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Oxford History Of English Literature, V7.
The English Novel in History 1700-1780 provides students with specific contexts for the early novel in response to a new understanding of eigtheenth-century Britain. It traces the social and moral representations of the period in extended readings of the major novelists, as well as evaluatiing the importance of lesser known ones. John Richetti traces the shifting subject matter of the novel, discussing: * scandalous and amatory fictions * criminal narratives of the early part of the century * the more disciplined, realistic, and didactic strain that appears in the 1740's and 1750's * novels promoting new ideas about the nature of domestic life * novels by women and how they relate to the shift of subject matter This original and useful book revises traditional literary history by considering novels from those years in the context of the transformation of Britain in the eighteenth century.
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The paperback edition, in four volumes, of this standard work will make it readily available to students. The scope of the work makes it valuable as a work of reference, connecting one period with another and placing each author clearly in the setting of his time. Reviewing the first edition, The Times Literary Supplement commented: ‘in inclusiveness and in judgment it has few rivals of its kind’. This third volume covers the Restoration and the Eighteenth Century (1660-1789) and is co-authored by George Sherburn and Donald F. Bond (both at the University of Chicago).
This book discusses Imitations of the ancient Roman verse satirists Horace, Juvenal, and Perseus published in Britain in the first half of the eighteenth century. It endeavors to put major writers such as Alexander Pope and Samuel Johnson in the context of lesser writers of the period. It also devotes attention to other canonical writers such as Jonathan Swift, Henry Fielding, and Christopher Smart.
First published in 1959. Routledge is an imprint of Taylor & Francis, an informa company.
Living by the Pen traces the pattern of the development of women's fiction from 1696 to 1796 and offers an interpretation of its distinctive features. It focuses upon the writers rather than their works, and identifies professional novelists. Through examination of the extra-literary context, and particularly the publishing market, the book asks why and how women earned a living by the pen. Cheryl Turner has researched and lectured widely in the field of eighteenth-century women's writing.