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In Voice-Overs, an impressive collection of writers, translators, and critics of Latin American literature address the challenges and triumphs of translation in the publishing industry, in teaching, and in the writing culture of the Americas. Through personal anecdotes as well as critical analyses, they engage important, ongoing debates over issues of language, exile, cultural identity, and literary markets. Institutions and personalities in Latin American literary translation are highlighted to examine the genre's cultural politics and transnational impact.
"Transatlantic Translations refigures Latin American narratives outside of the current paradigm of 'victimization' and 'resistance'. Julio Ortega is more concerned to examine how what was different is constructed in terms of what was already known, and to explore what he terms 'the radical principle of the new intermixing. Tracing Latin American representations from the early modern era to our own in the work of Shakespeare, Inca Garcilaso de la Vega, Guaman Poma de Ayala, Juan Rulfo and Gabriel Garcia Marquez, among others, Ortega reveals that language was not solely a way for colonizers to indoctrinate and 'civilize, but also a means that enabled Latin Americans to argue and negotiate their versions and appropriations, and eventually to tell their own history. The coordinated essays in Transatlantic Translations enable the Old World and the New to meet and debate together in a new language."--BOOK JACKET.
In this sweeping history, leading Haitian intellectual Jean Casimir argues that the story of Haiti should not begin with the usual image of Saint-Domingue as the richest colony of the eighteenth century. Rather, it begins with a reconstruction of how individuals from Africa, in the midst of the golden age of imperialism, created a sovereign society based on political imagination and a radical rejection of the colonial order, persisting even through the U.S. occupation in 1915. The Haitians also critically retheorizes the very nature of slavery, colonialism, and sovereignty. Here, Casimir centers the perspectives of Haiti's moun andeyo—the largely African-descended rural peasantry. Asking how these systematically marginalized and silenced people survived in the face of almost complete political disenfranchisement, Casimir identifies what he calls a counter-plantation system. Derived from Caribbean political and cultural practices, the counter-plantation encompassed consistent reliance on small-scale landholding. Casimir shows how lakou, small plots of land often inhabited by generations of the same family, were and continue to be sites of resistance even in the face of structural disadvantages originating in colonial times, some of which continue to be maintained by the Haitian government with support from outside powers.
"Should be required reading for everyone in the field of comparative literature, for it speaks to translation as interpretation and as creative transfer, and to the fact that good translators ought to be recognized for what they are: good writers. . . . Essential."--Choice "A welcome addition to the Latin Americanist's toolkit."--Adria Frizzi, University of Texas at Austin The past few years have seen an explosion of interest among U.S. readers for Latin American literature. Yet rarely do they experience such work in the original Spanish or Portuguese. Elizabeth Lowe and Earl Fitz argue that the role of the translator is an essential--and an often ignored--part of the reception process among English-language readers. Both accomplished translators in their own right, Lowe and Fitz explain how stylistic and linguistic choices made by the translator can have a profound effect on how literary works are perceived by readers unfamiliar with a foreign language. Touching on issues of language, culture, and national identity, Translation and the Rise of Inter-American Literature offers a broad comparative perspective rarely found in traditional scholarship.
This book is a critical study of the work of Gregory Rabassa, translator of such canonical novels as Gabriel Garcìa Márquez's Cien años de soledad, José Lezama Lima's Paradiso, and Julio Cortàzar's Rayuela. During the past five decades, Rabassa has translated over fifty Latin American novels and to this day he is one of the most prominent English translators of literature from Spanish and Portuguese. Rabassa's role was pivotal in the internationalization of several Latin American writers; it led to the formation of a canon and, significantly, to the most prevalent image of Latin American literature in the world. Even though Rabassa's legacy has been widely recognized, the extent of his work's influence and the complexity of the sociocultural circumstances surrounding his practice have remained largely unexamined. In Gregory Rabassa's Latin American Literature: A Translator's Visible Legacy, María Constanza Guzmán examines the translator's conceptions about language, contextualizes his work in terms of the structures and conditions that have surrounded his practice, and investigates the role his translations have played in constructing collective narratives of Latin American literature in the global imaginary. By revisiting and historicizing the translator's practice, this book reveals the scale of Rabassa's legacy. The translator emerges as an active subject in the inter-American literary exchange, an agent bound to history and to the forces involved in the production of culture.
Adopting an interdisciplinary approach, this book investigates the style, or ‘voice,’ of English language translations of twentieth-century Latin American writing, including fiction, political speeches, and film. Existing models of stylistic analysis, supported at times by computer-assisted analysis, are developed to examine a range of works and writers, selected for their literary, cultural, and ideological importance. The style of the different translators is subjected to a close linguistic investigation within their cultural and ideological framework.