (and dueling) natures of our humanity: sin and transgression, isolation and atrocity, love and darkness, and the desire for a language that can illuminate such ordinary yet disturbing spaces.
In this book-length poem, G.C. Waldrep addresses matters as diverse as Mormonism, cymatics, race, Dolly the cloned sheep, and his own life and faith. Drafted over twelve trance-like days while in residence at Hawthornden Castle, Waldrep responds to such poets as Alice Notley, Lisa Robertson, and Carla Harryman, and tackles the question of whether gender can be a lyric form. G.C. Waldrep's books include Disclamor (BOA Editions Ltd., 2007) and Your Father on the Train of Ghosts (BOA Editions, Ltd., 2011). He lives in Lewisburg, Pennsylvania, where he teaches at Bucknell University, edits West Branch, and serves as editor-at-large for the Kenyon Review.
Light and Heavy Things provides readers in this country an opportunity to discover the work of the late Pakistani poet, Zeeshan Sahil. Although readers of Urdu poetry mourned his passing in 2008, Sahil is a relatively unknown poet in the United States. Sahil's work conveys his post-modern sensibility with plain language, presenting political realities of Pakistan in personal terms.
Falling After 9/11 investigates the connections between violence, trauma, and aesthetics by exploring post 9/11 figures of falling in art and literature. From the perspective of trauma theory, Aimee Pozorski provides close readings of figures of falling in such exemplary American texts as Don DeLillo's novel, Falling Man, Diane Seuss's poem, "Falling Man," Jonathan Safran Foer's Extremely Loud and Incredibly Close, Frédéric Briegbeder's Windows on the World, and Richard Drew's famous photograph of the man falling from the World Trade Center. Falling After 9/11 argues that the apparent failure of these texts to register fully the trauma of the day in fact points to a larger problem in the national tradition: the problem of reference-of how to refer to falling-in the 21st century and beyond.
Richard Winter's critique of our "culture of entertainment" explores the nature, causes and effects of boredom and counteracts it with practical suggestions for living with passion and wonder.