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This Journal, notebook features 120 pages of lined paper with a matte finished cover. Perfect for note taking or diary entries. If you love your puppy dog. Then why not show it off on your trusty writing journal as you write down your plans for greatness.
George and Harold have created the greatest superhero in the history of their school — and now they're about to bring him to life! MEET CAPTAIN UNDERPANTS! HIS TRUE IDENTITY IS SO SECRET, EVEN HE DOESN'T KNOW WHO HE IS! FIGHTING FOR TRUTH, JUSTICE AND ALL THINGS PRE-SHRUNK AND COTTONY!
Willis examines the many orientations and perspectives of reporters that gather and present the news of the day. Debunking the notion that there are limited perspectives journalists may use, Willis examines up to 15 different orientations that reporters bring to their work. These perspectives run the gamut, from the traditional approach of distancing oneself completely from events and people involved to becoming part of the story's fabric to ascertain the story's true essence. Willis also suggests that, for many stories, it is wholly appropriate for journalists to feel what a non-professional would experience at such an event, and to allow those emotions to fuel the reporting and writing of the story. Several examples are discussed in detail, including the coverage of the bombing of the Alfred P. Murrah Federal Building in Oklahoma City on April 19, 1995, and the terrorist attacks of September 11, 2001.
Fiction. Cultural Writing. Essays. A series of essays, ACADEMONIA is also an epic narrative of survival against institutional deadening and the proscriptiveness that shoots the young writer like poison darts from all sides. Here Bellamy, "explores the prickly intersection among these [institutional] spaces as it moves through institutions such as the academy, the experimental writing communities of the Bay Area, feminist and sexual identities, and group therapy. Continuing the work that she began in The Letters of Mina Harker pushing memoir and confession out of its safety zones and into its difficulties, this book provokes as it critiques and it critiques and yet at the same time manages to delight with its hope"-Juliana Spahr.
Poetry has no precedent for the voice in Letters from Aldenderry. Colloquial and demotic, it takes pride and pleasure in the sound of American, but it is emphatically "from elsewhere" in its joyful symmetries. What astounds is the multiplicity of Nikolayev's registers and his command of perfect verbal pitch. This is cosmopolitan one-man theater at its best. Life is all there, its whole nine yards from birth to shock to recovery, from thoughtful conversation and intimacies of the soul to standup guffaws and punning provocation. Filled with an organic fusion of extremes, with healthy experimentation and a history of poetic forms that looms behind every line, this book is an apotheosis of freedom that shuts the gaping gulf between lyric and avant-garde. The poems are about what has been lost and found and is worth keeping: creative solitude, empathy, love, pain and laughter, the poetic experience itself. Words do not swallow the reader in an avalanche of consciousness, they flow to a varied musical rhythm and make sense. The overall impression is integral and wholesome. The work succeeds at modeling a persuasive modern hero--a far-flung, uprooted émigré intellectual who makes his home in diverse languages and cultures and stares at the world through a unique pair of eyes. This type is among the most interesting in current literature, fraught as it is with multiple biography, dialectics, contradictions. A poet can cultivate compassion to the point of sheer self-transformation. Nikolayev is crazy in the best possible sense of the word.