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After an opening chapter that examines the nature of poetry itself and analyzes its effect upon the reader, the author, in The English Poetic Mind, moves on to his main purpose, which is to try to reveal the source of the drive to creation in three of the greatest English poets: William Shakespeare, John Milton, and William Wordsworth. In each he identifies a particular kind of crisis that is the origin of the poetic impulse. In the light of these discoveries he addresses the achievements of several lesser poets and concludes with a chapter that, in a more general way, tentatively offers a vision of the paths poetry might take in the future.
Blake occupies a very special place in the pantheon of English Romanticism: just as innovative and brilliant as a painter and draughtsman as in the field of poetry, he created works that are often difficult to categorize and that, while harking back to a classical and biblical past, also look forward to the future – with authors such as T.S. Eliot, Aldous Huxley and the Beat poets among his many modern admirers. This volume includes an essential selection of Blake's poetry, from the lesser-known Poetical Sketches to his celebrated Songs of Innocence and of Experience and the “prophetic works” inspired by the French Revolution, covering over two decades of poetical activity and displaying the author's originality and independence of mind at their sparkling best.
Charlotte Smith (1749-1806) was the author of ten novels, a play, and a host of innovative educational books for children, as well as several volumes of poetry that helped set priorities and determine the tastes of the culture of early Romanticism. Her Elegiac Sonnets sparked the sonnet revival in English Romanticism; The Emigrants initiated its passion for lengthy meditative introspection; and Beachy Head lent its poetic engagement with nature a uniquely telling immediacy. Smith was a woman, Wordsworth remarked a quarter century after her death, "to whom English verse is under greater obligations than are likely to be either acknowledged or remembered." True to his prediction, Smith's poetry has virtually dropped from sight and thus from cultural consciousness. This, the first edition of Smith's collected poems, will restore to all students of English poetry a distinctive, compelling voice. Likewise, the recovery of Smith to her rightful place among the Romantic poets must spur the reassessment of the place of women writers within that culture.
447 British and American poems by 150 poets, including contemporary poets.
This long-awaited complete edition of Hopkins's poetry offers serious students far more guidance than has ever been available. The texts are arranged chronologically, rhythms are clarified, thousands of words and phrases are annotated for the first time, and far greater attention is paid to his neglected early output. Compiled by one of the world's leading Hopkins scholars, the book includes an introduction, extensive commentary, and headnotes for each poem setting out intellectual or biographical background and critical responses.