Download Free English Lyrics Chaucer To Poe 1340 1809 Book in PDF and EPUB Free Download. You can read online English Lyrics Chaucer To Poe 1340 1809 and write the review.

Excerpt from English Lyrics: Chaucer to Poe, 1340-1809 There is plenty of verse in those volumes that would fain be lyrical if it could. But it never can; for Southey was not thus gifted. And, just as there is little or nothing in all Shelley which has not at least the lyrical thrill, so there is never a lyric in all Southey. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Revised and condensed from David Norton's acclaimed A History of the Bible as Literature, this book, first published in 2000, tells the story of English literary attitudes to the Bible. At first jeered at and mocked as English writing, then denigrated as having 'all the disadvantages of an old prose translation', the King James Bible somehow became 'unsurpassed in the entire range of literature'. How so startling a change happened and how it affected the making of modern translations such as the Revised Version and the New English Bible is at the heart of this exploration of a vast range of religious, literary and cultural ideas. Translators, writers such as Donne, Milton, Bunyan and the Romantics, reactionary Bishops and radical students all help to show the changes in religious ideas and in standards of language and literature that created our sense of the most important book in English.
The text of the book consists of some 150 letters (out of a corpus of 2,500) written by the late nineteenth-century poet, critic, editor and journalist W.E. Henley, to various figures of the period, e.g. R.L. Stevenson, H. G. Wells, J.M. Barrie, William Archer, Rodin, Wilde, Kipling, Arthur Morrison, Alice Meynell, and Edmund Gosse. Letters are also included to other figures within Henley’s immediate circle, his wife Anna, his financial backer Fitzroy Bell, Charles Baxter the arbitrator in the quarrel between Henley and Stevenson, and his Edinburgh art collector friend Hamilton Bruce. Each letter is fully annotated. An introduction places Henley within the period and provides a biographical account of his life and literary work which is reflected in his letters. Of particular importance is the role of Henley as editor of London, the Magazine of Art, the Scots Observer and later the National Observer and the New Review.