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This extremely readable volume analyses many individual texts, often in detail and for the first time, and also places them within the whole range of contemporary theatrical output, with its diversity of outlook and constant shifts in fashion and subject.
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This book describes how and why women were permitted to act on the public stage after 1660 in England.
Deborah C. Payne explores how the duopoly of 1660 impacted company practices, stagecraft, the box office, and actors and writers.