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Duane Michals (born 1932) was seventy when, soon after the death of his mother, he returned to his native Pittsburgh to revisit the house in which he was born and brought up. Its deteriorated state proved a poignant focus for his memories, prompting reveries on mortality and the succession of generations that found form as a sequence of photographs and poetic texts. In The House I Once Called Home, the interaction of words and images provides a sensitive and moving account of one man's journey through life. Michals creates a highly affecting layering of time by superimposing new photographs onto much older images taken in the same location during his earlier life there. Michals is one of America's most consistently individual and original voices in photography. He rejected the documentary emphasis of much of the work that preceded him, instead using the camera to explore the workings of the mind. Michals sought to overcome what he deemed to be the limitations of the single photographic image, both by writing directly onto his prints and by creating narrative sequences of images; these innovative techniques proved immensely influential. Powerfully intimate in its focus, The House I Once Called Home demonstrates conclusively the possibility of exposing universal truths through the most personal events. It is a work to which every reader will be able to relate through the filter of his or her own experience, and which will undoubtedly accrue new meanings as we ourselves return to it at different stages in our lives.
This anthology is a celebration of the city of London: Noisy, stimulating, deadening, filthy, mysterious, tolerant, racist, crime-ridden, saint-haunted, ancient, up-to-the-minute, oppressive, liberating, crowded, lonely, addictive, and green-and-gardened, London is a microcosm of the World. These words, from Anna Adams Foreword, give a taste of the breadth of subject-matter and tone to be enjoyed in this magnificent illustrated anthology. Writing from the Middle Ages to the present is divided into themes including The Weather in the Streets, The Poor and the Rich, The Countryman in Town, The Recent Wars and unavoidably London Transport ."
Full of the macabre touches and dark humor that have made Paula Rego's reputation, "Stone Soup "is a new version of the traditional Portuguese folktale by her daughter, the designer and writer, Cas Willing.Typically read to children to encourage cooperation in times of scarcity, the fable has existed in numerous incarnations for centuries. We follow the efforts of a young female traveler in her attempt to save herself from starvation, persuading a suspicious townspeople to supply her with food for her mysterious Stone Soup. All of the thirteen watercolor and ink paintings are reproduced here, bringing together Rego s expressive cast of figures amidst their troubled landscape."
This third edition of Alan Brownjohn's Collected Poems was first published by the Enitharmon Press in 2006. It adds over 140 poems to the second, which appeared in 1988. This volume comprises all of the work that Brownjohn wishes to retain from his twelve individual collections published between 1954 and 2004; it also incorporates a number of newer uncollected poems. Wide-ranging in theme and displaying an impressive mastery of form, this body of writing firmly establishes Alan Brownjohn's achievement as central to the English poetry of the last half-century. 'Wonderfully rich and well-produced... Brownjohn is a marvellously skilful comedian... he is a social poet in the sense that if people in the future want to know what many lives were like in the second half of the 20th century, they should read Alan Brownjohn - observant, troubled, humane, scrupulous, wry, funny.' Anthony Thwaite, Guardian
A new collection of poems by well-known poets echoing the love of the parish church in the British literary memory. Nostalgia and love of parish churches is deeply embedded in the British psyche. Following the success of Poems in the Porch, a collection of hitherto unpublished poems on parish churches by Sir John Betjeman, Kevin Gardner has now assembled a new anthology of poems on the same theme yet with a greater diversity of post-war authors – Philip Larkin, R. S. Thomas, John Betjeman, C. Day Lewis, U. A. Fanthorpe and many others. The collection is introduced by a fascinating critical introduction, 'Anglican Memory and Post-war British Poetry' and will appeal to church and poetry lovers alike in their droves.
This comprehensive study of George Gissing's short stories and related non-fiction is essential reading for students of nineteenth-century realism. For the first time readers will be able to follow the development which transformed Gissing's unremarkable early stories into the very individual tales that elevated his work to the vanguard of realistic short fiction. Gissing's American period is notable for its accumulation of themes that were repeatedly refined and adapted for his later work, causality emerging as the dominant voice. On his return to England, shifting political and philosophical beliefs expressed in his non-fiction had a vital impact on his second phase of short fiction, and the part played by realism in the author's short stories and his writings on Charles Dickens added further dimensions to his work as a whole. By the final phase of Gissing's remarkable development, it is evident that his interest in the concept of causality as the major force in his short work had been replaced by a more challenging preoccupation with the human psyche. This introduced philosophical, sociological and psychological dimensions to Gissing's work that established him in the field of short fiction as a leading exponent of late nineteenth-century realism
A legendary figure among the 'Auden generation' of young writers in the 1930s, Edward Upward continuted writing into his late nineties. This selection of his best short stories spans a literary career of almost eight decades, and was published to celebrate his centenary in 2003. Beginning in 1928 with the fantastical world of Mortmere in The Railway Accident, the stories continue through the era of political engagement in the Thirties to the reflective and poignant studies of old age that have underpinned his revival in the past decade. Together they represent a lifetime of achievement in modern literature.
In The Ideal Real, Paul Davies argues that Beckett saw this potential self emerging in the world of imagination and symbol, especially in this age where language alone has come to be seen as the vehicle of education and the determiner of identity.
A short selection of haunting, meditative poems from the winner of the 2011 Nobel Prize in Literature Tomas Tranströmer can be clearly recognized not just as Sweden's most important poet, but as a writer of international stature whose work speaks to us now with undiminished clarity and resonance. Long celebrated as a master of the arresting, suggestive image, Tranströmer is a poet of the liminal: drawn again and again to thresholds of light and of water, the boundaries between man and nature, wakefulness and dream. A deeply spiritual but secular writer, his skepticism about humanity is continually challenged by the implacable renewing power of the natural world. His poems are epiphanies rooted in experience: spare, luminous meditations that his extraordinary images split open—exposing something sudden, mysterious, and unforgettable.