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One of the most important teachers of historical swordsmanship, Stephen Hand has delivered what may well be his Magnum Opus, a detailed study in text and photographs of his best form, the swordsmanship of the 16th century English swordmaster, George Silver. In nearly 800 photographs, Mr. Hand explores the depth of Silver's technique, presenting for the student a clear and concise path to fighting with the single-handed sword. These techniques are from the same period as William Shakespeare, and it is even supposed that Silver had something to do with the staging of swordsmanship in Shakespeare's plays. So these techniques should have special interest to those involved in swordplay on the stage. Students of fencing history, members of the SCA, LARPS, or students of Renaissance history will also find this first-ever exploration of Silver's amazingly effective techniques surpremely valuable.
From the author of Renaissance Swordsmanship comes the most comprehensive and historically accurate view ever of the lost fighting arts of Medieval knights, warriors and men-at-arms. Based on years of extensive training and research in the use of European swords, it contains highly effective fighting techniques for the sword, sword & shield, long-sword, great-sword, pole-arm and more. And with more than 200 illustrations and rare historical documents, it is a scholarly reference as well as a hands-on training guide for martial artists of all levels.
This is the most thorough work ever about historical swordsmanship. It is both a general reference and an instructional guide for advanced and beginning sword enthusiasts, students of military history and martial artists. Includes rare historical info and 100 original drawings.
English translation of one of the most significant medieval texts on fighting with swords.
Polish Saber - The use of the Polish Saber on foot in the 17th century covers the history, anecdotes and use of Poland's iconic weapon. In matters of honor and personal safety the saber was the Polish nobleman's choice of arms. The concept of the duel, the form and function of the weapon, as well as source material from Poland, Italy and Germany are blended together in an interpretation presented in full-color. The work is suitable for history enthusiasts, Historical European Martial Artists and re-creationists who wish to explore Poland's Commonwealth and the weapon that symbolized its nobility.
Demonstrates and explains the history, construction, sword etiquette, basic targeting and mat cutting using the Samurai sword.
This new publication is intended to bring together a mass of research dealing with all aspects of British naval swords. Unlike the much sought after Swords of Sea Service by May and Annis, this work offers a far broader coverage and, for the first time, the complete story of swords and swordsmanship is presented in one concise volume. While the swords themselves are described the authors also tell the story of naval swordsmanship For exsample, subjects such as how swords and cutlasses were used in action and how training was conducted and covered. The authors also address how how the use of swords developed into a sport in the Navy, and how swords and swordsmanship may have entered naval symbology in such areas as ships' names. Many current myths are addressed and corrected, and the story is brought right up to date with information on the sport from 1948 to 2000. While the book concentrates on the Royal Navy, foreign weapons, including those of the Irish Naval Service, are mentioned where appropriate Other British Maritime organisations such as the Merchant Navy, the Customs and Coastguard Services, and the Reserves are also addressed The book also covers subjects such as dating, collecting, and conservation of swords and re-examines those swords attributed to Nelson. The Appendices include the first list of Swords of Peace awarded to naval units to be published. Recent research by the authors is also reflected in the updated lists of Patriotic Fund Awards, City of London Swords, and Naval fencing champions contained in the Appendicitises The comprehensive nature of the work has not been attempted before and the book will appeal to a wide range of naval enthusiasts and historians, collectors of weapons, fencers and re-enactors.
Scotland has a long and proud tradition of swordsmanship, something that is abundantly documented in its medieval literature. This publication reproduces two classic manuals of swordsmansip, both written in the early 18th century. The Expert Sword-Man's Companion' written by Donald McBane and New Methods of Fencing' written by Sir William Hope in 1707, both contain advice on the theory of swordplay, as well as technical and ethical issues and the realities of fighting. In this book Rector adds the necessary background material and the California Players re-enact many of the techniques discussed.
"The Book and the Sword was Louis Cha's first novel, published in 1955. The story has a panoramic sweep which has at its heart a few unbeatable themes: secret societies, kung fu masters, and the sensational rumour so dear to Chinese hearts that the great Manchu Emperor Qian Long was not in fact a Manchu but a Han Chinese, a line of descent that came about as a result of a 'baby swap' on the part of the Chens of Haining in Southern China. It mixes in the exotic flavours of central Asia, a lost city in the desert guarded by wolf packs, and the Fragrant Princess. This lady is an embellishment of an actual historical figure - although whether she actually smelled of flowers, we will never know."--Jacket
(Applause Books). SWORD FIGHTING; A MANUAL FOR ACTORS AND DIRECTORS is a comprehensive new work on the art of creating realistic and exciting fight sequences for theatre, film and TV. This book is the product of thirty years research and experimentation into traditional European martial arts by acclaimed fight director John Waller and his associates, and possibly the most wide-ranging and practical book on stage combat ever published.