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‘A sheer delight’ Times Literary Supplement Ferdinand Mount has spent many years writing articles, columns and reviews for prestigious magazines, newspapers and journals. Whether reviewing great published works by some of England's finest authors and poets (both alive and dead) including Kingsley Amis, John Osborne, John le Carré, Rudyard Kipling, E.M. Forster and Alan Bennett. He also analysed the works of a variety of our Masters covering the past four hundred years such as, of course, William Shakespeare, Charles Dickens, John Keats, Thomas Hardy, Samuel Taylor Coleridge and Samuel Pepys. Whether it be holding up to account the writings of Winston Churchill, or celebrating the much-loved poems of Siegfried Sassoon, each essay reproduced in full here has been carefully chosen by Mount to weave a unique tapestry of the wealth of writings that have helped shape his own respected career as an author and political commentator. For anyone interested and passionate about writing and poetry across the centuries in the British Isles, this book will be a very welcome guide to the best one can pick up and read.
Voices and Books in the English Renaissance offers a new history of reading that focuses on the oral reader and the voice- or performance-aware silent reader, rather than the historical reader, who is invariably male, silent, and alone. It recovers the vocality of education for boys and girls in Renaissance England, and the importance of training in pronuntiatio (delivery) for oral-aural literary culture. It offers the first attempt to recover the voice—and tones of voice especially—from textual sources. It explores what happens when we bring voice to text, how vocal tone realizes or changes textual meaning, and how the literary writers of the past tried to represent their own and others' voices, as well as manage and exploit their readers' voices. The volume offers fresh readings of key Tudor authors who anticipated oral readers including Anne Askew, William Baldwin, and Thomas Nashe. It rethinks what a printed book can be by searching the printed page for vocal cues and exploring the neglected role of the voice in the printing process. Renaissance printed books have often been misheard and a preoccupation with their materiality has led to a focus on them as objects. However, Renaissance printed books are alive with possible voices, but we will not understand this while we focus on the silent reader.
British Voices tells the story of Joe Hayman’s travels around the UK in the aftermath of the 2011 riots, speaking to over 1,000 members of the public about the state of British society – an approach unique amongst contemporary studies of the UK. Hayman undertook the three-month journey because he wanted the voices of ordinary citizens in Britain to be heard. Their views are reproduced faithfully and without judgment in this book and include: “It feels like the country is drifting; no one knows what to do.” Pensioner, Birmingham “If the politicians and bankers aren’t held accountable, the apathy extends across the whole country.”Student, Bangor“When I was young, we used to go out and kick a ball but it's all PlayStations now. We had three roads, but now it's a town and you have no idea who people are.” Man, Shetland Isles “It’s all moving at an astonishing pace now – strangely, my teenage years were actually much more peaceful in spite of the Troubles.” Woman, Belfast Tying these views together, Hayman concludes that the UK is a nation of kind, decent people but that confusion, loss and despair are all too common. British Voices is an uncompromising analyisis of the most pressing concerns of people at all levels of British society, that will appeal to those interested in politics and current affairs.
City Voices is the first showcase of postwar Hong Kong literature originating in English. Fiction, poetry, essays and memoirs from more than 70 authors are featured to demonstrate 'the rich variety and vitality of the city's literary production'. Together with work from established authors, both bilingual writers who choose to write in English and expatriate authors who have made Hong Kong their home, a section of 'New Voices' introduces the work of unknown and young writers who are part of today's surge of new creativity.
"Voices isn't just illuminating and thought–provoking and clever; it is exciting." —Roddy Doyle, author of The Commitments A personal exploration of what singing means and how it works, Voices is a book about our deepest, most telling relationships with music. Nick Coleman examines the act of singing not as a performance, but as a close, difficult moment of hopeful connection. What does it do to us, emotionally and psychologically, to listen hard and habitually to somebody else’s singing? Why is human song so essential to our lives? The book asks many other questions, too: Why did Jagger and Lennon sing like that (and not like this)? Billie, Janis, Amy: must the voices of anguish always dissolve into spectacle? What makes us turn again and again to a singing human voice? The history of postwar popular music is often told sociologically or in terms of musicological influence and innovation in style. Voices offers a different, intimate perspective. In ten discrete but cohering essays, Coleman tackles the arc of that history as an emotional experience with real psychological consequences. He writes about the voices that have affected the ways he feels about and understands the world—from Aretha Franklin to Amy Winehouse, Marvin Gaye to David Bowie. Ultimately, Voices is the story of what it is to listen and be moved—what it is to feel emotion.
Poetry, by definition, is voice, which here includes the worlds of both sound silence in which the poem exists. Voice in poetry represents the way in which individuals articulate themselves as subjects. English Narrative Poetry: A Babel of Voices explores how poets in different periods of English literature have manipulated voice in their verse narratives. This book, devoted to voice, explores narrative poems ranging from the Renaissance to the contemporary. Starting from Shakespeare, it journeys through Pope, Wordsworth, Keats, Rossetti, Browning, H. D., Ted Hughes, Jackie Kay, and Bernardine Evaristo in the light of narrative theory. The multiplicity of voice attests to the fact that narrative poetry can present itself as a ‘representation’ of real life by ‘mimicking’ the voices of women and men, creating what, taken together, comprises a babel of voices.
This volume discusses the lives and writings of five nonconformist women who comprised the heart of a vibrant literary circle in England between 1760 and 1840. Whelan shows these women's keen awareness and often radical viewpoints on contemporary issues connected to politics, religion, gender, and the Romantic sensibility.
Summary: English is spoken or written today by a third of the world's population - an unprecedented achievement for a language. How has this situation come about? And what happens to a language when it is used by so many? In this illustrated history David Crystal charts the development of the language from the earliest runic inscriptions in old English, through the emergence of a standard variety of English between 1400 and 1800, to the most modern forms of the language in 'concrete' and 'text' poetry. In telling the story he draws on examples from English in its various guises and uses from our everyday English to English in the workplace and English used as a medium of playful and literary expression. The regional and international varieties of English are also considered. This book shows us where language is now, where it has been, and perhaps most important of all where it is heading, for the new varieties of the language appearing in world literature and on the Internet show that this is a story which is by no means over.
This study pairs selected Irish and British women novelists of three periods, relating their voices to the women's movements in their respective nations. In the first wave, nationalist and militant ideologies competed with the suffrage fight in Ireland. Elizabeth Bowen's The Last September illustrates the melancholy of gender performance and confusion of ethnic identity in the dying Anglo-Irish Ascendancy class. In England, suffrage ideologies clashed with socialism and patriotism. Virginia Woolf's Mrs. Dalloway contains a political unconscious that links its characters across class and gender. In the second wave, heterosexual romantic relationships come under scrutiny. Edna O'Brien's Country Girls trilogy reveals ways in which Irish Catholic ideologies abject femaleness; her characters internalize this abjection to the point of self-destruction. Doris Lessing's The Golden Notebook pits the protagonist's aspirations to write novels against the Communist Party's prohibitions on bourgeois values. In the third wave, Irish writers express the frustrations of their cultural identity. Nuala O'Faolain's My Dream of You takes her protagonist back to Ireland to heal her psychic wounds. In England, Thatcherism had created a materialistic culture that eroded many feminists' socialist values. Fay Weldon's Big Woman satirizes the demise of second-wave idealism, asking where feminism can go from here.
El Capitain brings something big and welcome to OS X: speed. Pogue brings you the stuff you need to know, from information about split screen mode and smaller enhancements to updates on networking, remote access, and more. It's the ultimate guide to unlocking El Capitan's potential.--