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This volume of essays is aimed at advancing the appreciation of Malory, an author who has always been enjoyed by the common reader, but is still sometimes underestimated by the critics. Despite an increasing number of articles on Malory, there is a need for a general survey of recent research, which l> Aspects of Malory /l> provides. The volume opens with a note by the late Professor Vinaver on Malory's prose, and three essays on Malory's Englishness and his English sources, including an essay by P. J. C. Field which argues for an English rather than a French origin for the l>Tale of Gareth/l>. This is followed by two essays on Malory's French sources, by Jill Mann and Mary Hynes-Berry. Terence McCarthy re-exasmines the sequence of the tales, and three further essays look at the scribal and textual tradition of Malory's work, in particular the relationship between the Winchester MS, Caxton's printed version, and the history of the MS. Finally, Richard R. Griffith reconsiders the authorship question, and proposes a long-forgotten Thomas Malory as the most likely candidate. There is a bibliography of recent research compiled by Professor Takamiya. .`Full of sound scholarship'. TIMES LITERARY SUPPLEMENT
Middle English is a student guide to the most influential critical writing on Middle English literature. A student guide to the most influential critical writing on Middle English literature. Brings together extracts from some of the major authorities in the field. Introduces readers to different critical approaches to key Middle English texts. Treats a wide range of Middle English texts, including The Owl and the Nightingale, The Canterbury Tales and Morte d’Arthur. Organized around key critical concerns, such as authorship, genre, and textual form. Each critical concern can be used as the basis for one week’s work in a semester-long course. Enables readers to forge new connections between different approaches.
This book provides a boldly original account of Middle English literature from the Norman Conquest to the beginning of the sixteenth century. It argues that these centuries are, in fundamental ways, the momentous period in our literary history, for they are the long moment in which the category of literature itself emerged as English writing began to insist, for the first time, that it floated free of any social reality or function. This book also charts the complex mechanisms by which English writing acquired this power in a series of linked close readings of both canonical and more obscure texts. It encloses those readings in five compelling accounts of much broader cultural areas, describing, in particular, the productive relationship of Middle English writing to medieval technology, insurgency, statecraft and cultural place, concluding with an in depth account of the particular arguments, emphases and techniques English writers used to claim a wholly new jurisdiction for their work. Both this history and its readings are everywhere informed by the most exciting developments in recent Middle English scholarship as well as literary and cultural theory. It serves as an introduction to all these areas as well as a contribution, in its own right, to each of them.
For the first time available in paperback, this classic anthology provides readers with important literary works composed during the Middle English period (1100-1500) in England, Scotland, and Ireland. The editors provide glosses for all unfamiliar words and obscure phrases and every selection refers to at least one definitive edition where details of recent scholarship can be found. Modern punctuation and capitalization are used throughout and variant spellings are kept to a minimum to avoid unnecessary confusion. The introduction discusses important literary and linguistic questions; the headnotes and bibliography offer extensive guidance to secondary sources; and the appendixes clarify pronunciation, verb use, and dialect variations.
The latest volume in the Chaucer Bibliographies series, meticulously assembled by Kenneth Bleeth, is the most comprehensive record of scholarship on Chaucer's Squire's Tale, Franklin's Tale, and Physician's Tale.
Revolutionary and writer: how do they fit together in one person’s work? Using literary texts from French, German, Russian and American pro-revolutionary writers, Sheila Delany examines the synergy of politics and rhetoric, art and social commitment. The writers she considers gave voice to the hopes of their time. Some led the events in person as well as through their writing; others worked to build a movement. Marx, Engels, Lenin, Trotsky, Luxemburg, Mao, Sylvain Maréchal, Boris Lavrenov, Bertolt Brecht and others are here: consummate rhetoricians all, not necessarily on the same page politically but for the revolutions of their day.
Marxism and Art is a collection of basic readings in Marxist criticism and aesthetics. Marxism and Art is a book of basic readings in Marxist criticism and aesthetics. Maynard Solomon, through his selections and critical introductions, shows connections between the arts and society, between imagination nd history, and between art and revolution. He selects from thirty-six authors to reveal the range of opinion from dogma to heresy, beginning with excerpts from the works of Marx and Engels that are pertinent to an understanding of Marxist philosophy. The book traverses a wide range of subjects from the origins of art to the nature of creativity, the aesthetic experience, the dialectics of consciousness, the psychology of art, and the evolution of art forms. The sources of art in ritual, in the labor process, in the play drive, and in social conflict are explored.
The Cynewulf Reader is a collection of classic and original essays presenting a comprehensive view of the elusive Anglo-Saxon poet Cynewulf, his language, and his work.
Social and historical theory of the conceptualisation of space from ancient times to the Renaissance.