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Poets from Shakespeare to Walter de la Mare to Jack Prelutsky have written about fairy folk. Sometimes they canbe benefactors and helpers; ofttimes, tricksters; but always, creatures of sublime beauty and wonder. Here, in a sparkling collection, are Michael Hague's favorite fairy poems, illuminated by pictures from this master painter of fantasy. His fanciful artwork has never looked more otherworldly or beautiful.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Fairy Gold: A Book of Old English Fairy Tales was compiled by Ernest Rhys (1859 – 1946) and illustrated by Herbert Cole (1867 – 1930). Rhys was a famed writer and editor – best known for his role as founder of the ‘Everyman’s Library’, a series of affordable classics. Rhys was passionate about English folkloric tradition, and making such wonderful works of literature accessible to the common people. The book starts with a quotation from Shakespeare’s A Winter’s Tale, informing the reader that: ‘This is fairy Gold boy; and t’will prove so...’ From here on in, it is a text to amuse, delight, scare and inform – all in equal measures – for young and old alike. Fairy Gold contains a set of wonderful black and white illustrations by Herbert Cole, as well as such well-known tales as ‘The Three Bears’, ‘Tom Thumb’, ‘Jack and the Beanstalk’ and ‘The Mermaid’ as well as other, near-forgotten English stories such as ‘The Fairy Fair’, ‘Mr and Mrs Vinegar’, ‘The King and the Vipers’ and ‘Queen Mab’s Good Grace.’ The text appears in its original translation, ensuring that none of the work’s initial brilliance is lost. Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s literature – a period of unparalleled excellence in book illustration from the 1880s to the 1930s. Our collection showcases classic fairy tales, children’s stories, and the work of some of the most celebrated artists, illustrators and authors.
A collection of poems by English and American poets about leprechauns, goblins, and other fairies.
Relive the beauty and magic of Cecily Mary Barker's Flower Fairies of the Spring, now with a brand new enchanting cover. Since the publication of Cicely Mary Barker's first book in 1923, the Flower Fairies have been ethereal companions to readers around the world. Her charming poetry and delicate illustrations have sparked the imaginations of children for over ninety years and continue to inspire a life-long love for fairies and all things magical.
A collection of sixty-six Old English fairy tales, fables, romances, poems, and nursery rhymes.
Award-winning poet and author Joseph Coelho breaks new ground with his first novel in verse. The Girl Who Became a Tree is a powerful and mezmerising exploration of grief and renewal. Daphne is unbearably sad and adrift. She feels the painful loss of her father acutely and seeks solace both in the security of her local library and the escape her phone screen provides by blocking out the world around her. As Daphne tries to make sense of what has happened she recalls memories of shared times and stories past, and in facing the darkness she finds a way back from the tangle of fear and confusion, to feel connected once more with her friends and family. The Girl Who Became a Tree sees Joseph Coelho deploy a wide variety of poetic forms with consummate skill in its narration of events. He seamlessly but searingly weaves together the ancient legend of Daphne, who was turned into a tree to avoid the attentions of the god Apollo, and a totally modern tale, mixing real-life and fantasy, in which a latter-day Daphne seeks her own freedom. This a heart-stoppingly imaginative story told in poems, at times bleak and even tragic, which is layered, rich, and ultimately a tour de force of poetic skill and energy.