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During the Viking Age, York was the most important centre of Scandinavian power and influence in Britain. This book outlines the history of this exciting period and traces the impact which the Viking settlers made.
Provides a comprehensive history of what is now considered England's most famous surviving medieval city, covering nearly a thousand years
'the volume will indeed be a treasury for pictorial sources, and the illustrations to more off-the-beaten-track chapters (especially Noonan's, on European Russia) are correspondingly unusual.' -Guy Halsall, War in History, 8, 3, 2001'the truest picture yet of the Vikings and their age.' -Publishing News
Filling a gap in the literature for an academically oriented volume on the Viking period, this unique book is a one-stop authoritative introduction to all the latest research in the field, and the most comprehensive book of its kind ever attempted.
Thoroughly updated and with a new foreword 'The Viking Age is shot through with the spirit of adventure. For 300 years, from just before AD800 until well into the eleventh century, the Vikings affected almost every region accessible to their ships, and left traces that are still part of life today' Far from being just 'wild, barbaric, axe-wielding pirates', the Vikings created complex social institutions, oversaw the coming of Christianity to Scandinavia and made a major impact on European history through trade, travel and far-flung consolidation. This encyclopedic study brings together the latest research on Viking art, burial customs, class divisions, jewellery, kingship, poetry and family life. The result is a rich and compelling picture of an extraordinary civilisation.
York was one of the most important cities in medieval England. This original study traces the development of the city from the Norman Conquest to the Black Death. The twelfth and thirteenth centuries are a neglected period in the history of English towns, and this study argues that the period was absolutely fundamental to the development of urban society and that up to now we have misunderstood the reasons for the development of York and its significance within our history because of that neglect. Medieval York argues that the first Norman kings attempted to turn the city into a true northern capital of their new kingdom and had a much more significant impact on the development of the city than has previously been realised. Nevertheless the influence of York Minster, within whose shadow the town had originally developed, remained strong and was instrumental in the emergence of a strong and literate civic communal government in the later twelfth and thirteenth centuries. Many of the earlier Norman initiatives withered as the citizens developed their own institutions of government and social welfare. The primary sources used are records of property ownership and administration, especially charters, and combines these with archaeological evidence from the last thirty years. Much of the emphasis of the book is therefore on the topographical development of the city and the changing social and economic structures associated with property ownership and occupation.
The islands of Britain have been a crossroads of gods, heroes, and kings-those of flesh as well as those of myth-for thousands of years. Successive waves of invasion brought distinctive legends, rites, and beliefs. The ancient Celts displaced earlier indigenous peoples, only to find themselves displaced in turn by the Romans, who then abandoned the islands to Germanic tribes, a people themselves nearly overcome in time by an influx of Scandinavians. With each wave of invaders came a battle for the mythic mind of the Isles as the newcomer's belief system met with the existing systems of gods, legends, and myths. In Gods, Heroes, and Kings, medievalist Christopher Fee and veteran myth scholar David Leeming unearth the layers of the British Isles' unique folkloric tradition to discover how this body of seemingly disparate tales developed. The authors find a virtual battlefield of myths in which pagan and Judeo-Christian beliefs fought for dominance, and classical, Anglo-Saxon, Germanic, and Celtic narrative threads became tangled together. The resulting body of legends became a strange but coherent hybrid, so that by the time Chaucer wrote "The Wife of Bath's Tale" in the fourteenth century, a Christian theme of redemption fought for prominence with a tripartite Celtic goddess and the Arthurian legends of Sir Gawain-itself a hybrid mythology. Without a guide, the corpus of British mythology can seem impenetrable. Taking advantage of the latest research, Fee and Leeming employ a unique comparative approach to map the origins and development of one of the richest folkloric traditions. Copiously illustrated with excerpts in translation from the original sources,Gods, Heroes, and Kings provides a fascinating and accessible new perspective on the history of British mythology.
The islands of Britain have been a crossroads of gods, heroes, and kings-those of flesh as well as those of myth-for thousands of years. Successive waves of invasion brought distinctive legends, rites, and beliefs. The ancient Celts displaced earlier indigenous peoples, only to find themselves displaced in turn by the Romans, who then abandoned the islands to Germanic tribes, a people themselves nearly overcome in time by an influx of Scandinavians. With each wave of invaders came a battle for the mythic mind of the Isles as the newcomer's belief system met with the existing systems of gods, legends, and myths. In Gods, Heroes, and Kings, medievalist Christopher Fee and veteran myth scholar David Leeming unearth the layers of the British Isles' unique folkloric tradition to discover how this body of seemingly disparate tales developed. The authors find a virtual battlefield of myths in which pagan and Judeo-Christian beliefs fought for dominance, and classical, Anglo-Saxon, Germanic, and Celtic narrative threads became tangled together. The resulting body of legends became a strange but coherent hybrid, so that by the time Chaucer wrote "The Wife of Bath's Tale" in the fourteenth century, a Christian theme of redemption fought for prominence with a tripartite Celtic goddess and the Arthurian legends of Sir Gawain-itself a hybrid mythology. Without a guide, the corpus of British mythology can seem impenetrable. Taking advantage of the latest research, Fee and Leeming employ a unique comparative approach to map the origins and development of one of the richest folkloric traditions. Copiously illustrated with excerpts in translation from the original sources, Gods, Heroes, and Kings provides a fascinating and accessible new perspective on the history of British mythology.
Norwich is a city of superlatives. In the Middle Ages it was England's largest walled city and today it boasts more surviving medieval churches than any town in Europe. Moreover, during the 17th and 18th centuries it was recognized as Britain's richest provincial city. In this book Brian Ayers shows how it has developed over the past 1000 years from the small villages on the banks of the Wensum.