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This book brings to the attention of the collecting public nearly 300 transferware items from 1780-1840. With more than 1200 images, this book of pottery objects for every conceivable use will appeal to collectors, historians, and dealers.
The colorful patterns of 20th cetnury English transferware from manufacturers like Crown Ducal, Enoch Wood, Royal Staffordshire, Royal Crownford, Alfred Meakin, Spode, Johnson Brothers, Masons and others. With nearly 600 beautiful color photos and 2000 pieces illustrated, this book focuses on the most actively sought-after patterns. Also, included are detailed pricing tables for several major patterns and commentary of popular trends.
The Material Culture of Tableware is a fascinating and authoritative study of patterned tableware in the US. The book undertakes a visual analysis of Johnson Brothers patterns of tableware pottery, with reference to comparable designs by other British companies, such as Spode and Adams. It examines how this practical genre reflected the aesthetic values, sense of identity and aspirations of the American consumers who purchased its products. The study also sheds light on British opinions and understandings of American culture. The book's chronological organization shows how tableware designs reflected the cultural developments of American society during the long 20th century. From status-seeking 1890s beaux-arts patterns and the nostalgic historical scenes of the 1930s, to whimsical 1960s patterns and the contemporary motifs of the 1970s, The Material Culture of Tableware tells a compelling story about who 20th century middle-class Americans were and wanted to be.
This work, which unlike most of the books on the subject written at the time has retained its popularity, covers in great detail the major coaching roads to Bath, Exeter, Portsmouth, Brighton, Dover, York and Holyhead. The author considered the roads and the coaching inns from the viewpoint of the traveller, and did not confine himself to any particular era. The result is a fascinating series of descriptions of the social life which passes between the province and London.
This essential new reference identifies thousands of marks from American, English and European potters. Marks are presented in alphabetical and chronological order by potters with historical facts. American and Canadian importers and the potters for whom they imported are identified. Ware types, printed patterns, registry dates, glossary and bibliography are included. Now identification of pottery has a single authoritative source.
Suggests season-by-season ideas for place settings, floral arrangements, and menus appropriate for picnics, intimate meals, afternoon gatherings, and formal dinner parties.
Leads the reader through the worlds between the tides, with tales of the origins of each shard, whether glass or ceramic.
Old-House Journal is the original magazine devoted to restoring and preserving old houses. For more than 35 years, our mission has been to help old-house owners repair, restore, update, and decorate buildings of every age and architectural style. Each issue explores hands-on restoration techniques, practical architectural guidelines, historical overviews, and homeowner stories--all in a trusted, authoritative voice.
From household objects to maps and ideas of race, Kariann Yokota examines early US history through the lens of postcolonial theory. While its leaders went to great lengths to establish their "civility,"what really distinguished the new nation were its unlimited natural resources, slavery, and the displacement of native societies.
It has been more than a decade since Carolyne Roehm first shared her love of gardening and flower arranging. Now, for the first time ever, she turns her own photographic lens to that passion with Flowers, showcasing more than 300 images of the varieties in her abundant gardens, all captured at their most vibrant and exquisite moments throughout the season. With a gardener’s intimate understanding and a designer’s elegant eye, Roehm shows us the flowers she has cultivated for decades in and around Weatherstone, her historic Connecticut home. While alternating dramatic close-ups with portraits of lovely arrangements and sweeping views of her land, Roehm writes with wit, emotion, and affection of what flowers have meant to her, as well as of the joys and travails of the committed gardener’s life. What began as a casual hobby ultimately became a multi-year endeavor, as Roehm used her camera to explore the special relationship a gardener enjoys with her carefully nurtured beauties. The outcome is a remarkably personal visual essay: sumptuous, surprising, and as revealing of the sensibility behind the camera as the magnificent species that stand before it. This beautiful objet d’art—a flower garden in a book—is Carolyne Roehm’s most significant and singular volume yet.